Analysis of Half a Man



'I wash me 'ands uv 'im,' I tells 'em straight.
   'You women can do wot yeh dash well like.
I leave this 'arf a man to 'is own fate;
   I've done me bit, an' now I'm gone on strike.
Do wot yeh please; but don't arsk 'elp from me;
'E's give me nerves; so now I'll let 'im be.'

Doreen an' ole Mar Flood 'as got a scheme.
   They've been conspirin' for a week or more
About this Digger Smith, an' now they dream
   They've got 'is fucher waitin' in cold store
To 'and 'im out, an' fix 'im up for life.
But they've got Buckley's, as I tells me wife.

I've seen them whisperin' up in our room.
   Now they wants me to join in the debate;
But 'Nix,' I tells 'em. 'I ain't in the boom,
   An' Digger Smith ain't risin' to me bait;
'E's fur too fly a fish for me to catch,
An' two designin' women ain't 'is match.'

I puts me foot down firm, an' tells 'em, No!
   Their silly plan's a thing I wouldn't touch.
An' then me wife, for 'arf an hour or so,
   Talks to me confident, of nothin' much;
Then, 'fore I know it, I am all red 'ot
Into the scheme, an' leader uv the plot.

'Twas Mar Flood starts it. She got 'old uv 'im --
   You know the way they 'ave with poor, weak men --
She drops a tear or two concernin' Jim;
   Tells 'im wot women 'ave to bear; an' then
She got 'im talkin', like a woman can.
'E never would 'ave squeaked to any man.

She leads 'im on -- It's crook the way they scheme --
   To talk about this girl 'e's let be'ind.
Not that she's pryin'! Why, she wouldn't dream! --
   But speakin' uv it might jist ease 'is mind.
Then, 'fore 'e knows, 'e's told, to 'is surprise,
Name an' address -- an' colour uv 'er eyes!

An' then she's off 'ere plottin' with Doreen --
   Bustin' a confidence, I tells 'em, flat.
But all me roustin' leaves 'em both serene:
   Women don't see a little thing like that.
An' I ain't cooled off yet before they've got
Me workin' for 'em in this crooked plot.

Nex' day Mar Flood she takes 'er Sunday dress
   An' 'er best bonnet up to town.
'Er game's to see the girl at this address
   An' word 'er in regard to comin' down
To take Smith be su'prise. My part's to fix
A meetin' so there won't be any mix.

I tips, that girl won't 'esitate.
   She don't. She comes right back with Mar nex' day,
All uv a fluster. When I see 'er state
   I thinks I'd best see Digger straight away;
'Cos if I don't, 'e's bound to 'ear the row,
With 'er: 'Where is 'e? Can't I see 'im now?'

I finds 'im in the paddick down at Flood's.
   I 'ums an' 'ars a bit about the crops.
'E don't say nothin': goes on baggin' spuds.
   ''Ow would yeh like,' I sez to 'im, an' stops.
''Ow would it be' ... 'E stands an' looks at me:
'Now, wot the 'Ell's got into you?' sez 'e.

That don't restore me confidence a bit.
   The drarmer isn't goin' as I tipped.
I corfs, an' makes another shot at it;
   While 'e looks at me like 'e thinks I'm dipped.
'Well - jist suppose,' I sez; an' then I turn
An' see 'er standin' there among the fern.

She don't want no prelimin'ries, this tart;
   She's broke away before they rung the bell;
She's beat the gun, an' got a flyin' start.
   Smith makes a funny noise, an' I sez ''Ell!'
Because I tumbles that I'm out uv place.
But, as I went, I caught sight uv 'er face.

That's all I want to know. An', as I ran,
   I 'ear's her cry, 'My man! Man an' a 'arf!
Don't fool me with yer talk uv 'arf a man!'...
   An' then I 'ear ole Digger start to larf.
It was a funny larf, so 'elp me bob:
Fair in the middle uv it come a sob...

I don't see Digger till the other night.
   'Well, 'Arf-a-man,' I sez, ''Ow goes it now?'
'Yes, 'arf a man,' sez 'e. 'Yeh got it right;
   I can't change that, alone, not any'ow.
But she is mendin' things.' 'E starts to larf.
'Some day,' 'e sez, 'she'll be the better 'arf.'


Scheme ABABCC DEDEFF GAGAHH IJIJXK LMLMNN DADXOO PQPQKK RSRSTT AUAUIV OWXWCC XYXYZZ 1 2 1 2 3 3 NFNF4 4 5 V5 IFF
Poetic Form
Metre 1111111111 1101111111 1111011111 1111111111 1111111111 1111111111 0111111101 11110111 0111011111 11111011 1011111111 111111111 111110101 1111110001 1111111001 1101110111 1111011111 11110111 1111111111 1101011101 11111111011 1111001101 1111111111 0101110101 1111111111 1101111111 11011111 1111011111 1111010101 1101111101 1111110111 110111111 111111101 111111111 1111111101 11111101 111111101 1001001111 111111101 1011010111 1111110111 111101101 111111011 11110111 011101111 110001111 111111111 011111101 111111 1111111111 1101011101 1111110101 1111111101 1011111111 111001111 1111010101 111101111 1111111111 1111111111 1101101111 1101110001 01101111 1111010111 1111111111 1101111111 110110101 1111111 1101011101 110111011 1101011111 0111011111 1111111101 1111111111 1101111101 1111111101 1111110111 1101011111 1001011101 1111010101 1101111111 1101111111 1111011101 111111111 1111110101
Closest metre Iambic pentameter
Characters 3,661
Words 761
Sentences 62
Stanzas 14
Stanza Lengths 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6
Lines Amount 84
Letters per line (avg) 30
Words per line (avg) 9
Letters per stanza (avg) 181
Words per stanza (avg) 53
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Submitted on May 13, 2011

Modified on March 05, 2023

3:59 min read
55

Clarence Michael James Stanislaus Dennis

Clarence Michael James Stanislaus Dennis, better known as C. J. Dennis, was an Australian poet known for his humorous poems, especially "The Songs of a Sentimental Bloke", published in the early 20th century. Though Dennis's work is less well known today, his 1915 publication of The Sentimental Bloke sold 65,000 copies in its first year, and by 1917 he was the most prosperous poet in Australian history. Together with Banjo Paterson and Henry Lawson, both of whom he had collaborated with, he is often considered among Australia's three most famous poets. While attributed to Lawson by 1911, Dennis later claimed he himself was the 'laureate of the larrikin'. When he died at the age of 61, the Prime Minister of Australia Joseph Lyons suggested he was destined to be remembered as the 'Australian Robert Burns'. more…

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