Analysis of The Squaw Man



The cow-moose comes to water, and the beaver's overbold,
The net is in the eddy of the stream;
The teepee stars the vivid sward with russet, red and gold,
And in the velvet gloom the fire's a-gleam.
The night is ripe with quiet, rich with incense of the pine;
From sanctuary lake I hear the loon;
The peaks are bright against the blue, and drenched with sunset wine,
And like a silver bubble is the moon.

Cloud-high I climbed but yesterday; a hundred miles around
I looked to see a rival fire a-gleam.
As in a crystal lens it lay, a land without a bound,
All lure, and virgin vastitude, and dream.
The great sky soared exultantly, the great earth bared its breast,
All river-veined and patterned with the pine;
The heedless hordes of caribou were streaming to the West,
A land of lustrous mystery -- and mine.

Yea, mine to frame my Odyssey: Oh, little do they know
My conquest and the kingdom that I keep!
The meadows of the musk-ox, where the laughing grasses grow,
The rivers where the careless conies leap.
Beyond the silent Circle, where white men are fierce and few,
I lord it, and I mock at man-made law;
Like a flame upon the water is my little light canoe,
And yonder in the fireglow is my squaw.

A squaw man! yes, that's what I am; sneer at me if you will.
I've gone the grilling pace that cannot last;
With bawdry, bridge and brandy -- Oh, I've drank enough to kill
A dozen such as you, but that is past.
I've swung round to my senses, found the place where I belong;
The City made a madman out of me;
But here beyond the Circle, where there's neither right or wrong,
I leap from life's straight-jacket, and I'm free.

Yet ever in the far forlorn, by trails of lone desire;
Yet ever in the dawn's white leer of hate;
Yet ever by the dripping kill, beside the drowsy fire,
There comes the fierce heart-hunger for a mate.
There comes the mad blood-clamour for a woman's clinging hand,
Love-humid eyes, the velvet of a breast;
And so I sought the Bonnet-plumes, and chose from out the band
The girl I thought the sweetest and the best.

O wistful women I have loved before my dark disgrace!
O women fair and rare in my home land!
Dear ladies, if I saw you now I'd turn away my face,
Then crawl to kiss your foot-prints in the sand!
And yet -- that day the rifle jammed -- a wounded moose at bay --
A roar, a charge . . . I faced it with my knife:
A shot from out the willow-scrub, and there the monster lay. . . .
Yes, little Laughing Eyes, you saved my life.

The man must have the woman, and we're all brutes more or less,
Since first the male ape shinned the family tree;
And yet I think I love her with a husband's tenderness,
And yet I know that she would die for me.
Oh, if I left you, Laughing Eyes, and nevermore came back,
God help you, girl! I know what you would do. . . .
I see the lake wan in the moon, and from the shadow black,
There drifts a little, empty birch canoe.

We're here beyond the Circle, where there's never wrong nor right;
We aren't spliced according to the law;
But by the gods I hail you on this hushed and holy night
As the mother of my children, and my squaw.
I see your little slender face set in the firelight glow;
I pray that I may never make it sad;
I hear you croon a baby song, all slumber-soft and low --
God bless you, little Laughing Eyes! I'm glad.


Scheme ABABCDCD ABABACAC EFEFGHGI JAJAIKIK LALAAAAA MAMANONO XKXKIAIG AHAIEAEA
Poetic Form
Metre 01111100011 0110010101 0110101110101 00010101001 01111101101101 110011101 0111010101111 0101010101 1111110010101 11110101001 10010111010101 11010101 01110100011111 1101010101 011110010101 0111010001 11111100110111 1100010111 0110111010101 010101011 01010101111101 1110111111 101010101110101 010001111 01111111111111 1101011101 1110101110111 0101111111 11111101011101 010101111 11010101110111 1111110011 110001011111010 1100011111 110101010101010 1101110101 1101111010101 1101010101 01110101011101 0111010001 11010111011101 1101010111 11011111110111 1111111001 01110101010111 0101111111 0111011010101 1101011111 01110100111111 11011101001 01111101010100 0111111111 1111110101011 1111111111 1101100101011 1101010101 11010101110111 1101010101 11011111110101 10101110011 1111010110011 1111110111 11110101110101 1111010111
Closest metre Iambic hexameter
Characters 3,241
Words 631
Sentences 36
Stanzas 8
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 64
Letters per line (avg) 39
Words per line (avg) 10
Letters per stanza (avg) 313
Words per stanza (avg) 80
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Submitted on May 13, 2011

Modified on March 05, 2023

3:14 min read
74

Robert William Service

Robert William Service was a poet and writer sometimes referred to as the Bard of the Yukon He is best-known for his writings on the Canadian North including the poems The Shooting of Dan McGrew The Law of the Yukon and The Cremation of Sam McGee His writing was so expressive that his readers took him for a hard-bitten old Klondike prospector not the later-arriving bank clerk he actually was Robert William Service was born 16 January 1874 in Preston England but also lived in Scotland before emigrating to Canada in 1894 Service went to the Yukon Territory in 1904 as a bank clerk and became famous for his poems about this region which are mostly in his first two books of poetry He wrote quite a bit of prose as well and worked as a reporter for some time but those writings are not nearly as well known as his poems He travelled around the world quite a bit and narrowly escaped from France at the beginning of the Second World War during which time he lived in Hollywood California He died 11 September 1958 in France Incidentally he played himself in a movie called The Spoilers starring John Wayne and Marlene Dietrich more…

All Robert William Service poems | Robert William Service Books

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