Analysis of Giorno dei Morti

David Herbert Lawrence 1885 (Eastwood, Nottinghamshire) – 1930 (Vence)



Along the avenue of cypresses,
All in their scarlet cloaks and surplices
Of linen, go the chanting choristers,
The priests in gold and black, the villagers. . .

And all along the path to the cemetery
The round dark heads of men crowd silently,
And black-scarved faces of womenfolk, wistfully
Watch at the banner of death, and the mystery.

And at the foot of a grave a father stands
With sunken head, and forgotten, folded hands;
And at the foot of a grave a mother kneels
With pale shut face, nor either hears nor feels

The coming of the chanting choristers
Between the avenue of cypresses,
The silence of the many villagers,
The candle-flames beside the surplices.


Scheme AAAA BBBB AAAA AAAA
Poetic Form Quatrain  (75%)
Metre 0101011 10110101 11010101 0101010100 01010110100 0111111100 0111011100 110101100100 01011010101 11010010101 01011010101 1111110111 01010101 0101011 0101010100 01010101
Closest metre Iambic pentameter
Characters 673
Words 117
Sentences 6
Stanzas 4
Stanza Lengths 4, 4, 4, 4
Lines Amount 16
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 132
Words per stanza (avg) 29
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Submitted on May 13, 2011

Modified on March 05, 2023

35 sec read
101

David Herbert Lawrence

David Herbert Lawrence was an English writer and poet. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Lawrence's writing explores issues such as sexuality, emotional health, vitality, spontaneity, and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage". At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the literary critic F. R. Leavis championed both his artistic integrity and his moral seriousness. more…

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