Analysis of The Ship of Death

David Herbert Lawrence 1885 (Eastwood, Nottinghamshire) – 1930 (Vence)



Now it is autumn and the falling fruit
and the long journey towards oblivion.

The apples falling like great drops of dew
to bruise themselves an exit from themselves.

And it is time to go, to bid farewell
to one's own self, and find an exit
from the fallen self.

Have you built your ship of death, O have you?
O build your ship of death, for you will need it.

The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.

And death is on the air like a smell of ashes!
Ah! can't you smell it?
And in the bruised body, the frightened soul
finds itself shrinking, wincing from the cold
that blows upon it through the orifices.

And can a man his own quietus make
with a bare bodkin?

With daggers, bodkins, bullets, man can make
a bruise or break of exit for his life;
but is that a quietus, O tell me, is it quietus?

Surely not so! for how could murder, even self-murder
ever a quietus make?

O let us talk of quiet that we know,
that we can know, the deep and lovely quiet
of a strong heart at peace!

How can we this, our own quietus, make?

Build then the ship of death, for you must take
the longest journey, to oblivion.

And die the death, the long and painful death
that lies between the old self and the new.

Already our bodies are fallen, bruised, badly bruised,
already our souls are oozing through the exit
of the cruel bruise.

Already the dark and endless ocean of the end
is washing in through the breaches of our wounds,
Already the flood is upon us.

Oh build your ship of death, your little ark
and furnish it with food, with little cakes, and wine
for the dark flight down oblivion.

Piecemeal the body dies, and the timid soul
has her footing washed away, as the dark flood rises.

We are dying, we are dying, we are all of us dying
and nothing will stay the death-flood rising within us
and soon it will rise on the world, on the outside world.

We are dying, we are dying, piecemeal our bodies are dying
and our strength leaves us,
and our soul cowers naked in the dark rain over the flood,
cowering in the last branches of the tree of our life.

We are dying, we are dying, so all we can do
is now to be willing to die, and to build the ship
of death to carry the soul on the longest journey.

A little ship, with oars and food
and little dishes, and all accoutrements
fitting and ready for the departing soul.

Now launch the small ship, now as the body dies
and life departs, launch out, the fragile soul
in the fragile ship of courage, the ark of faith
with its store of food and little cooking pans
and change of clothes,
upon the flood's black waste
upon the waters of the end
upon the sea of death, where still we sail
darkly, for we cannot steer, and have no port.

There is no port, there is nowhere to go
only the deepening blackness darkening still
blacker upon the soundless, ungurgling flood
darkness at one with darkness, up and down
and sideways utterly dark, so there is no direction any more
and the little ship is there; yet she is gone.
She is not seen, for there is nothing to see her by.
She is gone! gone! and yet
somewhere she is there.
Nowhere!

And everything is gone, the body is gone
completely under, gone, entirely gone.
The upper darkness is heavy as the lower,
between them the little ship
is gone

It is the end, it is oblivion.

And yet out of eternity a thread
separates itself on the blackness,
a horizontal thread
that fumes a little with pallor upon the dark.

Is it illusion? or does the pallor fume
A little higher?
Ah wait, wait, for there's the dawn
the cruel dawn of coming back to life
out of oblivion

Wait, wait, the little ship
drifting, beneath the deathly ashy grey
of a flood-dawn.

Wait, wait! even so, a flush of yellow
and strangely, O chilled wan soul, a flush of rose.

A flush of rose, and the whole thing starts again.

The flood subsides, and the body, like a worn sea-shell
emerges strange and lovely.
And the little ship wings home, faltering and lapsing
on the pink flood,
and the frail soul steps out, into the house again
filling the heart with peace.


Scheme XA BC DEX BE XX FEGXF HX HIC JH KXL H HA XB XEX MXN OXA GF PNX PNQI BRS XXG XGXXXXMXX KXQXXTXXUU TTJRT A VNVO XJTIA RXT KX W DSPQWL
Poetic Form
Metre 1111000101 00110010100 0101011111 1101110101 011111111 111101110 10101 1111111111 11111111111 011111101011 11110101 011101101110 11111 0001100101 1011010101 11011101000 01011111 10110 1101010111 0111110111 11101111111 10111111010110 10011 1111110111 11110101010 101111 111110111 1101111111 0101010100 0101010101 1101011001 01010101101101 0101011101010 10101 0100101010101 110010101101 010011011 1111111101 010111110101 101110100 1010100101 1010101101110 111011101111110 0101101110011 0111110110111 1110111011010110 010111 010111000111001 100001101011101 1110111011111 1111101101101 1111001101010 01011101 01010010100 10010100101 11011110101 0101110101 001011100111 11111010101 0111 010111 01010101 0101111111 10111010111 111111111 100100101001 10010111 1011110101 0110011111010101 00101111111 1111111101101 111101 1111 1 0101101011 01010101001 010101101010 0110101 11 1101110100 0111010001 10011010 00101 11010110101 1101011011 01010 1111101 0101110111 110100 110101 1001010101 1011 1110101110 01011110111 01110011101 0101001010111 0101010 0010111100010 1011 001111010101 100111
Closest metre Iambic pentameter
Characters 4,088
Words 782
Sentences 45
Stanzas 31
Stanza Lengths 2, 2, 3, 2, 2, 5, 2, 3, 2, 3, 1, 2, 2, 3, 3, 3, 2, 3, 4, 3, 3, 9, 10, 5, 1, 4, 5, 3, 2, 1, 6
Lines Amount 101
Letters per line (avg) 31
Words per line (avg) 8
Letters per stanza (avg) 102
Words per stanza (avg) 25
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Submitted on May 13, 2011

Modified on April 23, 2023

3:56 min read
132

David Herbert Lawrence

David Herbert Lawrence was an English writer and poet. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Lawrence's writing explores issues such as sexuality, emotional health, vitality, spontaneity, and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage". At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the literary critic F. R. Leavis championed both his artistic integrity and his moral seriousness. more…

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