Analysis of General Roberts in Afghanistan

William Topaz McGonagall 1825 – 1902 (Greyfriars Parish, Edinburgh)



'Twas in the year of 1878, and. the winter had set in,
Lord Roberts and the British Army their march did begin,
On their way to Afghanistan to a place called Cabul;
And the weather was bitter cold and the rivers swollen and full.

And the enemy were posted high up amongst the hills,
And when they saw the British, with fear their blood thrills;
The savages were camped on the hillsides in war array,
And occupying a strong position which before the British lay.

And viewed from the front their position was impregnable,
But Lord Roberts was a general of great skill;
Therefore to surprise the enemy he thought it was right,
To march upon the enemy in the dead of night.

Then the men were mustered without delay,
And each man of them was eager for the fray;
And in the silent darkness they felt no dismay,
And to attack the enemy they marched boldly away.

And on they marched bravely without fear or doubt,
And about daybreak the challenge of an Afghan sentinel rang out,
And echoed from rock to rock on the frosty biting air;
But the challenge didn't the British scare.

Then the Highlanders attacked them left and right,
And oh! it was a gorgeoua and an inspiring sight;
For a fierce hand to hand struggle raged for a time,
While the pibrochs skirled aloud, oh! the scene was sublime.

Then the Ghoorkas did the Afghans fiercely attack,
And at every point and turning they were driven back;
And a fierce hand to hand struggle raged for a time,
While in the morning sunshine the British bayonets did shine.

And around the ridge or knoll the battle raged for three hours,
And British bullets fell amongst them in showers;
For Captain Kelso brought us his mountain battery,
And sent his shells right into the camp of the enemy,
Then the left of the Afghans was turned, and began to flee.

Meanwhile, on the enemy's strong position Lord Roberts launched an attack,
And from their position they could hardly be driven back
Because the Afghans were hid amongst the woods and hills,
Still with undaunted courage, the British blood thrills.

And the Afghans pressed the British hotly, but they didn't give way,
For the 8th Ghoorkas and the 72nd kept them at bay;
And the mountain guns shells upon them did fire,
Then the 8th Punjaub, bounding up the heights, made them retire.

Then Major White seized a rifle from one of his men and did retire,
And levelled the piece fearlessly and did fire;
And with a steady and well-timed shot
He shot the Afghan leader dead on the spot.

Then the British with a wild cheer dashed, at them,
And on each side around they did them hem;
And at the bayonet charge they drove them down the hill,
And in hundreds they did them kill.

Then in a confused mass they fled down the opposite side of the hill
In hundreds,driven by sheer force sore against their will;
And helter-skelter they did run,
For all their positions were carried and the victory won.

Then on the 8th of August again Lord Roberts' march began
For to fight the rebel Ayoob Khan;
And with an army about seven thousand strong
On his way to Candahar he fearlessly marched along.

And the battle that followed at Candahar was a complete victory,
And Lord Roberts' march to Candahar stands unrivalled in history;
And let's thank God that sent Lord Roberts to conquer Ayoob Khan,
For from that time there's been no more war in Afghanistan.

Success to Lord Roberts; he's a very brave man,
For he conquered the Afghans in Afghanistan,
With an army about seven thousand strong,
He spread death and desolation all along.


Scheme AABB CCDB BBEE BDDD FFGG EEHH IIHX JJKKB IICC DDLM MLNN OOBB BBPP QRSS KKRQ QQSS
Poetic Form
Metre 100110010110 11000101011101 111101010111 0010110100101001 00100010110101 011101011111 0100011010101 0100010101010101 01101101010100 111010100111 1101010011111 1101010000111 1010100101 01111110101 000101011101 01010100111001 01111001111 001101011110011 01011111010101 1010100101 1010011101 011101010101 101111101101 101101101101 1011011001 01100101010101 001111101101 1001010101011 001011101011110 010101011010 1101011110100 01111010110100 1011011100111 11010010101101101 01101011101101 010101010101 110101001011 001101010111011 101110011111 001011011110 10111101011101 11011010111110101 0100110110 010100111 1101101101 10101011111 0111011111 010101111101 00101111 10001111101001101 0111110111 01010111 111010010001001 1101111001110101 11101011 011100110101 1111111101 0010110111001100 0110111110100 01111111011011 1111111110010 011110101011 1110010010 11100110101 1110010101
Closest metre Iambic heptameter
Characters 3,453
Words 632
Sentences 20
Stanzas 16
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 5, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 65
Letters per line (avg) 43
Words per line (avg) 10
Letters per stanza (avg) 174
Words per stanza (avg) 39
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Submitted on May 13, 2011

Modified on March 05, 2023

3:11 min read
57

William Topaz McGonagall

William Topaz McGonagall (March 1825 – 29 September 1902) was an Irish weaver, poet and actor who lived in Scotland. He won notoriety as an extremely bad poet who exhibited no recognition of, or concern for, his peers' opinions of his work. He wrote about 200 poems, including "The Tay Bridge Disaster" and "The Famous Tay Whale", which are widely regarded as some of the worst in English literature. Groups throughout Scotland engaged him to make recitations from his work, and contemporary descriptions of these performances indicate that many listeners were appreciating McGonagall's skill as a comic music hall character. Collections of his verse remain popular, with several volumes available today. McGonagall has been lampooned as the worst poet in British history. The chief criticisms are that he was deaf to poetic metaphor and unable to scan correctly. His only apparent understanding of poetry was his belief that it needed to rhyme. McGonagall's fame stems from the humorous effects these shortcomings are considered to generate in his work. Scholars argue that his inappropriate rhythms, weak vocabulary, and ill-advised imagery combine to make his work amongst the most unintentionally amusing dramatic poetry in the English language. His work is in a long tradition of narrative ballads and verse written and published about great events and tragedies, and widely circulated among the local population as handbills. In an age before radio and television, their voice was one way of communicating important news to an avid public. more…

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