Analysis of The Lark’s Nest

Charlotte Smith 1749 (London) – 1806 (Tilford, Surrey)



'TRUST only to thyself;' the maxim's sound;
For, tho' life's choicest blessing be a friend,
Friends do not very much abound;
Or, where they happen to be found,
And greatly thou on friendship shouldst depend,
Thou'lt find it will not bear
Much wear and tear;
Nay ! that even kindred, cousin, uncle, brother,
Has each perhaps to mind his own affair;
Attend to thine then; lean not on another.

Esop assures us that the maxim's wise;
And by a tale illustrates his advice:
When April's bright and fickle beams
Saw every feather'd pair
In the green woodlands, or by willowy streams,
Busied in matrimonial schemes;
A Lark, amid the dewy air,
Woo'd, and soon won a favourite fair;
And, in a spot by springing rye protected,
Her labour sometimes shared;
While she, with bents, and wither'd grass collected,
Their humble domicile prepared;
Then, by her duty fix'd, the tender mate
Unwearied prest

Their future progeny beneath her breast;
And little slept, and little ate,
While her gay lover, with a careless heart,
As is the custom of his sex,
Full little recks
The coming family; but like a dart,
From his low homested, with the morning springs;
And far above the floating vapour, sings
At such an height,
That even the shepherd-lad upon the hill,
Hearing his matin note so shrill,
With shaded eyes against the lustre bright,
Scarce sees him twinkling in a flood of light.
But hunger, spite of all her perseverance,
Was one day urgent on his patient bride;
The truant made not his appearance,

That her fond care might be a while supplied,­
So, because hunger will not be denied,
She leaves her nest reluctant; and in haste
But just allows herself to taste,
A dew drop, and a few small seeds­
Ah ! how her fluttering bosom bleeds,
When the dear cradle she had fondly rear'd
All desolate appear'd !
And ranging wide about the field she saw
A setter huge, whose unrelenting jaw
Had crush'd her half-existing young;
Long o'er her ruin'd hopes the mother hung,
And vainly mourn'd,
Ere from the clouds her wanderer return'd:­
Tears justly shed by beauty, who can stand them ?
He heard her plaintive tale with unfeign'd sorrow,

But, as his motto was, 'Nil desperandum,'
Bade her hope better fortune for to-morrow;
Then from the fatal spot afar, they sought
A safer shelter, having bought
Experience, which is always rather dear;
And very near
A grassy headland, in a field of wheat,
They fix'd, with cautious care, their second seat­
But this took time; May was already past,
The white thorn had her silver blossoms cast,
And there the Nightingale, to lovely June,
Her last farewell had sung;
No longer reign'd July's intemperate noon,
And high in heaven the reaper's moon,
A little crescent hung,
Ere from their shells appear'd the plumeless young.

Oh ! then with how much tender care,
The busy pair,
Watch'd and provided for the panting brood !
For then, the vagrant of the air,
Soar'd not to meet the morning star,
But, never from the nestlings far,
Explor'd each furrow, every sod for food;
While his more anxious partner tried
From hostile eyes, the helpless group to hide;
Attempting now, with labouring bill, to guide
The enwreathing bindweed round the nest;
Now joy'd to see the cornflower's azure crest
Above it waving, and the cockle grow,
Or poppies throw
Their scarlet curtains round;
While the more humble children of the ground,

Freak'd pansies, fumitory, pimpernel,
Circled with arras light, the secret cell:­
But who against all evils can provide ?
Hid, and overshadow'd thus, and fortified,
By teasel, and the scabious' thready disk,
Corn-marygold, and thistles; too much risk
The little household still were doom'd to run,
For the same ardent sun,
Whose beams had drawn up many an idle flower,
To fence the lonely bower,
Had by his powerful heat,
Matured the wheat;
And chang'd of hue, it hung its heavy head,
While every rustling gale that blew along
From neighbouring uplands, brought the rustic song
Of harvest merriment: then full of dread,

Lest, not yet fully fledg'd, her race
The reaper's foot might crush, or reaper's dog might trace,
Or village child, too young to reap or bind,
Loitering around, her hidden treasure find;
The mother bird was bent
To move them, e'er the sickle came more near;
And therefore, when for food abroad she went,
(For now her mate again was on the rambl


Scheme Text too long
Poetic Form
Metre 11011011 1111010101 11110101 11110111 0101110101 111111 1101 111010101010 1101111101 01111111010 10111011 010110101 11010101 1100101 0011111001 10001001 01010101 1011011 00011101010 01011 11110101010 110101 1101010101 11 1101000101 01010101 1011010101 11010111 1101 0101001101 111110101 010101011 1111 11001010101 1011111 1101010101 11110000111 1101110010 1111011101 010111010 1011110101 1011011101 1101010001 11010111 01100111 110100101 1011011101 110001 0101010111 010110101 11010101 11001010101 0101 1101010001 11011101111 1101011110 11110111 10110101110 1101010111 01010101 0100111101 0101 010100111 1111011101 1111110101 0111010101 0101001101 01111 1101101001 01010011 010101 111101011 11111101 0101 1001010101 11010101 11110101 11010101 01110100111 11110101 1101010111 010111111 011101 111101101 0111000101 1101 110101 1011010101 11011 101110101 1101110101 100101010 1100111 11010111 010110111 101101 111111011010 1101010 1111001 0101 0111111101 11001011101 111010101 11011111 11110101 0111111111 1101111111 10001010101 010111 11110010111 011110111 1101011101
Closest metre Iambic pentameter
Characters 4,297
Words 742
Sentences 11
Stanzas 8
Stanza Lengths 10, 14, 16, 16, 16, 16, 16, 8
Lines Amount 112
Letters per line (avg) 30
Words per line (avg) 7
Letters per stanza (avg) 419
Words per stanza (avg) 93
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Submitted on May 13, 2011

Modified on March 30, 2023

3:52 min read
59

Charlotte Smith

Charlotte Turner Smith was an English Romantic poet and novelist. She initiated a revival of the English sonnet, helped establish the conventions of Gothic fiction, and wrote political novels of sensibility. A successful writer, she published ten novels, three books of poetry, four children's books, and other assorted works over the course of her career. She saw herself as a poet first and foremost, poetry at that period being considered the most exalted form of literature. Scholars now credit her with transforming the sonnet into an expression of woeful sentiment. more…

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