Analysis of Spontaneous Me

Walt Whitman 1819 (West Hills) – 1892 (Camden)




   SPONTANEOUS me, Nature,
   The loving day, the mounting sun, the friend I am happy with,
   The arm of my friend hanging idly over my shoulder,
   The hill-side whiten'd with blossoms of the mountain ash,
   The same, late in autumn--the hues of red, yellow, drab, purple, and
         light and dark green,
   The rich coverlid of the grass--animals and birds--the private
         untrimm'd bank--the primitive apples--the pebble-stones,
   Beautiful dripping fragments--the negligent list of one after
         another, as I happen to call them to me, or think of them,
   The real poems, (what we call poems being merely pictures,)
   The poems of the privacy of the night, and of men like me,
   This poem, drooping shy and unseen, that I always carry, and that all
         men carry,                                                   10
   (Know, once for all, avow'd on purpose, wherever are men like me, are
         our lusty, lurking, masculine poems;)
   Love-thoughts, love-juice, love-odor, love-yielding, love-climbers,
         and the climbing sap,
   Arms and hands of love--lips of love--phallic thumb of love--breasts
         of love--bellies press'd and glued together with love,
   Earth of chaste love--life that is only life after love,
   The body of my love--the body of the woman I love--the body of the
         man--the body of the earth,
   Soft forenoon airs that blow from the south-west,
   The hairy wild-bee that murmurs and hankers up and down--that gripes
         the full-grown lady-flower, curves upon her with amorous firm
         legs, takes his will of her, and holds himself tremulous and
         tight till he is satisfied,
   The wet of woods through the early hours,
   Two sleepers at night lying close together as they sleep, one with an
         arm slanting down across and below the waist of the other,
   The smell of apples, aromas from crush'd sage-plant, mint, birch-
         bark,                                                        20
   The boy's longings, the glow and pressure as he confides to me what
         he was dreaming,
   The dead leaf whirling its spiral whirl, and falling still and
         content to the ground,
   The no-form'd stings that sights, people, objects, sting me with,
   The hubb'd sting of myself, stinging me as much as it ever can any
         one,
    The sensitive, orbic, underlapp'd brothers, that only privileged
         feelers may be intimate where they are,
   The curious roamer, the hand, roaming all over the body--the bashful
         withdrawing of flesh where the fingers soothingly pause and
         edge themselves,
   The limpid liquid within the young man,
   The vexed corrosion, so pensive and so painful,
   The torment--the irritable tide that will not be at rest,
   The like of the same I feel--the like of the same in others,       30
   The young man that flushes and flushes, and the young woman that
         flushes and flushes,
   The young man that wakes, deep at night, the hot hand seeking to
         repress what would master him;
   The mystic amorous night--the strange half-welcome pangs, visions,
         sweats,
   The pulse pounding through palms and trembling encircling fingers--
         the young man all color'd, red, ashamed, angry;
   The souse upon me of my lover the sea, as I lie willing and naked,
   The merriment of the twin-babes that crawl over the grass in the sun,
         the mother never turning her vigilant eyes from them,
   The walnut-trunk, the walnut-husks, and the ripening or ripen'd long-
         round walnuts;
   The continence of vegetables, birds, animals,
   The consequent meanness of me should I skulk or find myself indecent,
         while birds and animals never once skulk or find themselves
         indecent;
   The great chastity of paternity, to match the great chastity of
         maternity,                                                   40
   The oath of procreation I have sworn--my Adamic and fresh daughters,
   The greed that eats me day and night with hungry gnaw, till I
         saturate what shall produce boys to fill my place when I am
         through,
   The wholesome relief, repose, content;
   And this bunch, pluck'd at random from myself;
   It has done its work--I tossed it carelessly to fall where it may.


Scheme Text too long
Poetic Form
Metre 0100110 010101010111101 01111101010110 011111010101 0110100111101100 1011 01110110001010 110100100101 1001010010011110 0101110111111111 011011110101010 0101010010101111 11010100111110011 110 11110111001011111 10101010010 1111110110110 00101 10111111101111 111010101011 1111111101101 01011101010101101010 1010101 111111011 010111100110111 0111010101011001 11111001011000 111110 0111101010 11011101010111111 110101001011010 01110010111111 1 0110010101101111 1110 01110110101010 10101 0111111010111 01111101111110110 1 0100111011010 1011100111 010010110110010010 01011101010010 101 011001011 010101100110 01010001111111 011011101101010 011110010001101 10010 01111111011101 0111101 010100101110110 1 0110110100010010 01111010110 0101111100111110010 011011111001001 01010100100111 011011001001101 11 0111001100 01001011111111010 11010010111101 010 011001010011011001 0100 0111010111110110 01111101110111 10110111111111 1 010010110 011111011 1111111110011111
Closest metre Iambic hexameter
Characters 4,257
Words 635
Sentences 2
Stanzas 1
Stanza Lengths 75
Lines Amount 75
Letters per line (avg) 39
Words per line (avg) 11
Letters per stanza (avg) 2,937
Words per stanza (avg) 792
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Submitted on May 13, 2011

Modified on April 19, 2023

3:14 min read
230

Walt Whitman

Walter "Walt" Whitman was an American poet, essayist and journalist. more…

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