Analysis of On The Road

Dante Gabriel Rossetti 1828 (London) – 1882 (Birchington-on-Sea)



October, and eleven after dark:
Both mist and night. Among us in the coach
Packed heat on which the windows have been shut:
Our backs unto the motion—Hunt's and mine.
The last lamps of the Paris Station move
Slow with wide haloes past the clouded pane;
The road in secret empty darkness. One
Who sits beside me, now I turn, has pulled
A nightcap to his eyes. A woman here,
Knees to my knees—a twenty-nine-year-old—
Smiles at the mouth I open, seeing him:
I look her gravely in the jaws, and write.
Already while I write heads have been leaned
Upon the wall,—the lamp that's overhead
Dropping its shadow to the waist and hands.
Some time 'twixt sleep and wake. A dead pause then,
With giddy humming silence in the ears.
It is a Station. Eyes are opening now,
And mouths collecting their propriety.
From one of our two windows, now drawn up,
A lady leans, hawks a clear throat, and spits.
Hunt lifts his head from my cramped shoulder where
It has been lying—long stray hairs from it
Crawling upon my face and teazing me.
Ten minutes' law. Our feet are in the road.
A weak thin dimness at the sky, whose chill
Lies vague and hard. The mist of crimson heat
Hangs, a spread glare, about our engine's bulk.
I shall get in again, and sleep this time.
A heavy clamour that fills up the brain
Like thought grown burdensome; and in the ears
Speed that seems striving to o'ertake itself;
And in the pulses torpid life, which shakes
As water to a stir of wind beneath.
Poor Hunt, who has the toothache and can't smoke,
Has asked me twice for brandy. I would sleep;
But man proposes, and no more. I sit
With open eyes, and a head quite awake,
But which keeps catching itself lolled aside
And looking sentimental. In the coach,
If any one tries talking, the voice jolts,
And stuns the ear that stoops for it.
Amiens.
Half-an-hour's rest. Another shivering walk
Along the station, waiting for the bell.
Ding-dong. Now this time, by the Lord, I'll sleep.
I must have slept some while. Now that I wake,
Day is beginning in a kind of haze
White with grey trees. The hours have had their lapse.
A sky too dull for cloud. A country lain
In fields, where teams drag up the furrow yet;
Or else a level of trees, the furthest ones
Seen like faint clouds at the horizon's point.
Quite a clear distance, though in vapour. Mills
That turn with the dry wind. Large stacks of hay
Made to look bleak. Dead autumn, and no sun.
The smoke upon our course is borne so near
Along the earth, the earth appears to steam.
Blanc-Misseron, the last French station, passed.
We are in Belgium. It is just the same:—
Nothing to write of, and no good in verse.
Curse the big mounds of sand-weed! curse the miles
Of barren chill,—the twentyfold relays!
Curse every beastly Station on the road!
As well to write as swear. Hunt was just now
Making great eyes because outside the pane
One of the stokers passed whom he declared
A stunner. A vile mummy with a bag
Is squatted next me: a disgusting girl
Broad opposite. We have a poet, though,
Who is a gentleman, and looks like one;
Only he seems ashamed of writing verse,
And heads each new page with “Mon cher Ami.”
Hunt's stunner has just come into the coach,
And set us hard agrin from ear to ear.
Another Station. There's a stupid horn
Set wheezing. Now I should just like to know
—Just merely for the whim—what good that is.
These Stations for the most part are a kind
Of London coal-merchant's back premises;
Whitewashed, but as by hands of coal-heavers;
Grimy themselves, and always circled in
With foul coke-loads that make the nose aroint.
Here is a Belgian village,—no, a town
Moated and buttressed. Next, a water-track
Lying with draggled reeds in a flat slime.
Next, the old country, always all the same.
Now by Hans Hemmling and by John Van Eyck,
You'll find, till something's new, I write no more.
(4 HOURS)
There is small change of country; but the sun
Is out, and it seems shame this were not said:
For upon all the grass the warmth has caught;
And betwixt distant whitened poplar-stems
Makes greener darkness; and in dells of trees
Shows spaces of a verdure that was hid;
And the sky has its blue floated with white,
And crossed with falls of the sun's glory aslant
To lay upon the waters of the world;
And from the road men stand with shaded eyes
To look; and flowers in gardens have grown strong,
And our own shadows here within the coach
Are brighter; and all colou


Scheme Text too long
Poetic Form
Metre 0100010101 1101011001 1111010111 10110010101 0111010101 111110101 0101010101 1101111111 011110101 1111010111 1101110101 1101000101 0101111111 0101011101 101110101 1111010111 1101010001 11010111001 0101010100 11110110111 0101101101 1111111101 1111011111 100111011 11011011001 011110111 1101011101 10110110101 1110010111 010111101 1111000001 111101101 0001010111 1101011101 111101011 1111110111 1101001111 1101001101 1111001101 010010001 1101110011 01011111 1 111010101001 0101010101 1111110111 1111111111 1101000111 11110101111 0111110101 0111110101 11010110101 1111100101 101101011 1110111111 1111110011 01011011111 0101010111 11011101 1101011101 1011101101 1011111101 1101011 1100110101 1111111111 1011011101 110111101 0100110101 111100101 1100110101 1101000111 1011011101 0111111110 1101110101 011111111 0101010101 1101111111 1101011111 1101011101 1101101100 11111111 100101100 111111011 1101010101 101010101 101110011 101101101 111101111 1111011111 10 1111110101 1101111011 1011010111 001101101 1101000111 110101111 0011111011 0111101101 1101010101 0101111101 11010010111 0101110101 110011
Closest metre Iambic pentameter
Characters 4,412
Words 812
Sentences 57
Stanzas 1
Stanza Lengths 103
Lines Amount 103
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 3,405
Words per stanza (avg) 807
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Submitted on May 13, 2011

Modified on March 05, 2023

4:08 min read
88

Dante Gabriel Rossetti

Dante Gabriel Rossetti was an English poet, illustrator, painter and translator. more…

All Dante Gabriel Rossetti poems | Dante Gabriel Rossetti Books

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    What is the term for the continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.
    A Dithyramb
    B Enjambment
    C A turn
    D Line break