Analysis of Trees in the Garden

David Herbert Lawrence 1885 (Eastwood, Nottinghamshire) – 1930 (Vence)



Ah in the thunder air
how still the trees are!

And the lime-tree, lovely and tall, every leaf silent
hardly looses even a last breath of perfume.

And the ghostly, creamy coloured little tree of leaves
white, ivory white among the rambling greens
how evanescent, variegated elder, she hesitates on the green grass
as if, in another moment, she would disappear
with all her grace of foam!

And the larch that is only a column, it goes up too tall to see:
and the balsam-pines that are blue with the grey-blue blueness of
things from the sea,
and the young copper beech, its leaves red-rosy at the ends
how still they are together, they stand so still
in the thunder air, all strangers to one another
as the green grass glows upwards, strangers in the silent garden.


Scheme XX XX XXXXX AXAXXXX
Poetic Form
Metre 100101 11011 00111001100110 101010011101 0010101010111 11001010101 10101000101101011 110010101101 110111 00111100101111111 001011111011101 1101 00110111110101 11110101111 0010111011010 101111010001010
Closest metre Iambic hexameter
Characters 755
Words 139
Sentences 5
Stanzas 4
Stanza Lengths 2, 2, 5, 7
Lines Amount 16
Letters per line (avg) 38
Words per line (avg) 9
Letters per stanza (avg) 151
Words per stanza (avg) 34
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Submitted on May 13, 2011

Modified on March 27, 2023

41 sec read
88

David Herbert Lawrence

David Herbert Lawrence was an English writer and poet. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Lawrence's writing explores issues such as sexuality, emotional health, vitality, spontaneity, and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage". At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the literary critic F. R. Leavis championed both his artistic integrity and his moral seriousness. more…

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