Analysis of Tortoise Shell

David Herbert Lawrence 1885 (Eastwood, Nottinghamshire) – 1930 (Vence)



The Cross, the Cross
Goes deeper in than we know,
Deeper into life;
Right into the marrow
And through the bone.
Along the back of the baby tortoise
The scales are locked in an arch like a bridge,
Scale-lapping, like a lobster's sections
Or a bee's.

Then crossways down his sides
Tiger-stripes and wasp-bands.

Five, and five again, and five again,
And round the edges twenty-five little ones,
The sections of the baby tortoise shell.

Four, and a keystone;
Four, and a keystone;
Four, and a keystone;
Then twenty-four, and a tiny little keystone.

It needed Pythagoras to see life playing with counters on the living back
Of the baby tortoise;
Life establishing the first eternal mathematical tablet,
Not in stone, like the Judean Lord, or bronze, but in life-clouded, life-rosy tortoise shell.

The first little mathematical gentleman
Stepping, wee mite, in his loose trousers
Under all the eternal dome of mathematical law.

Fives, and tens,
Threes and fours and twelves,
All the volte face of decimals,
The whirligig of dozens and the pinnacle of seven.

Turn him on his back,
The kicking little beetle,
And there again, on his shell-tender, earth-touching belly,
The long cleavage of division, upright of the eternal cross
And on either side count five,
On each side, two above, on each side, two below
The dark bar horizontal.

The Cross!
It goes right through him, the sprottling insect,
Through his cross-wise cloven psyche,
Through his five-fold complex-nature.

So turn him over on his toes again;
Four pin-point toes, and a problematical thumb-piece,
Four rowing limbs, and one wedge-balancing head,
Four and one makes five, which is the clue to all mathematics.

The Lord wrote it all down on the little slate
Of the baby tortoise.
Outward and visible indication of the plan within,
The complex, manifold involvednes,s of an individual creature
Plotted out
On this small bird, this rudiment,
This little dome, this pediment
Of all creation,
This slow one.


Scheme abxbcdxex xx feg CCCc hDig jxx xaxj hklaxbk axlm fxxx xDxmxxijj
Poetic Form
Metre 0101 1100111 10011 101010 0101 0101101010 0111011101 110101010 101 11111 101011 101010101 01010101101 0101010101 1001 1001 1001 11010010101 11011111011010101 101010 1010001010010010 10110111110110110101 01100100100 101101110 10100101101001 101 10101 10111100 0111000100110 11111 0101010 01011111011010 0110101001100101 0110111 111101111101 011010 01 11111011 1111110 11111010 1111011101 111100010011 11010111001 10111110111010 01111110101 101010 10010001010101 01010111010010 101 11111100 110111 11010 111
Closest metre Iambic pentameter
Characters 1,913
Words 328
Sentences 15
Stanzas 11
Stanza Lengths 9, 2, 3, 4, 4, 3, 4, 7, 4, 4, 9
Lines Amount 53
Letters per line (avg) 29
Words per line (avg) 6
Letters per stanza (avg) 141
Words per stanza (avg) 30
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Submitted on May 13, 2011

Modified on April 06, 2023

1:39 min read
105

David Herbert Lawrence

David Herbert Lawrence was an English writer and poet. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Lawrence's writing explores issues such as sexuality, emotional health, vitality, spontaneity, and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage". At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the literary critic F. R. Leavis championed both his artistic integrity and his moral seriousness. more…

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