Analysis of Three Women



My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
Paused scarcely a moment, and then sped away,
And two actors more now enliven our play.

A graceful young woman with eyes like the morn,
With hair like the tassels which hang from the corn,
And a face that might serve as a model for Peace,
Moved lightly along, smiled and bowed to Maurice,
Then was lost in the circle of friends waiting near.
A discord of shrill nasal tones smote the ear,
As they greeted their comrade and bore her from sight.
(The ear oft is pained while the eye feels delight
In the presence of women throughout our fair land:
God gave them the graces which win and command,
But the devil, who always in mischief rejoices,
Slipped into their teachers and ruined their voices.)
There had stepped from the train just behind Mabel Lee
A man whose deportment bespoke him to be
A child of good fortune. His mien and his air
Were those of one all unaccustomed to care.
His brow was not vexed with the gold seeker's worry,
His manner was free from the national hurry.
Repose marked his movements. Yet gaze in his eye,
And you saw that this calm outer man was a lie;
And you knew that deep down in the depths of his breast
There dwelt the unmerciful imp of unrest.

He held out his hand; it was clasped with a will
In both the firm palms of Maurice Somerville.
'Well, Reese, my old Comrade;' 'Ha, Roger, my boy,'
They cried in a breath, and their eyes gemmed with joy
(Which but for their sex had been set in a tear),
As they walked arm in arm to the trap waiting near,
And drove down the shining shell roadway which wound
Through forest and meadow, in search of the Sound.

I smell the salt water-that perfume which starts
The blood from hot brains back to world withered hearts;
You may talk of the fragrance of flower filled fields,
You may sing of the odors the Orient yields,
You may tell of the health laden scent of the pine,
But give me the subtle salt breath of the brine.
Already I feel lost emotions of youth
Steal back to my soul in their sweetness and truth;
Small wonder the years leave no marks on your face,
Time's scythe gathers rust in this idyllic place.
You must feel like a child on the Great Mother's breast,
With the Sound like a nurse watching over your rest?

There is beauty and truth in your quaint simile,
I love the Sound more than the broad open sea.
The ocean seems always stern, masculine, bold,
The Sound is a woman, now warm, and now cold.
It rises in fury and threatens to smite,
Then falls at your feet with a coo of delight;
Capricious, seductive, first frowning, then smiling,
And always, whatever its mood is, beguiling.
Look, now you can see it, bright beautiful blue,
And far in the distance there loom into view
The banks of Long Island, full thirty miles off;
A sign of wet weather to-morrow. Don't scoff!
We people who chum with the waves and the wind
Know more than all wise signal bureaus combined.

But come, let us talk


Scheme aBAb BCbc CDcd Dede eaeA xfffgghhiijjkk llmmnncc ooppixqqrrlxssttssffee uuvvtiww xxyyzzjj1 1 ee ss2 2 bq3 3 4 4 5 5 6 6 x
Poetic Form
Metre 111111 1101001 01101111 1101111 1101001 0110111 01101111 00111111 0110111 01101101 00111111 111001 01101101 11111111 111001 1110101 11111111 1111111 11100101 01101111 1 1 01101001101 101001011101 01101001101 010110101101 01011011011 1111101001 11101011101 11001111001 111101111001 101101101011 01001001111 0101110101 0110101011 11011001011 01101111111 1100110101 11111011111 11001101111 11001001101 011011010101 01011011101 1110111101 001111101011 11001101101 111001011101 01011101101 11101101011 01111101101 0010110011011 11101011001 1010110101 101110010110 111101101101 0110101111 01111011011 0111101011 111111011010 110111010010 01111011011 011111101101 011111001111 11011101 11111111101 0101110110 1111111011 11001011111 11111111001 111101101101 0110101111 1100101101 11011010111 01111111101 111101011011 11110100101 111101101101 11101011101 01011101011 11111011001 11001111111 11101010101 111101101101 101101101011 1110010111 11011101101 0101111001 01101011011 11001001011 11111101101 010010110110 0110111010 11111111001 01001011011 01111011011 01111011011 11011101001 11111101001 11111
Closest metre Iambic pentameter
Characters 4,268
Words 841
Sentences 34
Stanzas 12
Stanza Lengths 4, 4, 4, 4, 4, 14, 8, 22, 8, 12, 14, 1
Lines Amount 99
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 282
Words per stanza (avg) 70
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Submitted on May 13, 2011

Modified on March 05, 2023

4:13 min read
59

Ella Wheeler Wilcox

Ella Wheeler Wilcox was an American author and poet. more…

All Ella Wheeler Wilcox poems | Ella Wheeler Wilcox Books

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