Analysis of With brutus in st. jo

Eugene Field 1850 (St. Louis) – 1895 (Chicago)



Of all the opry-houses then obtaining in the West
The one which Milton Tootle owned was, by all odds, the best;
Milt, being rich, was much too proud to run the thing alone,
So he hired an "acting manager," a gruff old man named Krone--
A stern, commanding man with piercing eyes and flowing beard,
And his voice assumed a thunderous tone when Jack and I appeared;
He said that Julius Caesar had been billed a week or so,
And would have to have some armies by the time he reached St. Jo!

O happy days, when Tragedy still winged an upward flight,
When actors wore tin helmets and cambric robes at night!
O happy days, when sounded in the public's rapturous ears
The creak of pasteboard armor and the clash of wooden spears!
O happy times for Jack and me and that one other supe
That then and there did constitute the noblest Roman's troop!
With togas, battle axes, shields, we made a dazzling show,
When we were Roman soldiers with Brutus in St. Jo!

We wheeled and filed and double-quicked wherever Brutus led,
The folks applauding what we did as much as what he said;
'T was work, indeed; yet Jack and I were willing to allow
'T was easier following Brutus than following father's plough;
And at each burst of cheering, our valor would increase--
We tramped a thousand miles that night, at fifty cents apiece!
For love of Art--not lust for gold--consumed us years ago,
When we were Roman soldiers with Brutus in St. Jo!

To-day, while walking in the Square, Jack Langrish says to me:
"My friend, the drama nowadays ain't what it used to be!
These farces and these comedies--how feebly they compare
With that mantle of the tragic art which Forrest used to wear!
My soul is warped with bitterness to think that you and I--
Co-heirs to immortality in seasons long gone by--
Now draw a paltry stipend from a Boston comic show,
We, who were Roman soldiers with Brutus in St. Jo!"

And so we talked and so we mused upon the whims of Fate
That had degraded Tragedy from its old, supreme estate;
And duly, at the Morton bar, we stigmatized the age
As sinfully subversive of the interests of the Stage!
For Jack and I were actors in the halcyon, palmy days
Long, long before the Hoyt school of farce became the craze;
Yet, as I now recall it, it was twenty years ago
That we were Roman soldiers with Brutus in St. Jo!

We were by birth descended from a race of farmer kings
Who had done eternal battle with grasshoppers and things;
But the Kansas farms grew tedious--we pined for that delight
We read of in the Clipper in the barber's shop by night!
We would be actors--Jack and I--and so we stole away
From our native spot, Wathena, one dull September day,
And started for Missouri--ah, little did we know
We were going to train as soldiers with Brutus in St. Jo!

Our army numbered three in all--Marc Antony's was four;
Our army hankered after fame, but Marc's was after gore!
And when we reached Philippi, at the outset we were met
With an inartistic gusto I can never quite forget.
For Antony's overwhelming force of thumpers seemed to be
Resolved to do "them Kansas jays"--and that meant Jack and me!
My lips were sealed but that it seems quite proper you should know
That Rome was nowhere in it at Philippi in St. Jo!

I've known the slow-consuming grief and ostentatious pain
Accruing from McKean Buchanan's melancholy Dane;
Away out West I've witnessed Bandmann's peerless hardihood,
With Arthur Cambridge have I wrought where walking was not good;
In every phase of horror have I bravely borne my part,
And even on my uppers have I proudly stood for Art!
And, after all my suffering, it were not hard to show
That I got my allopathic dose with Brutus at St. Jo!

That army fell upon me in a most bewildering rage
And scattered me and mine upon that histrionic stage;
My toga rent, my helmet gone and smashed to smithereens,
They picked me up and hove me through whole centuries of scenes!
I sailed through Christian eras and mediæval gloom
And fell from Arden forest into Juliet's painted tomb!
Oh, yes, I travelled far and fast that night, and I can show
The scars of honest wounds I got with Brutus in St. Jo!

Ah me, old Davenport is gone, of fickle fame forgot,
And Barrett sleeps forever in a much neglected spot;
Fred Warde, the papers tell me, in far woolly western lands
Still flaunts the banner of high Tragic Art at one-night stands;
And Jack and I, in Charley Hoyt's Bostonian dramas wreak
Our vengeance on creation at some eensty dolls per week.
By which you see that public taste has fallen mighty low
Since we fough


Scheme aaxxbbcc ddeeffcC gghhiicC jjkkllcc mmnnoocc ppddqqcc rrssjjcc ttaxuucc nnvvwwcc xxyyzzcx
Poetic Form
Metre 11010101010001 01110101111101 11011111110101 11101101000111110 01010111010101 0110101001110101 11110101110111 011111101011111 11011100111101 110111001111 110111000101001 0111100011101 11011101011101 1101110010101 11101011101001 1101010110011 11010101010101 01010111111111 111011101010101 11100100101100101 01111101010101 11010111110101 11111111011101 1101010110011 1111000111111 1101010111111 1101100110101 111010101110111 11111100111101 1110100010111 11010101010101 1101010110011 01110111010111 110101001110101 0101010111001 110101010101 11010100010011 1101011110101 1111111110101 1101010110011 10110101011101 1110101011001 101011100111101 11100100010111 11110101011101 1101011110101 0101010110111 101011110110011 1010101011111 10101101111101 0111010101101 11111110101 11010111111 01111101011101 11011111110111 1111011010011 1101010100101 0101010101001 01111101101 11010111110111 010011101110111 01011101110111 01011100101111 111111110111 110101100101001 0101010110101 1101110101101 11110111110011 111101001011 0111010011101 11110101110111 01110111110011 1111011110101 01010100010101 11010110110101 11010111011111 01010101100101 10101010111111 11111101110101 111
Closest metre Iambic heptameter
Characters 4,443
Words 826
Sentences 34
Stanzas 10
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 80
Letters per line (avg) 44
Words per line (avg) 10
Letters per stanza (avg) 354
Words per stanza (avg) 82
Font size:
 

Submitted on May 13, 2011

Modified on March 05, 2023

4:11 min read
117

Eugene Field

Eugene Field, Sr. was an American writer, best known for his children's poetry and humorous essays. more…

All Eugene Field poems | Eugene Field Books

2 fans

Discuss this Eugene Field poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "With brutus in st. jo" Poetry.com. STANDS4 LLC, 2024. Web. 29 Apr. 2024. <https://www.poetry.com/poem-analysis/13148/with-brutus-in-st.-jo>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    April 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    1
    day
    10
    hours
    30
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    AA Milne wrote: "A bear, however hard he tries..."
    A "has very very tired eyes"
    B "can never stop telling lies"
    C "stinks and attracts the flies"
    D "grows tubby with no exercise"