Analysis of The Child-World

James Whitcomb Riley 1849 (Greenfield) – 1916 (Indianapolis)



A Child-World, yet a wondrous world no less,
To those who knew its boundless happiness.
A simple old frame house--eight rooms in all--
Set just one side the center of a small
But very hopeful Indiana town,--
The upper-story looking squarely down
Upon the main street, and the main highway
From East to West,--historic in its day,
Known as The National Road--old-timers, all
Who linger yet, will happily recall
It as the scheme and handiwork, as well
As property, of 'Uncle Sam,' and tell
Of its importance, 'long and long afore
Railroads wuz ever _dreamp_' of!'--Furthermore,
The reminiscent first Inhabitants
Will make that old road blossom with romance
Of snowy caravans, in long parade
Of covered vehicles, of every grade
From ox-cart of most primitive design,
To Conestoga wagons, with their fine
Deep-chested six-horse teams, in heavy gear,
High names and chiming bells--to childish ear
And eye entrancing as the glittering train
Of some sun-smitten pageant of old Spain.
And, in like spirit, haply they will tell
You of the roadside forests, and the yell
Of 'wolfs' and 'painters,' in the long night-ride,
And 'screechin' catamounts' on every side.--
Of stagecoach-days, highwaymen, and strange crimes,
And yet unriddled mysteries of the times
Called 'Good Old.' 'And why 'Good Old'?' once a rare
Old chronicler was asked, who brushed the hair
Out of his twinkling eyes and said,--'Well John,
They're 'good old times' because they're dead and gone!'

The old home site was portioned into three
Distinctive lots. The front one--natively
Facing to southward, broad and gaudy-fine
With lilac, dahlia, rose, and flowering vine--
The dwelling stood in; and behind that, and
Upon the alley north and south, left hand,
The old wood-house,--half, trimly stacked with wood,
And half, a work-shop, where a workbench stood
Steadfastly through all seasons.--Over it,
Along the wall, hung compass, brace-and-bit,
And square, and drawing-knife, and smoothing-plane--
And little jack-plane, too--the children's vain
Possession by pretense--in fancy they
Manipulating it in endless play,
Turning out countless curls and loops of bright,
Fine satin shavings--Rapture infinite!
Shelved quilting-frames; the toolchest; the old box
Of refuse nails and screws; a rough gun-stock's
Outline in 'curly maple'; and a pair
Of clamps and old krout-cutter hanging there.
Some 'patterns,' in thin wood, of shield and scroll,
Hung higher, with a neat 'cane-fishing-pole'
And careful tackle--all securely out
Of reach of children, rummaging about.

Beside the wood-house, with broad branches free
Yet close above the roof, an apple-tree
Known as 'The Prince's Harvest'--Magic phrase!
That was _a boy's own tree_, in many ways!--
Its girth and height meet both for the caress
Of his bare legs and his ambitiousness:
And then its apples, humoring his whim,
Seemed just to fairly _hurry_ ripe for him--
Even in June, impetuous as he,
They dropped to meet him, halfway up the tree.
And O their bruised sweet faces where they fell!--
And ho! the lips that feigned to 'kiss them _well_'!

'The Old Sweet-Apple-Tree,' a stalwart, stood
In fairly sympathetic neighborhood
Of this wild princeling with his early gold
To toss about so lavishly nor hold
In bounteous hoard to overbrim at once
All Nature's lap when came the Autumn months.
Under the spacious shade of this the eyes
Of swinging children saw swift-changing skies
Of blue and green, with sunshine shot between,
And 'when the old cat died' they saw but green.
And, then, there was a cherry-tree.--We all
And severally will yet recall
From our lost youth, in gentlest memory,
The blessed fact--There was a cherry-tree.

There was a cherry-tree. Its bloomy snows
Cool even now the fevered sight that knows
No more its airy visions of pure joy--
As when you were a boy.

There was a cherry-tree. The Bluejay set
His blue against its white--O blue as jet
He seemed there then!--But _now_--Whoever knew
He was so pale a blue!

There was a cherry-tree--Our child-eyes saw
The miracle:--Its pure white snows did thaw
Into a crimson fruitage, far too sweet
But for a boy to eat.

There was a cherry-tree, give thanks and joy!--
There was a bloom of snow--There was a boy--
There was a Bluejay of the realest blue--
And fruit for both of you.

Then the old garden, with the apple-trees
Grouped 'round the margin, and 'a stand of bees'
By the 'white-winter-pearmain'; and a row
Of currant-bushes; and a quince or so.
The old


Scheme AXBBCCDDBBEEFFXXGGHHFFIIEEJJKKFFXX FBHHXXLLMMIIDDXXNNFFOOPP FFQQAARRXFEB LLSSXXTTUUBBFF VVWW XXYY ZZ1 1 WWYY 2 2 FXS
Poetic Form
Metre 0111010111 1111110100 0101111101 1111010101 110100101 0101010101 010110011 1111010011 11010011101 110111001 110101011 1100110101 110101011 11101110 001010100 1111110101 110100101 11010011001 1111110001 101010111 1101110101 110111101 011101001 1111010111 001101111 110110001 1101000111 01111001 1111011 011100101 1111111101 1100111101 11110010111 1111011101 011111011 01010111 1011010101 1110101001 0101000110 0101010111 011111111 010111011 101110101 0101110101 0101010101 0101110101 0101010101 010010101 1011010111 1101010100 110101011 1011010111 101010001 1101110101 1100111101 1101011101 0101010101 1111010001 0101111101 1101011101 110101101 1111110101 1101111001 1111011 01110111 111101111 100101011 1111111101 0111110111 0101111111 0111010101 01001010 111111101 1101110011 0111111 1101110101 1001011101 1101011101 110111101 0101111111 0111010111 0100111 110110100100 011110101 110101111 1101010111 1111010111 111001 110101011 1101111111 1111110101 111101 11010110111 0100111111 010101111 110111 1101011101 1101111101 11011011 011111 1011010101 1101000111 101101001 111000111 01
Closest metre Iambic pentameter
Characters 4,328
Words 749
Sentences 32
Stanzas 9
Stanza Lengths 34, 24, 12, 14, 4, 4, 4, 4, 5
Lines Amount 105
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 382
Words per stanza (avg) 81
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Submitted on May 13, 2011

Modified on March 05, 2023

3:45 min read
82

James Whitcomb Riley

James Whitcomb Riley was an American writer, poet, and best-selling author. During his lifetime he was known as the "Hoosier Poet" and "Children's Poet" for his dialect works and his children's poetry respectively. more…

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