Analysis of We climbed that hill,

Lesbia Harford 1891 (Brighton) – 1927 (Australia)



We climbed that hill,
The road flushed red in pride
At being beauty's boundary. Either side
Stretched beauty, beauty ever, beauty still.
For on the left
Rose sandhills bound together by the deft
Long fingers of sea-grass,
Humped like the Punch and Judy of a farce,
Comical, cleft
With gaps for wind to pass,
Spotted
With dark
Clumped tea-tree, stark
With rushes, fierce with burrs,
Blotted
With purple earth,
Stains, remnants, marks of birth
On too-exuberant beauty.
On the right
Long paddocks stooped under a cloudy sky.
'They're lovely paddocks. Look at them,' you said.
I turned my head.
What I'd thought gray
Was seen
To be the young beginning of live green
Under a spray
Of ghostly weed-stalks—lilacs, mauves and blues
At interplay—
A delicate tracery of shadow hues.
'There's colour,' I began
And straightway knew
I saw what you
Saw not, and yet your vision was not mine.
Your eyes were on the line
The sweep and curve of the fields against the sky.
You'd heard
My poor beginning of a word.
I had no more to praise
An unfamiliar loveliness. To gaze
Was all my praise.
At the hilltop it was your turn to say
'There's colour.' You had found
Silver and gold on my Tom Tiddler's ground.
At the roadside
A clump of grasses, all
Caught round a little bush and tangled, tied
With unimagined colours people call
Green when they see them. This was treasure spied
By your eyes with my soul.
You'd liked the whole
Broad sweep of things, had scarcely seen such small
Jewel incidents until
I showed you, who had never watched a hill
Remote in contemplation 'neath far, far skies,
Except with eyes
That had no mind to see
A present beauty, only what might be
If distance were annihilate.
And then,
Where the road crossed the creek we could not cross,
We found again
Our power of sight redoubled by the loss
Of what I'd planned.
You said it was no sense
To pull off shoes and fasten up a skirt
And plunge through dirt
And mud
And water, water
Muddy,
Ruddy,
As zinnias and paint-water and a flood
Of heavy auburn hair. We'd better go
Round by the beach,
Not by the cliffs, to reach
That farthest cliff
I wanted to see tower
Above the waves in colour and in power,
More solid than the sky.
And so
We turned
Seaward among the sea-grass. I had learned
Some of your alien sense of beauty, line
Preferred to colour, distance to the near.
For it was I
Who saw
The lovely curve of the creek.
But the whole shore
Yellow, untrodden, (more
The loveliest thing of our whole lovely week
For subtle curve, unbroken surface, than
For colour) this wide shore
Was yours and mine
And yours and mine the foam
When it would shine
Flower-coloured in a glint of sun. But mine
The hurry
And swift scurry
Of wind-blown tea-tree up the cliff.
We gave
A double dower
Of beauty to each wave
That trailed its hair in the wind before it broke.
For all the power
Of alien philosophies awoke
Our power of sight.
You still proclaim the far
Eternal unity of things that are
Like Plato and the mountains. I prefer
Inchoate beauty, for my part aver
Plurality essential, am content
To find a gain in difference, in a while
Admit there's gain in union. Argument
Recurs. Oh well, at any rate we know
That walk was lovely;
Ecstasies of mind
And subtle mysteries of sight combined
With the dear love of friends to make it so.


Scheme Text too long
Poetic Form
Metre 1111 011101 1101100101 1101010101 1101 111010101 110111 1101010101 1001 111111 10 11 1111 110111 10 1101 110111 11010010 101 111100101 110111111 1111 1111 11 1101010111 1001 110111101 110 01001111 11101 011 1111 1101110111 110101 01011010101 11 11010101 111111 1010111 1111 101111111 11111 100111111 101 011101 1101010101 10101101 1111111101 111111 1101 1111110111 1010001 1111110101 0100101111 0111 111111 0101010111 1100010 01 1011011111 1101 101011010101 1111 111111 1111010101 0111 01 01010 10 10 11000110001 1101011101 1101 110111 1101 1101110 0101010010 110101 01 11 1001011111 11110011101 011110101 1111 11 0101101 1011 1011 0111101101 1101010101 11111 1101 010101 1111 10100011111 010 0110 11111101 11 0101 110111 11110010111 11010 1100010001 101011 110101 0101001111 1100010101 11011110 0100010110 11010100001 0111010100 111110111 11110 111 0101001101 1011111111
Closest metre Iambic trimeter
Characters 3,288
Words 605
Sentences 33
Stanzas 1
Stanza Lengths 117
Lines Amount 117
Letters per line (avg) 22
Words per line (avg) 5
Letters per stanza (avg) 2,571
Words per stanza (avg) 600
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Submitted on May 13, 2011

Modified on March 05, 2023

3:04 min read
41

Lesbia Harford

Lesbia Harford was an Australian poet, novelist and political activist. more…

All Lesbia Harford poems | Lesbia Harford Books

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