Analysis of Pictures From Theocritus



FROM IDYL I.

Goat-herd, how sweet above the lucid spring
The high pines wave with breezy murmuring!
So sweet thy song, whose music might succeed
To the wild melodies of Pan's own reed.

More sweet thy pipe's enchanting melody
Than streams that fall from broken rocks on high.
Say, by the nymphs, that guard the sacred scene,
Where lowly tamarisks shade these hillocks green,
At noontide shall we lie?
No; for o'erwearied with the forest chase,
Pan, the great hunter god, sleeps in this place.
Beneath the branching elm, while thy sad verse,
O Thyrsis! Daphnis' sorrows shall rehearse,
Fronting the wood-nymph's solitary seat,
Whose fountains flash amid the dark retreat;
Where the old statue leans, and brown oaks wave
Their ancient umbrage o'er the pastoral cave;
There will we rest, and thou, as erst, prolong
The sweet enchantment of the Doric song!

FROM THE SAME IDYL.

Mark, where the beetling precipice appears,
The toil of the old fisher, gray with years;
Mark, as to drag the laden net he strains,
The labouring muscle and the swelling veins!
There, in the sun, the clustered vineyard bends,
And shines empurpled, as the morn ascends!
A little boy, with idly-happy mien,
To guard the grapes upon the ground is seen;
Two wily foxes creeping round appear,--
The scrip that holds his morning meal is near,--
One breaks the bending vines; with longing lip,
And look askance, one eyes the tempting scrip.
He plats and plats his rushy net all day,
And makes the vagrant grasshopper his prey;
He plats his net, intent with idle care,
Nor heeds how vineyard, grape, or scrip may fare.

FROM THE SAME.

Where were ye, nymphs, when Daphnis drooped with love?
In fair Peneus' Tempe, or the grove
Of Pindus! Nor your pastimes did ye keep,
Where huge Anapus' torrent waters sweep;
On AEtna's height, ah! impotent to save,
Nor yet where Akis winds his holy wave!

FROM THE SAME.

Pan, Pan, oh mighty hunter! whether now,
Thou roamest o'er Lyceus' shaggy brow,
Or Moenalaus, outstretched in amplest shade,
Thy solitary footsteps have delayed;
Leave Helice's romantic rock a while,
And haste, oh haste, to the Sicilian isle;
Leave the dread monument, approached with fear,
That Lycaonian tomb the gods revere.
Here cease, Sicilian Muse, the Doric lay;--
Come, Forest King, and bear this pipe away;
Daphnis, subdued by love, and bowed with woe,
Sinks, sinks for ever to the shades below.

FROM IDYL VII.

He left us;--we, the hour of parting come,
To Prasidamus' hospitable home,
Myself and Eucritus, together wend,
With young Amynticus, our blooming friend:
There, all delighted, through the summer day,
On beds of rushes, pillowed deep, we lay;
Around, the lentils, newly cut, were spread;
Dark elms and poplars whispered o'er our head;
A hallowed stream, to all the wood-nymphs dear,
Fresh from the rocky cavern murmured near;
Beneath the fruit-leaves' many-mantling shade,
The grasshoppers a coil incessant made;
From the wild thorny thickets, heard remote,
The wood-lark trilled his far-resounding note;
Loud sung the thrush, musician of the scene,
And soft and sweet was heard the dove's sad note between;
Then yellow bees, whose murmur soothed the ear,
Went idly flitting round the fountain clear.
Summer and Autumn seemed at once to meet,
Filling with redolence the blest retreat,
While the ripe pear came rolling to our feet.

FROM IDYL XXII.

When the famed Argo now secure had passed
The crushing rocks, and that terrific strait
That guards the wintry Pontic, the tall ship
Reached wild Bebrycia's shores; bearing like gods
Her god-descended chiefs. They, from her sides,
With scaling steps descend, and on the shore,
Savage, and sad, and beat by ocean winds,
Strewed their rough beds, and on the casual fire
The vessels place. The brothers, by themselves,
CASTOR and red-haired POLLUX, wander far
Into the forest solitudes. A wood
Immense and dark, shagging the mountain side,
Before them rose; a cold and sparkling fount
Welled with perpetual lapse, beneath its feet,
Of purest water clear; scattering below,
Streams as of silver and of crystal rose,
Bright from the bottom: Pines, of stateliest height,
Poplar, and plane, and cypress, branching wide,
Were near, thick bordered by the scented flowers
That lured the honeyed bee, when spring declines,
Thick swarming o'er the meadows. There all day
A huge man sat, of savage, wild aspect;
His breast stood roundly forward, his broad back
Seemed as of


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Poetic Form
Metre 111 1111010101 0111110100 1111110101 1011001111 1111010100 1111110111 1101110101 1101001111 11111 11110101 1011011011 0101011111 111010101 100111001 1101010101 101110111 110101001001 1111011101 0101010101 1011 110110001 0110110111 1111010111 011000101 1001010101 01110101 0101110101 1101010111 1101010101 0111110111 1101011101 0101110101 110111111 010101011 1111011101 1111011111 101 1011110111 01110101 11111111 11110101 1101110011 111111101 101 1111010101 11101101 1101011 11001101 11010101 01111001001 1011000111 1110101 11010010101 1101011101 1001110111 1111010101 111 11110101101 1111001 1010101 11110101 1101010101 111101111 0101010101 11011010101 0101110111 1101010101 010111011 010010101 1011010101 0111110101 1101010101 010111011101 1101110101 1101010101 1001011111 10110101 10111101101 111 1011010111 0101010101 110101011 11111011 0101011101 1101010101 1001011101 111101010010 0101010101 1001110101 01010101 010110101 0111010101 11010010111 11010110001 1111001101 110101111 1001010101 01110101010 110111101 1101001111 011111011 1111010111 111
Closest metre Iambic pentameter
Characters 4,298
Words 740
Sentences 32
Stanzas 13
Stanza Lengths 1, 4, 15, 1, 16, 1, 6, 1, 12, 1, 21, 1, 24
Lines Amount 104
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 265
Words per stanza (avg) 57
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Submitted on May 13, 2011

Modified on March 05, 2023

3:45 min read
36

William Lisle Bowles

William Lisle Bowles was an English poet and critic In 1783 he won the chancellors prize for Latin verse In 1789 he published in a small quarto volume Fourteen Sonnets which were received with extraordinary favour not only by the general public but by such men as Samuel Taylor Coleridge and Wordsworth The Sonnets even in form were a revival a return to an older and purer poetic style and by their grace of expression melodious versification tender tone of feeling and vivid appreciation of the life and beauty of nature stood out in strong contrast to the elaborated commonplaces which at that time formed the bulk of English poetry more…

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