Analysis of Life

Edith Wharton 1862 (New York City) – 1937 (Saint-Brice-sous-Forêt)



NAY, lift me to thy lips, Life, and once more
Pour the wild music through me --

I quivered in the reed-bed with my kind,
Rooted in Lethe-bank, when at the dawn
There came a groping shape of mystery
Moving among us, that with random stroke
Severed, and rapt me from my silent tribe,
Pierced, fashioned, lipped me, sounding for a voice,
Laughing on Lethe-bank -- and in my throat
I felt the wing-beat of the fledgeling notes,
The bubble of godlike laughter in my throat.

Such little songs she sang,
Pursing her lips to fit the tiny pipe,
They trickled from me like a slender spring
That strings frail wood-growths on its crystal thread,
Nor dreams of glassing cities, bearing ships.
She sang, and bore me through the April world
Matching the birds, doubling the insect-hum
In the meadows, under the low-moving airs,
And breathings of the scarce-articulate air
When it makes mouths of grasses -- but when the sky
Burst into storm, and took great trees for pipes,
She thrust me in her breast, and warm beneath
Her cloudy vesture, on her terrible heart,
I shook, and heard the battle.
But more oft,
Those early days, we moved in charmed woods,
Where once, at dusk, she piped against a faun,
And one warm dawn a tree became a nymph
Listening; and trembled; and Life laughed and passed.
And once we came to a great stream that bore
The stars upon its bosom like a sea,
And ships like stars; so to the sea we came.
One wild pang through me; then refrained her hand,
And whispered: 'Hear -- ' and into my frail flanks,
Into my bursting veins, the whole sea poured
Its spaces and its thunder; and I feared.

We came to cities, and Life piped on me
Low calls to dreaming girls,
In counting-house windows, through the chink of gold,
Flung cries that fired the captive brain of youth,
And made the heavy merchant at his desk
Curse us for a cracked hurdy-gurdy; Life
Mimicked the hurdy-gurdy, and we passed.

We climbed the slopes of solitude, and there
Life met a god, who challenged her and said:
'Thy pipe against my lyre!' But 'Wait!' she laughed,
And in my live flank dug a finger-hole,
And wrung new music from it. Ah, the pain!

We climbed and climbed, and left the god behind.
We saw the earth spread vaster than the sea,
With infinite surge of mountains surfed with snow,
And a silence that was louder than the deep;
But on the utmost pinnacle Life again
Hid me, and I heard the terror in her hair.

Safe in new vales, I ached for the old pang,
And clamoured 'Play me against a god again!'
'Poor Marsyas-mortal -- he shall bleed thee yet,'
She breathed and kissed me, stilling the dim need.
But evermore it woke, and stabbed my flank
With yearnings for new music and new pain.
'Another note against another god!'
I clamoured; and she answered: 'Bide my time.
Of every heart-wound I will make a stop.
And drink thy life in music, pang by pang.
But first thou must yield the notes I stored in thee
At dawn beside the river. Take my lips.'

She kissed me like a lover, but I wept,
Remembering that high song against the god,
And the old songs slept in me, and I was dumb.

We came to cavernous foul places, blind
With harpy-wings, and sulphurous with the glare
Of sinful furnaces -- where hunger toiled,
And pleasure gathered in a starveling prey,
And death fed delicately on young bones.

'Now sing!' cried Life, and set her lips to me.
'Here are gods also. Wilt thou pipe for Dis?'

My cry was drowned beneath the furnace roar,
Choked by the sulphur-fumes; and beast-lipped gods
Laughed down on me, and mouthed the flutes of hell.

'Now sing!' said Life, reissuing to the stars;
And wrung a new note from my wounded side.

So came we to clear spaces, and the sea.
And now I felt its volume in my heart,
And my heart waxed with it, and Life played on me
The song of the Infinite. 'Now the stars,' she said.

Then from the utmost pinnacle again
She poured me on the wild sidereal stream,
And I grew with her great breathings, till we swept
The interstellar spaces like new worlds
Loosed from the fiery ruin of a star.

Cold, cold we rested on black peaks again,
Under black skies, under a groping wind,
And life, grown old, hugged me to a numb breast,
Pressing numb lips against me. Suddenly
A blade of silver severed the black peaks
From the black sky, and earth was born again,
Breathing and various, under a god's feet.
A god! A god! I felt the he


Scheme AB CDBXXXEXE FXXGHXIXJXXXKXXXDXLABXXXXX BXXXXXL JGXXM CBXXNJ FNXXXMOXXFBH POI CJXXX BX AXX XX BKBG NXPXX NCXBXNXB
Poetic Form
Metre 1111111011 1011011 110011111 100111101 1101011100 1001111101 1001111101 1101110101 101110011 110111011 0101110011 110111 101110101 1101110101 1111111101 111110101 1101110101 1001100011 0011001101 011010101 11111101101 1011011111 1110010101 0101101001 1101010 111 110111011 1111110101 0111010101 10001001101 0111101111 0101110101 0111110111 1111110101 0101001111 0111010111 1100110011 1111001111 111101 01011010111 11110010111 0101010111 11101111 10011011 110111001 1101110001 1101111111 0011110101 0111011101 1101010101 110111101 11001110111 00101110101 1101100101 11011010001 1011111011 0111010101 111011111 110111011 110110111 1101110011 0101010101 110110111 11001111101 0111010111 11111011101 1101010111 1111010111 01001110101 00111010111 1111001101 11101101 110101101 010100011 0111000111 1111010111 1111011111 1111010101 1101010111 1111010111 11110100101 0101111101 1111110001 0111110011 01111101111 011010010111 110110001 11110111 0111011111 001010111 11010010101 1111011101 1011100101 0111111011 1011011100 0111010011 1011011101 10010010011 01011101
Closest metre Iambic pentameter
Characters 4,328
Words 812
Sentences 40
Stanzas 15
Stanza Lengths 2, 9, 26, 7, 5, 6, 12, 3, 5, 2, 3, 2, 4, 5, 8
Lines Amount 99
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 223
Words per stanza (avg) 53
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Submitted on May 13, 2011

Modified on March 16, 2023

4:00 min read
62

Edith Wharton

Edith Wharton (born Edith Newbold Jones) was an American novelist, short story writer, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize for Literature. She was inducted into the National Women's Hall of Fame in 1996. more…

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