Analysis of Over The Parapet



All day long when the shells sail over
    I stand at the sandbags and take my chance;
But at night, at night I'm a reckless rover,
    And over the parapet gleams Romance.
Romance! Romance! How I've dreamed it, writing
    Dreary old records of money and mart,
Me with my head chuckful of fighting
    And the blood of vikings to thrill my heart.

But little I thought that my time was coming,
    Sudden and splendid, supreme and soon;
And here I am with the bullets humming
    As I crawl and I curse the light of the moon.
Out alone, for adventure thirsting,
    Out in mysterious No Man's Land;
Prone with the dead when a star-shell, bursting,
    Flares on the horrors on every hand.

There are ruby stars and they drip and wiggle;
    And the grasses gleam in a light blood-red;
There are emerald stars, and their tails they wriggle,
    And ghastly they glare on the face of the dead.
But the worst of all are the stars of whiteness,
    That spill in a pool of pearly flame,
Pretty as gems in their silver brightness,
    And etching a man for a bullet's aim.

Yet oh, it's great to be here with danger,
    Here in the weird, death-pregnant dark,
In the devil's pasture a stealthy ranger,
    When the moon is decently hiding. Hark!
What was that? Was it just the shiver
    Of an eerie wind or a clammy hand?
The rustle of grass, or the passing quiver
    Of one of the ghosts of No Man's Land?

It's only at night when the ghosts awaken,
    And gibber and whisper horrible things;
For to every foot of this God-forsaken
    Zone of jeopard some horror clings.
Ugh! What was that? It felt like a jelly,
    That flattish mound in the noisome grass;
You three big rats running free of its belly,
    Out of my way and let me pass!

But if there's horror, there's beauty, wonder;
    The trench lights gleam and the rockets play.
That flood of magnificent orange yonder
    Is a battery blazing miles away.
With a rush and a singing a great shell passes;
    The rifles resentfully bicker and brawl,
And here I crouch in the dew-drenched grasses,
    And look and listen and love it all.

God! What a life! But I must make haste now,
    Before the shadow of night be spent.
It's little the time there is to waste now,
    If I'd do the job for which I was sent.
My bombs are right and my clippers ready,
    And I wriggle out to the chosen place,
When I hear a rustle . . . Steady! . . . Steady!
    Who am I staring slap in the face?

There in the dark I can hear him breathing,
    A foot away, and as still as death;
And my heart beats hard, and my brain is seething,
    And I know he's a Hun by the smell of his breath.
Then: "Will you surrender?" I whisper hoarsely,
    For it's death, swift death to utter a cry.
"English schwein-hund!" he murmurs coarsely.
    "Then we'll fight it out in the dark," say I.

So we grip and we slip and we trip and wrestle
    There in the gutter of No Man's Land;
And I feel my nails in his wind-pipe nestle,
    And he tries to gouge, but I bite his hand.
And he tries to squeal, but I squeeze him tighter:
    "Now," I say, "I can kill you fine;
But tell me first, you Teutonic blighter!
    Have you any children?" He answers: "Nein."

Nine! Well, I cannot kill such a father,
    So I tie his hands and I leave him there.
Do I finish my little job? Well, rather;
    And I get home safe with some light to spare.
Heigh-ho! by day it's just prosy duty,
    Doing the same old song and dance;
But oh! with the night -- joy, glory, beauty:
    Over the parapet -- Life, Romance!


Scheme ABABCDCD CECECFCF GHGHIJIJ AKAKAFAF LMLMNONO APAPQRQR STSTNUNU CVCVGWGW GFGFAXAX AXAXNBNB
Poetic Form Tetractys  (20%)
Metre 111101110 111010111 11111101010 010010101 0101111110 1010111001 11111110 0011101111 11011111110 100100101 0111101010 11101101101 10110101 100100111 1101101110 1101011001 11101011010 0010100111 11101011110 01011101101 10111101110 110011101 1011011010 010011011 1111111110 10011101 00101001010 1011100101 111111010 1110110101 01011101010 111011111 11011101010 010101001 111001111010 1111101 1111111010 11010011 11111011110 11110111 1111011010 011100101 11101001010 1010010101 101001001110 01011001 0111001110 010100111 1101111111 01011111 1100111111 1110111111 1111011010 0110110101 1110101010 111101001 1001111110 010101111 01111011110 011101101111 1110101101 1111111001 10111101 1111100111 111011011010 100101111 01111011110 0111111111 01111111110 11111111 111110101 1110101101 1111011010 1111101111 11101101110 0111111111 111111110 10011101 1110111010 10010101
Closest metre Iambic pentameter
Characters 3,452
Words 652
Sentences 51
Stanzas 10
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 80
Letters per line (avg) 32
Words per line (avg) 8
Letters per stanza (avg) 255
Words per stanza (avg) 65
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Submitted on May 13, 2011

Modified on March 05, 2023

3:19 min read
64

Robert William Service

Robert William Service was a poet and writer sometimes referred to as the Bard of the Yukon He is best-known for his writings on the Canadian North including the poems The Shooting of Dan McGrew The Law of the Yukon and The Cremation of Sam McGee His writing was so expressive that his readers took him for a hard-bitten old Klondike prospector not the later-arriving bank clerk he actually was Robert William Service was born 16 January 1874 in Preston England but also lived in Scotland before emigrating to Canada in 1894 Service went to the Yukon Territory in 1904 as a bank clerk and became famous for his poems about this region which are mostly in his first two books of poetry He wrote quite a bit of prose as well and worked as a reporter for some time but those writings are not nearly as well known as his poems He travelled around the world quite a bit and narrowly escaped from France at the beginning of the Second World War during which time he lived in Hollywood California He died 11 September 1958 in France Incidentally he played himself in a movie called The Spoilers starring John Wayne and Marlene Dietrich more…

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