Analysis of Afar Off

Ada Cambridge 1844 (St Germans, Norfolk) – 1926 (Melbourne)



Is it a will o' the wisp, or is dawn breaking,
That our horizon wears so strange a hue?
Is it but one more dream, or are we waking
To find at last that dreams are coming true?

Far off and faint, a golden line is streaking
The cloudy night that shrouds the life of man;
It is the sun that dim eyes have been seeking,
Through all blind pathways, since the world began.

The sign to weary heart and waiting nation
That day will come to bring them their release
That, late or soon, through storm and tribulation,
Or with slow change, the earth shall rest in peace.

That One, invoked, with half- despairing passion.
Through years and years of wrong, will right us then;
Will take away, in rude or gentle fashion,
The curse that man has laid on brother- men.

Ah, blessed One! our souls go out to meet thee,
At whose feet Hope will fold her tired wing;
And yet we know not how we ought to greet thee,
And take the gifts thy bounteous arms will bring.

Come not, O friend! with vengeful weapons, borrowed
Of them that warred against thee — sword and flame;
For all alike have suffered and have sorrowed,
And all alike have sinned against thy name.

Come thou to men who groan in sore affliction
A breathing spirit of new life and grace;
Come in thy robes of light and benediction,
That all may recognize thy perfect face.

Yet, as thou must, come soon, for them than need thee —
And thou wilt come — Deliverer great and strong!
Brighten, O tender dawn, though few may heed thee,
And bring the day that we have sought so long!

No class strife then, each man against his neighbour,
No waste, no want, to breed the plague of crime;
No insolent pomp, no hard and sordid labour,
No wars, no famines, in that happier time!

But pleasant homes, and good days growing better;
Contented hearts throughout the tranquil land,
That keep the law, in spirit and in letter,
Which we have been so dull to understand.

And fruitful work, instead of barren duty,
With fruitful rest and leisure interweaved;
And life made bright with plenty and with beauty,
And souls made strong with noble aims achieved.

Great Art, no more the plaything of the idle,
But nurse and handmaid to all human needs;
Great Nature, curbed no more with bit and bridle,
Nor men's religion crushed in bitter creeds.

Nor sacred Love a crime, a jest, an error,
To keep or lose, to give or to suppress,
A secret shame, an anguish and a terror,
A curse to them that it was meant to bless.

All round our narrow lives the tide encroaches,
Distant and dim, but spreading far and fast.
O Liberty, thy longed- for reign approaches
That is to give man's birthright back at last!
vasts;

And must we go, who see the new age dawning,
While yet we suffer in the pangs of birth,
Nor breathe one breath of the divinest morning
That yet has come to bless our waiting earth?

Oh, must we go, just when the day is growing?
Oh, must we waste with vast and vain desires,
Like sparks put out when viewless winds are blowing,
We, lit and quickened with supernal fires

Are we to read no more the wondrous pages
Of this great tale that evermore goes on?
Will suns and stars light up eternal ages
With happier worlds — and we alone be gone?

Never to learn the moral of the story —
Why we have toiled for what we must not keep,
Why we have fought to win no crown of glory,
Why we have sown what unborn hands will reap.

Never to learn wherefore our Maker sent us
With these immortal passions in our breast.
Ah me! Ah me! Wherewith can we content us
To know so much, and not to know the rest!


Scheme ABAB ACAC DEDE DFDF GAGA HIHI DJDJ GKGK LMLM LNLN GHGX OPOP LQLQ XRSRE ATAT AUAU SXSX GVGV WXWX
Poetic Form
Metre 110110111110 11001011101 11111111110 1111111101 11010101110 0101110111 11011111110 111110101 01110101010 1111111101 1111110010 1111011101 11011101010 1101111111 11010111010 0111111101 11110111111 1111110101 01111111111 010111111 1111110101 1111011101 1101110011 0101110111 11111101010 0101011101 1011110010 111101011 11111111111 01110100101 10110111111 0101111111 1111110111 1111110111 11001110101 11110011001 11010111010 0101010101 11010100010 111111101 01010111010 11010101 01111100110 0111110101 1111011010 110111101 11011111010 1101010101 11010101110 1111111101 01011100010 0111111111 111010101010 1001110101 11001111010 111111111 1 01111101110 1111000111 111110110 11111110101 11111101110 11111101010 1111111110 110101110 11111101010 111111011 11011101010 11001010111 10110101010 1111111111 11111111110 1111111111 10111101011 11010100101 1111111101 1111011101
Closest metre Iambic pentameter
Characters 3,493
Words 684
Sentences 49
Stanzas 19
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 5, 4, 4, 4, 4, 4
Lines Amount 77
Letters per line (avg) 35
Words per line (avg) 9
Letters per stanza (avg) 143
Words per stanza (avg) 35
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Submitted on May 13, 2011

Modified on March 05, 2023

3:26 min read
51

Ada Cambridge

Ada Cambridge, later known as Ada Cross, was an English-born Australian writer. She wrote more than 25 works of fiction, three volumes of poetry and two autobiographical works. Many of her novels were serialised in Australian newspapers but never published in book form. While she was known to friends and family by her married name, Ada Cross, her newspaper readers knew her as A. C.. She later reverted to her maiden name, Ada Cambridge, and that is how she is known today.  more…

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    In what year did Alexander Pope wrote "Farewell to London"?
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