Analysis of The Comrade

Edith Wharton 1862 (New York City) – 1937 (Saint-Brice-sous-Forêt)



WILD winged thing, O brought I know not whence
To beat your life out in my life's low cage;
You strange familiar, nearer than my flesh
Yet distant as a star, that were at first
A child with me a child, yet elfin-far,
And visibly of some unearthly breed;
Mirthfullest mate of all my mortal games,
Yet shedding on them some evasive gleam
Of Latmian loneliness -- O seven then
Expert to lift the latch of our low door
And profit by the hours when, dusked about
By human misintelligence, our first
Weak fledgling flights were safeliest essayed;
Divine accomplice of those perilous-sweet
Low moth-flights of the unadventured soul
Above the world's dim garden! -- now we sit,
After what stretch of years, what stretch of wings,
In the same cage together -- still as near
And still as strange!
Only I know at last
That we are fellows till the last night falls,
And that I shall not miss your comrade hands
Till they have closed my lids, and by them set
A taper that -- who knows! -- may yet shine through.

Sister, my comrade, I have ached for you,
Sometimes, to see you curb your pace to mine,
And bow your Maenad crest to the dull forms
Of human usage; I have loosed your hand
And whispered: 'Go! Since I am tethered here;'
And you have turned, and breathing for reply,
'I too am pinioned, as you too are free,'
Have caught me to such undreamed distances
As the last planets see, when they look forth,

To the sentinel pacings of the outmost stars --
Nor these alone,
Comrade, my sister, were your gifts. More oft
Has your impalpable wing-brush bared for me
The heart of wonder in familiar things,
Unroofed dull rooms, and hung above my head
The cloudy glimpses of a vernal moon,
Or all the autumn heaven ripe with stars.

And you have made a secret pact with Sleep,
And when she comes not, or her feet delay,
Toiled in low meadows of gray asphodel
Under a pale sky where no shadows fall,
Then, hooded like her, to my side you steal,
And the night grows like a great rumouring sea,
And you a boat, and I your passenger,
And the tide lifts us with an indrawn breath
Out, out upon the murmurs and the scents,
Through spray of splintered star-beams, or white rage
Of desperate moon-drawn waters -- on and on
To some blue ocean immarcescible
That ever like a slow-swung mirror rocks
The balanced breasts of sea-birds motionless.

Yet other nights, my sister, you have been
The storm, and I the leaf that fled on it
Terrifically down voids that never knew
The pity of creation -- or have felt
The immitigable anguish of a soul
Left last in a long-ruined world alone;
And then your touch has drawn me back to earth,
As in the night, upon an unknown road,
A scent of lilac breathing from the hedge
Bespeaks the hidden farm, the bedded cows,
And safety, and the sense of human kind . . .

And I have climbed with you by hidden ways
To meet the dews of morning, and have seen
The shy gods like retreating shadows fade,
Or on the thymy reaches have surprised
Old Chiron sleeping, and have waked him not . . .

Yet farther have I fared with you, and known
Love and his sacred tremors, and the rites
Of his most inward temple; and beyond
His temple lights, have seen the long gray waste
Where lonely thoughts, like creatures of the night,
Listen and wander where a city stood.
And creeping down by waterless defiles
Under an iron midnight, have I kept
My vigil in the waste till dawn began
To move among the ruins, and I saw
A sapling rooted in a fissured plinth,
And a wren's nest in the thunder-threatening hand
Of some old god of granite in the dust . . .


Scheme ABXCXXXXXXXCCXDEFXXXXXXG GXXHXXIXX JKXIFXXJ XXDXXIXXXBXDXX XEGXDKXXXXX XXXXX KXXXXXAXXXXHX
Poetic Form
Metre 111111111 1111101111 1101010111 1101011011 0111011101 0100110101 11111101 1101110101 111001101 10110111011 01010101101 1101101 1101011 01010111001 1111011 0101110111 1011111111 0011010111 0111 101111 1111010111 011111111 1111110111 0101111111 101111111 0111111111 011111011 1101011111 0101111101 0111010101 111111111 1111101100 1011011111 1010011011 1101 111001111 11111111 0111000101 111010111 0101010101 1101010111 0111010111 0111110101 1011111 100111111 1101011111 001110111 0101011100 001111111 1101010001 1111011111 1101110101 111101 1101011101 0101111100 1101110111 0101011111 0100111101 0101010111 0110101 1100110101 0111111111 1001011011 011110101 0101010101 0100011101 0111111101 1101110011 011101011 110110101 1101001111 1101111101 1011010001 1111010001 1101110111 1101110101 1001010101 0101111 101101111 1100011101 1101010011 0101000101 001100101001 1111110001
Closest metre Iambic pentameter
Characters 3,541
Words 657
Sentences 19
Stanzas 7
Stanza Lengths 24, 9, 8, 14, 11, 5, 13
Lines Amount 84
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 393
Words per stanza (avg) 95
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Submitted on May 13, 2011

Modified on March 14, 2023

3:17 min read
50

Edith Wharton

Edith Wharton (born Edith Newbold Jones) was an American novelist, short story writer, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize for Literature. She was inducted into the National Women's Hall of Fame in 1996. more…

All Edith Wharton poems | Edith Wharton Books

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