Analysis of The Bishop of Rum-Ti-Foo



From east and south the holy clan
Of Bishops gathered to a man;
To Synod, called Pan-Anglican,
In flocking crowds they came.
Among them was a Bishop, who
Had lately been appointed to
The balmy isle of Rum-ti-Foo,
And PETER was his name.

His people - twenty-three in sum -
They played the eloquent tum-tum,
And lived on scalps served up, in rum -
The only sauce they knew.
When first good BISHOP PETER came
(For PETER was that Bishop's name),
To humour them, he did the same
As they of Rum-ti-Foo.

His flock, I've often heard him tell,
(His name was PETER) loved him well,
And, summoned by the sound of bell,
In crowds together came.
"Oh, massa, why you go away?
Oh, MASSA PETER, please to stay."
(They called him PETER, people say,
Because it was his name.)

He told them all good boys to be,
And sailed away across the sea,
At London Bridge that Bishop he
Arrived one Tuesday night;
And as that night he homeward strode
To his Pan-Anglican abode,
He passed along the Borough Road,
And saw a gruesome sight.

He saw a crowd assembled round
A person dancing on the ground,
Who straight began to leap and bound
With all his might and main.
To see that dancing man he stopped,
Who twirled and wriggled, skipped and hopped,
Then down incontinently dropped,
And then sprang up again.

The Bishop chuckled at the sight.
"This style of dancing would delight
A simple Rum-ti-Foozleite.
I'll learn it if I can,
To please the tribe when I get back."
He begged the man to teach his knack.
"Right Reverend Sir, in half a crack!
Replied that dancing man.

The dancing man he worked away,
And taught the Bishop every day -
The dancer skipped like any fay -
Good PETER did the same.
The Bishop buckled to his task,
With BATTEMENTS, and PAS DE BASQUE.
(I'll tell you, if you care to ask,
That PETER was his name.)

"Come, walk like this," the dancer said,
"Stick out your toes - stick in your head,
Stalk on with quick, galvanic tread -
Your fingers thus extend;
The attitude's considered quaint."
The weary Bishop, feeling faint,
Replied, "I do not say it ain't,
But 'Time!' my Christian friend!"

"We now proceed to something new -
Dance as the PAYNES and LAURIS do,
Like this - one, two - one, two - one, two."
The Bishop, never proud,
But in an overwhelming heat
(His name was PETER, I repeat)
Performed the PAYNE and LAURI feat,
And puffed his thanks aloud.

Another game the dancer planned -
"Just take your ankle in your hand,
And try, my lord, if you can stand -
Your body stiff and stark.
If, when revisiting your see,
You learnt to hop on shore - like me -
The novelty would striking be,
And must attract remark."

"No," said the worthy Bishop, "no;
That is a length to which, I trow,
Colonial Bishops cannot go.
You may express surprise
At finding Bishops deal in pride -
But if that trick I ever tried,
I should appear undignified
In Rum-ti-Foozle's eyes.

"The islanders of Rum-ti-Foo
Are well-conducted persons, who
Approve a joke as much as you,
And laugh at it as such;
But if they saw their Bishop land,
His leg supported in his hand,
The joke they wouldn't understand -
'T would pain them very much!"


Scheme AAXBCCCB DBDCBBBC EEEBFFFB GGGHIIIH JJJXKKKX HHHALLLA FFFBMMMB NNNOPPPO CCCQRRRQ SSSTGGGT UUUVWWWV CCCXSSSX
Poetic Form
Metre 11010101 11010101 11011100 010111 01110101 11010101 01011111 010111 11010101 11010011 01111101 010111 11110101 11011101 1111101 111111 11110111 11110111 01010111 010101 11011101 11010111 11110101 011111 11111111 01010101 11011101 011101 01111101 11110001 1101011 010101 11010101 01010101 11011101 111101 11110111 1101101 1111 011101 01010101 11110101 010111 111111 11011111 11011111 110010101 011101 01011101 010101001 01011101 110101 01010111 110111 11111111 110111 11110101 11111011 11110101 110101 010101 01010101 01111111 111101 11011101 1101011 11111111 010101 1010101 11110101 01010101 011101 01010101 11110011 01111111 110101 11010011 11111111 01001101 010101 11010101 11011111 010010101 110101 11010101 11111101 1101010 01111 01001111 11010101 01011111 011111 11111101 11010011 0111001 1111101
Closest metre Iambic tetrameter
Characters 3,006
Words 585
Sentences 31
Stanzas 12
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 96
Letters per line (avg) 24
Words per line (avg) 6
Letters per stanza (avg) 196
Words per stanza (avg) 48
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Submitted on May 13, 2011

Modified on March 05, 2023

2:55 min read
105

William Schwenck Gilbert

Sir William Schwenck Gilbert was an English dramatist librettist poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan of which the most famous include HMS Pinafore The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre The Mikado These as well as most of their other Savoy operas continue to be performed regularly throughout the English-speaking world and beyond by opera companies repertory companies schools and community theatre groups Lines from these works have become part of the English language such as short sharp shock What never Well hardly ever and Let the punishment fit the crime Gilbert also wrote the Bab Ballads an extensive collection of light verse accompanied by his own comical drawings His creative output included over 75 plays and libretti numerous stories poems lyrics and various other comic and serious pieces His plays and realistic style of stage direction inspired other dramatists including Oscar Wilde and George Bernard Shaw According to The Cambridge History of English and American Literature Gilberts lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since Source - Wikipedia more…

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