Analysis of Saint Monica

Charlotte Smith 1749 (London) – 1806 (Tilford, Surrey)



AMONG deep woods is the dismantled scite
Of an old Abbey, where the chaunted rite,
By twice ten brethren of the monkish cowl,
Was duly sung; and requiems for the soul
Of the first founder: For the lordly chief,
Who flourish'd paramount of many a fief,
Left here a stipend yearly paid, that they,
The pious monks, for his repose might say
Mass and orisons to Saint Monica.

Beneath the falling archway overgrown
With briars, a bench remains, a single stone,
Where sat the indigent, to wait the dole
Given at the buttery; that the baron's soul
The poor might intercede for; there would rest,
Known by his hat of straw with cockles drest,
And staff and humble weed of watchet gray,
The wandering pilgrim; who came there to pray
The intercession of Saint Monica.
Stern Reformation and the lapse of years
Have reft the windows, and no more appears
Abbot or martyr on the glass anneal'd;
And half the falling cloisters are conceal'd

By ash and elder: the refectory wall
Oft in the storm of night is heard to fall,
When, wearied by the labours of the day,
The half awaken'd cotters, starting say,
'It is the ruins of Saint Monica.'
Now with approaching rain is heard the rill,
Just trickling thro' a deep and hollow gill
By osiers, and the alder's crowding bush,
Reeds, and dwarf elder, and the pithy rush,
Choak'd and impeded: to the lower ground
Slowly it creeps; there traces still are found
Of hollow squares, embank'd with beaten clay,
Where brightly glitter'd in the eye of day
The peopled waters of Saint Monica.

The chapel pavement, where the name and date,
Or monkish rhyme, had mark'd the graven plate,
With docks and nettles now is overgrown;
And brambles trail above the dead unknown.­
Impatient of the heat, the straggling ewe
Tinkles her drowsy bell, as nibbling slow
She picks the grass among the thistles gray,
Whose feather'd seed the light air bears away,
O'er the pale relicks of Saint Monica.
Reecho'd by the walls, the owl obscene
Hoots to the night; as thro' the ivy green
Whose matted tods the arch and buttress bind,
Sobs in low gusts the melancholy wind:

The Conium there, her stalks bedropp'd with red,
Rears, with Circea, neighbour of the dead;
Atropa too, that, as the beldams say,
Shews her black fruit to tempt and to betray,
Nods by the mouldering shrine of Monica.
Old tales and legends are not quite forgot.
Still Superstition hovers o'er the spot,
And tells how here, the wan and restless sprite,
By some way-wilder'd peasant seen at night,
Gibbers and shrieks, among the ruins drear;
And how the friar's lanthorn will appear
Gleaming among the woods, with fearful ray,
And from the church-yard take its wavering way,
To the dim arches of Saint Monica.

The antiquary comes not to explore,
As once, the unrafter'd roof and pathless floor;
For now, no more beneath the vaulted ground
Is crosier, cross, or sculptur'd chalice found,
Nor record telling of the wassail ale,
What time the welcome summons to regale,
Given by the matin peal on holiday,
The villagers rejoicing to obey,
Feasted, in honour of Saint Monica.
Yet often still at eve, or early morn,
Among these ruins shagg'd with fern and thorn,
A pensive stranger from his lonely seat
Observes the rapid martin, threading fleet

The broken arch: or follows with his eye,
The wall-creeper that hunts the burnish'd fly;
Sees the newt basking in the sunny ray,
Or snail that sinuous winds his shining way,
O'er the time-fretted walls of Monica.
He comes not here, from the sepulchral stone
To tear the oblivious pall that Time has thrown,
But meditating, marks the power proceed
From the mapped lichen, to the plumed weed,
From thready mosses to the veined flower,
The silent, slow, but ever active power
Of Vegetative Life, that o'er Decay
Weaves her green mantle, when returning May
Dresses the ruins of Saint Monica.

Oh Nature ! ever lovely, ever new,
He whom his earliest vows has paid to you
Still finds, that life has something to bestow;
And while to dark Forgetfulness they go,
Man, and the works of man; immortal Youth,
Unfading Beauty, and eternal Truth,
Your Heaven-indited volume will display,
While Art's elaborate monuments decay,
Even as these shatter'd aisles, deserted Monica !


Scheme AABCDDEEF GGCCAAEEFHHAA IIAEFJJXXAAEAF AAGGKLEEFMMAA AAEEFAAAANNEEF NNAAXBAEFOOAA PPEEFGGAANNEEF KKALQQEEF
Poetic Form
Metre 0111100101 111101011 111101011 110101101 101101011 1101011001 1101010111 0101110111 10111100 01010101 1101010101 1101001101 101010010101 011011111 1111111101 010101111 01001011111 001011100 101000111 1101001101 101101011 0101010101 11010011 1001111111 110101101 010101101 1101011100 1101011101 1101010101 11001101 1011000101 1001010101 1011110111 110111101 1101000111 0101011100 0101010101 111110101 110101101 0101010101 010101011 1010111001 1101010101 1101011101 1001111100 11010101 1101110101 111010101 101101001 01101111 1111101 1111011 1011110101 110111100 1101011101 1010101001 0111010101 111110111 101010101 01011101 1001011101 01011111001 1011011100 0111101 11011011 1111010101 111110101 101101011 110101011 101011110 0100010101 100111100 1101111101 0111011101 0101011101 0101010101 0101110111 011110101 1011000101 1111011101 10011011100 11111011 110010011111 1100101001 101101011 111010110 01011101010 1010111001 1011010101 1001011100 1101010101 11110011111 1111110101 0111111 1001110101 11000101 11001010101 1101010001 1011101010100
Closest metre Iambic pentameter
Characters 4,181
Words 726
Sentences 15
Stanzas 8
Stanza Lengths 9, 13, 14, 13, 14, 13, 14, 9
Lines Amount 99
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 411
Words per stanza (avg) 91
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Submitted on May 13, 2011

Modified on March 05, 2023

3:45 min read
97

Charlotte Smith

Charlotte Turner Smith was an English Romantic poet and novelist. She initiated a revival of the English sonnet, helped establish the conventions of Gothic fiction, and wrote political novels of sensibility. A successful writer, she published ten novels, three books of poetry, four children's books, and other assorted works over the course of her career. She saw herself as a poet first and foremost, poetry at that period being considered the most exalted form of literature. Scholars now credit her with transforming the sonnet into an expression of woeful sentiment. more…

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