Analysis of The Floure of Curtesye

John Lydgate 1370 (Suffolk) – 1451



In Feverier, whan the frosty moone
Was horned, ful of Phebus firy lyght,
And that she gan to reyse her streames sone,
Saynt Valentyne, upon thy blisful nyght
Of dutie whan glad is every wight,
And foules chese, to voyde her olde sorowe,
Everyche his make, upon the next morowe,

The same tyme, I herde a larke synge
Ful lustely, agayne the morowe gray:
'Awake, ye lovers, out of your slombringe,
This glad morowe, in al the haste ye may!
Some observaunce dothe unto this day,
Your choyse agen of herte to renewe,
In confyrmyng forever to be trewe.

'And ye that be, of chosyng, at your large
This lusty day, by custome of nature,
Take upon you the blisful holy charge
To serve love, whyle your lyfe may dure,
With herte, body, and al your besy cure,
Forevermore, as Venus and Cipride
For you disposeth, and the god Cupyde.

'For joye owe we playnly to obey
Unto this lordes mighty ordynaunce,
And, mercylesse, rather forto dye,
Than ever in you be founden varyaunce;
And though your lyfe be medled with grevaunce,
And, at your herte, closed be your wounde,
Beth alway one, there as ye are bounde.'

That whan I had herde and lysted longe,
With devoute herte, the lusty melodye
Of this hevenly comfortable songe,
So agreable as by ermonye,
I rose anon, and faste gan me hye
Towarde a grove, and the way take,
Foules to sene everyche chose his make.

And yet I was ful thursty in languisshyng;
Myn ague was so fervent in his hete,
Whan Aurora, for drery complaynyng,
Can distyl her chrystal teeres wete
Upon the soyle with sylver dewe so swete;
For she durste, for shame, not apere
Under the lyght of Phebus beames clere.

And so, for anguysshe of my paynes kene,
And for constraynte of my sighes sore,
I set me downe under a laurer grene
Ful pitously; and alway more and more,
As I behelde into the holtes hore,
I gan complayne myn inwarde deedly smerte,
That aye so sore crampisshed myn herte.

And whyle that I, in my drery payne
Sate and behelde, aboute on every tre
The foules sytte, alway twayne and twayne,
Than thought I thus: 'Alas, what may this be,
That every foule hath his lyberté
Frely to chose, after his desyre,
Everyche his make thus, fro yere to yere?

'The sely wrenne, the tytemose also,
The lytel redbrest, have free election
To flyen yfere and togyther go
Where as hem lyst, aboute envyron,
As they of kynde have inclynacion,
And as Nature, empresse and gyde
Of every thyng, lyst to provyde.

But man alone, alas, the harde stounde!
Ful cruelly, by kyndes ordynaunce,
Constrayned is, and by statute bounde
And debarred, from al suche plesaunce.
What meneth this? What is this purveyaunce
Of God above, agayne al right of kynde,
Without cause, so narowe man to bynde?

'Thus may I sene, and playne, alas!
My woful houre and my disaventure,
That doulfully stonde in the same caas
So ferre behynde from al helth and cure.
My wounde abydeth lyke a sursanure;
For me fortune so felly lyste dispose,
My harme is hyd, that I dare not disclose.

'For I my herte have set in suche a place
Where I am never lykely forto spede,
So ferre I am hyndred from her grace
That, save Daunger, I have none other mede;
And thus, alas, I not who shal me rede,
Ne for myne helpe shape remedye,
For Male Bouche, and for false Envye.

'The whiche twayne aye stondeth in my wey
Malyciously, and false Suspection
Is very cause also that I dey,
Gynnyng and rote of my distruction,
So that I fele, in conclusyon,
With her traynes that they wol me shende
Of my labour, that dethe mote make an ende.

'Yet or I dye, with herte, wyl, and thought,
To God of Love this avowe I make:
As I best can, howe dere that it be bought,
Where so it be that I slepe or wake,
Whyle Boreas dothe the leaves shake,
As I have heyght plainly, tyl I sterve,
For wel or wo, that I shal her serve.

'And for her sake, nowe this holy tyme,
Saynt Valentyne, somwhat shal I write;
Although so be that I cannot ryme,
Nor curyously by no crafte endyte,
Yet lever I have that she put the wyte
In unconnyng than in neglygence,
Whatever I saye of her excellence.

'Whatever I say, it is of duté,
In sothfastnesse, and no presumpcion;
This I ensure to you that shal it se,
That it is al under correction,
What I reherce in commendacion
Of her, that I shal to you, as blyve,
So as I can, her vertues here discryve.

'Ryght by example as the somer sonne
Passeth the sterre with his beames shene,


Scheme ABABBCC DEDEBCC DXDEFBB EGHGGBB DHDHHII IBIBBEE AJAJEBB XEAXBEE GKXAABB BGBGGBB GEGFEGG GBGBBHH CABAABB BIBIILL MBMBBGG BAGKALL XE
Poetic Form
Metre 0110101 11111011 011111011 1101111 111111001 01111011 11101011 01111011 111011 011101111 111010111 1111011 1111111 01010111 011111111 110111110 101101101 11111111 111001111 111001 1110011 11111101 1011101 011011 11001111 01111111 01111111 11111111 11111011 1110101 11110001 11111 11101110 1010011 1111111 01111101 111110011 1010111 1101011 010111111 1111111 100111011 01111111 0111111 111110011 1101101 11101011 1111111 1111111 01110111 101111001 0111101 1111011111 11001111 1111011 11111111 0110110 01111010 111011 111111 111111 0110101 11001111 110101011 110111 1101101 011111 1111111 110111111 01111111 11110101 111011 1110011 11111101 111101 111011101 1111111101 1111110101 11110111 11111101 111111101 0101111111 111111 1110111 01111011 1011 110110111 101111 111101 10111111 111111111 111111101 11111111 1111111111 111111111 111011 111110111 111111101 010111101 111111 11111101 111111 1101111101 01101 101110100 10111111 01011 1101111111 111110010 11101 101111111 11110111 1101010101 10111111
Closest metre Iambic pentameter
Characters 4,228
Words 807
Sentences 22
Stanzas 17
Stanza Lengths 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 2
Lines Amount 114
Letters per line (avg) 29
Words per line (avg) 7
Letters per stanza (avg) 198
Words per stanza (avg) 47
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Submitted on May 13, 2011

Modified on March 30, 2023

4:01 min read
124

John Lydgate

John Lydgate of Bury was a monk and poet, born in Lidgate, Suffolk, England. The sheer bulk of Lydgate's poetic output is prodigious, amounting, at a conservative count, to about 145,000 lines. He explored and established every major Chaucerian genre, except such as were manifestly unsuited to his profession, like the fabliau. In the Troy Book, an amplified translation of the Trojan history of the thirteenth-century Latin writer Guido delle Colonne, commissioned by Prince Henry, he moved deliberately beyond Chaucer's Knight's Tale and his Troilus, to provide a full-scale epic. The Siege of Thebes is a shorter excursion in the same field of chivalric epic. The Monk's Tale, a brief catalog of the vicissitudes of Fortune, gives a hint of what is to come in Lydgate's massive Fall of Princes, which is also derived, though not directly, from Boccaccio's De Casibus Virorum Illustrium. The Man of Law's Tale, with its rhetorical elaboration of apostrophe, invocation, and digression in what is essentially a saint's legend, is the model for Lydgate's legends of St. Edmund and St. more…

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