Analysis of Near Perigord

Ezra Pound 1885 (Hailey) – 1972 (Venice)



I
You'd have men's hearts up from the dust
And tell their secrets, Messire Cino,
Rigkt enough? Then read between the lines of Uc St. Circ,
Solve me the riddle, for you know the tale.

Bertrans, En Bertrans, left a fine canzone:
6Maent, I love you, you have turned me out.
The voice at Montfort, Lady Agnes' hair,
Bel Miral's stature, the viscountess' throat,
Set all together, are not worthy of you. . . .'
And all the while you sing out that canzone,
Think you that Maent lived at Montaignac,
One at Chalais, another at Malemort
Hard over Brive for every lady a castle,
Each place strong.

Oh, is it easy enough?
Tairiran held hall in Montaignac,
His brother-in-law was all there was of power
In Perigord, and this good union
Gobbled all the land, and held it later for some hundred years.
And our En Bertrans was in Altafort,
Hub of the wheel, the stirrer-up of strife,
As caught by Dante in the last wallow of hell
The headless trunk 'that made its head a lamp',
For separation wrought out separation,
And he who set the strife between brother and brother
And had his way with the old English king,,
Viced in such torture for the 'counterpass'.
How would you live, with neighbours set about you
Poictiers and Brive, untaken Rochecouart,
Spread like the finger-tips of one frail hand;
And you on that great mountain of a palm
Not a neat ledge, not Foix between its streams,
But one huge back half-covered up with pine,
Worked for and snatched from the string-purse of Born
The four round towers, four brothers mostly fools
What could he do but play the desperate chess,
And stir old grudges?
‘Pawn your castles, lords!
Let the Jews pay.'
And the great scene
(That, maybe, never happened!)
Beaten at last,
Before the hard old king:
'Your son, ah, since he died
''My wit and worth are cobwebs brushed aside
'In the full flare of grief. Do what you will.'

Take the whole man, and ravel out the story.
He loved this lady in castle Montaignac ?
The castle flanked him he had need of it.
You read to-day, how long the overlords of Perigord,
The Talleyrands, have held the place; it was no transient fiction.
And Maent failed him? Or saw through the scheme?

And all his net-like thought of new alliance?
Chalais is high, a-level with the poplars.
Its lowest stones just meet the valley tips
Where the low Dronne is filled with water-lilies.
And Rochecouart can match it, stronger yet,
The very spur's end, built on sheerest cliff,
And Malemort keeps its close hold on Brive,
While Born, his own close purse, his rabbit warren,
His subterranean chamber with a dozen doors,
A-bristle with antennae to feel roads,
To sniff the traffic into Perigord.
And that hard phalanx, that unbroken line,
The ten good miles from there to Maent's castle,
All of his flank how could he do without her?
And all the road to Cahors, to Toulouse?
would he do without her?

‘Papiol,
Go forthright singing Anhes, Cembelins.
There is a throat; ah, there are two white hands;
There is a trellis full of early roses,
And all my heart is bound about with love.
Where am I come with compound flatteries
What doors are open to fine compliment?'
And every one half jealous of Maent?
He wrote the catch to pit their jealousies
Against her; give her pride in them?

Take his own speech, make what you will of it
And still the knot, the first knot, of Maent?

Is it a love poem? Did he sing of war?
Is it an intrigue to run subtly out,
Born of a jongleur's tongue, freely to pass
Up and about and in and out the land,
Mark him a craftsman and a strategist?
(St. Leider had done as much as Polhonac,
Singing a different stave, as closely hidden.)
Oh, there is precedent, legal tradition,
To sing one thing when your song means another,
'Et albirar ab lor bordon '
Foix' count knew that. What is Sir Bertrans' singing?
Maent, Maent, and yet again Maent,
Or war and broken heaumes and politics?

II
End fact. Try fiction. Let us say we see
En Bertrans, a tower-room at Hautefort,
Sunset, the ribbon-like road lies, in red cross-light,
Southward toward Montaignac, and he bends at a table
Scribbling, swearing between his teeth; by his left hand
Lie little strips of parchment covered over,
Scratched and erased with al and ochaisos.
Testing his list of rhymes, a lean man? Bilious?
With a red straggling beard?
And the green cat's-eye lifts toward Montaignac.

Or take his 'magnet' singer setting out,
Dodging his way past Aubeterre, singing at Chalais
In th


Scheme ABCDE CFXXGCDBHD IDJKLBXXXKJDLGBMXXNXXXOXXXXXDPPX QDRBKX XLXSXXIKXXBNHJXJ ELXOXLXBSX RB XFXMXDKKJCDBX AQBXHMJLXXD FLX
Poetic Form
Metre 1 11111101 01110110 1011101011111 1101011101 1111011 111111111 0111010101 1110011 11010111011 010111111 1111111 11101011 1101110010010 111 1111001 11101 110011111110 0101110 101010111011101 01011101 110101111 111100011011 0101111101 101011010 0111010110010 0111101101 10110101 1111111011 10111 1101011111 0111110101 1011110111 1111110111 1101101111 01110110101 1111110101 01110 11101 1011 0011 1101010 1011 010111 111111 110111101 0011111111 10110101010 111100101 0101111111 11111101011 0111011111010 011111101 01111111010 111010101 1101110101 10111111010 01111101 010111111 01111111 11111111010 1001001010101 0101010111 11010011 0111010101 0111111110 11111111010 010111101 111010 1 1111011 1101111111 11010111010 0111110111 11111101 1111011100 0100111011 1101111100 01010101 1111111111 010101111 11011011111 11101111001 110111011 1001000101 1101000100 110111111 100100111010 11110010010 11111111010 11111 1111111110 1101011 110101010 1 1111011111 11010111 10101110111 100110111010 1001001111111 11011101010 10011101 101111011100 10111 001111011 1111010101 1011111011 011
Closest metre Iambic pentameter
Characters 4,308
Words 795
Sentences 53
Stanzas 10
Stanza Lengths 5, 10, 32, 6, 16, 10, 2, 13, 11, 3
Lines Amount 108
Letters per line (avg) 32
Words per line (avg) 7
Letters per stanza (avg) 342
Words per stanza (avg) 79
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Submitted on May 13, 2011

Modified on March 30, 2023

3:59 min read
257

Ezra Pound

Ezra Weston Loomis Pound was an American expatriate poet and critic of the early modernist movement. more…

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