Analysis of Plegaria

Delmira Agustini 1886 (Montevideo) – 1914 (Montevideo)



–Eros: acaso no sentiste nunca
Piedad de las estatuas?
Se dirían crisálidas de piedra
De yo no sé qué formidable raza
En una eterna espera inenarrable.
Los cráteres dormidos de sus bocas
Dan la ceniza negra del Silencio,
Mana de las columnas de sus hombros
La mortaja copiosa de la Calma
Y fluye de sus órbitas la noche;
Victimas del Futuro o del Misterio,
En capullos terribles y magníficos
Esperan a la Vida o a la Muerte.
Eros: acaso no sentiste nunca
Piedad de las estatuas?–
    Piedad para las vidas
Que no doran a fuego tus bonanzas
Ni riegan o desgajan tus tormentas;
Piedad para los cuerpos revestidos
Del armiño solemne de la Calma,
Y las frentes en luz que sobrellevan
Grandes lirios marmóreos de pureza,
Pesados y glaciales como témpanos;
Piedad para las manos enguantadas
De hielo, que no arrancan
Los frutos deleitosos de la Carne
Ni las flores fantásticas del alma;
Piedad para los ojos que aletean
Espirituales párpados:
Escamas de misterio,
Negros telones de visiones rosas...
Nunca ven nada por mirar tan lejos!
    Piedad para las pulcras cabelleras
–Misticas aureolas–
Peinadas como lagos
Que nunca airea el abanico negro,
Negro y enorme de la tempestad;
Piedad para los ínclitos espiritus
Tallados en diamante,
Altos, claros, extáticos
Pararrayos de cúpulas morales;
Piedad para los labios como engarces
Celestes donde fulge
Invisible la perla de la Hostia;
–Labios que nunca fueron,
Que no apresaron nunca
Un vampiro de fuego
Con más sed y más hambre que un abismo.–
Piedad para los sexos sacrosantos
Que acoraza de una
Hoja de viña astral la Castidad;
Piedad para las plantas imantadas
De eternidad que arrastran
Por el eterno azur
Las sandalias quemantes de sus llagas;
Piedad, piedad, piedad
Para todas las vidas que defiende
De tus maravillosas intemperies
El mirador enhiesto del Orgullo;

Apuntales tus soles o tus rayos!

Eros: acaso no sentiste nunca
Piedad de las estatuas?...

–Eros: have you never felt
Piety for the statues?
These chrysalides of stone,
Some formidable race
In an eternal, unutterable hope.
The sleeping craters of their mouths
Utter the black ash of silence;
A copious shroud of Calm
Falls from the columns of their arms,
And night flows from their eyesockets;
Victims of Destiny or Mystery,
In magnificent and terrible cocoons,
They wait for Life or Death.
Eros: have you never perhaps felt
Piety for the statues?
    Piety for the lives
That will not strew nor rend your battles
Nor gild your fiery truces;
Piety for the bodies clothed
In the solemn ermine of Calm,
The luminous foreheads that endure
Their marble wreaths, grand and pure,
Weighty and glacial as icebergs;
Piety for the gloved hands of ice
That cannot uproot
The delicious fruits of the Flesh,
The fantastic flowers of the soul;
Piety for the eyes that flutter
Their spiritual eyelids:
Mysterious fish scales,
Dark curtains on rose visions...
For looking so far, they never see!
    Piety for the tidy heads of hair
–Mystical haloes–
Gently combed like lakes
Which the storm’s black fan,
Black and enormous, never thrashes;
Piety for the spirits, illustrious,
Carved of diamonds,
High, clear, ecstatic
Lightning rods on pious domes;
Piety for the lips like celestial settings
Where the invisible pearls of the Host gleam;
–Lips that never existed,
Never seized anything,
A fiery vampire
With more thirst and hunger than an abyss.
Piety for the sacrosanct sexes
That armor themselves with sheaths
From the astral vineyards of Chastity;
Piety for the magnetized footsoles
Who eternally drag
Sandals burning with sores
Through the eternal azure;
Piety, piety, pity
For all the lives defended
By the lighthouse of Pride
From your marvelous raw weathers:

Aim your suns and rays at them!

Eros: have you never perhaps felt
Pity for the statues?


Scheme ABcbdbbbcecbfABbbbbcgbbbggcgbcbbbbbxfbfbbbxegaahbcfbgcbffbd b AB fBgbxbbhbbxbxFBbbbfhiibbfedjbbbbxbbgbbbabbhfaxbbbfbabjfffb h Fb
Poetic Form
Metre 101111 1111 11111110 11111100010 110111 1111111 111111 10111111 1111110 1111111 111111 111111 101101011 101111 1111 11011 11010111 111111 110111 11111110 1111111 111111 1111011 1101101 11111 111111 11111110 1101111 111 111 1011110 11101111 110111 11 11010 1111110 1011111 110111 11010 10111 111101 11011101 111 0100110111 1111 1111 1111 11111111111 110111 11110 11101011 110111 1111 1111 111111 111 1011111 1111 11111 1111110 101111 1111 1011101 100101 1111 110001 0101011 01010111 10011110 0100111 11010111 011111 1011001100 00100010001 111111 101110011 100101 100101 111111110 1111001 10010101 00101011 01001101 1101101 10010110 100101111 11001 00101101 001010101 100101110 110001 010011 1101110 110111101 1001010111 1001 10111 10111 100101010 10010100100 1110 11010 1011101 100101101010 10010011011 1110010 10110 010010 1110101101 1001010010 1100111 1010101100 10010101 101001 101011 1001010 10010010 1101010 10111 11100110 1110111 101110011 10101
Closest metre Iambic pentameter
Characters 3,839
Words 628
Sentences 19
Stanzas 6
Stanza Lengths 59, 1, 2, 58, 1, 2
Lines Amount 123
Letters per line (avg) 24
Words per line (avg) 5
Letters per stanza (avg) 500
Words per stanza (avg) 104
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Submitted on May 13, 2011

Modified on April 28, 2023

3:08 min read
129

Delmira Agustini

Delmira Agustini, a Uruguayan poet, is considered one of the greatest female Latin American poets of the early 20th century. more…

All Delmira Agustini poems | Delmira Agustini Books

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