Analysis of Compensation
Edith Nesbit 1858 (Kennington, Surrey ) – 1924 (New Romney, Kent)
LADY, I see you every day--
More than your other lovers do;
I sit beside you at the Play,
And in the Park I ride with you.
Through picture shows with you I roam
With you I shop and dance and dine;
I know the hours when you're 'at home'
To no one else's knock but mine.
And yet so near and yet so far,
I scarce dare look at you, for fear
I should remark, 'How sweet you are,
How charming, and how very dear!'
I dare not touch that hand of yours,
Or lend my voice a tender tone;
I know my state of grace endures
By fasting and by prayer alone.
But, in my lonely dreamlit nights,
I kiss your hands, your lips, your eyes;
For absence grants me all the rights
Your presence evermore denies.
Scheme | ABAB CDCD EFEF GHGH IJIJ |
---|---|
Poetic Form | Traditional rhyme Quatrain |
Metre | 101111001 11110101 11011101 00011111 11011111 11110101 110101111 11110111 01110111 11111111 11011111 11001101 11111111 11110101 11111101 11001101 1011011 11111111 11011101 1101001 |
Closest metre | Iambic tetrameter |
Characters | 693 |
Words | 142 |
Sentences | 6 |
Stanzas | 5 |
Stanza Lengths | 4, 4, 4, 4, 4 |
Lines Amount | 20 |
Letters per line (avg) | 26 |
Words per line (avg) | 7 |
Letters per stanza (avg) | 104 |
Words per stanza (avg) | 28 |
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Submitted on May 13, 2011
Modified on April 06, 2023
- 42 sec read
- 29 Views
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"Compensation" Poetry.com. STANDS4 LLC, 2024. Web. 29 Apr. 2024. <https://www.poetry.com/poem-analysis/8804/compensation>.
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