Analysis of Jenny

Dante Gabriel Rossetti 1828 (London) – 1882 (Birchington-on-Sea)



Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,
Whose head upon my knee to-night
Rests for a while, as if grown light
With all our dances and the sound
To which the wild tunes spun you round:
Fair Jenny mine, the thoughtless queen
Of kisses which the blush between
Could hardly make much daintier;
Whose eyes are as blue skies, whose hair
Is countless gold incomparable:
Fresh flower, scarce touched with signs that tell
Of Love's exuberant hotbed:—Nay,
Poor flower left torn since yesterday
Until to-morrow leave you bare;
Poor handful of bright spring-water
Flung in the whirlpool's shrieking face;
Poor shameful Jenny, full of grace
Thus with your head upon my knee;—
Whose person or whose purse may be
The lodestar of your reverie?
This room of yours, my Jenny, looks
A change from mine so full of books,
Whose serried ranks hold fast, forsooth,
So many captive hours of youth,—
The hours they thieve from day and night
To make one's cherished work come right,
And leave it wrong for all their theft,
Even as to-night my work was left:
Until I vowed that since my brain
And eyes of dancing seemed so fain,
My feet should have some dancing too:—
And thus it was I met with you.
Well, I suppose 'twas hard to part,
For here I am. And now, sweetheart,
You seem too tired to get to bed.
It was a careless life I led
When rooms like this were scarce so strange
Not long ago. What breeds the change,—
The many aims or the few years?
Because to-night it all appears
Something I do not know again.
The cloud's not danced out of my brain—
The cloud that made it turn and swim
While hour by hour the books grew dim.
Why, Jenny, as I watch you there,—
For all your wealth of loosened hair,
Your silk ungirdled and unlac'd
And warm sweets open to the waist,
All golden in the lamplight's gleam,—
You know not what a book you seem,
Half-read by lightning in a dream!
How should you know, my Jenny? Nay,
And I should be ashamed to say:—
Poor beauty, so well worth a kiss!
But while my thought runs on like this
With wasteful whims more than enough,
I wonder what you're thinking of.
If of myself you think at all,
What is the thought?—conjectural
On sorry matters best unsolved?—
Or inly is each grace revolved
To fit me with a lure?—or (sad
To think!) perhaps you're merely glad
That I'm not drunk or ruffianly
And let you rest upon my knee.
For sometimes, were the truth confess'd,
You're thankful for a little rest,—
Glad from the crush to rest within,
From the heart-sickness and the din
Where envy's voice at virtue's pitch
Mocks you because your gown is rich;
And from the pale girl's dumb rebuke,
Whose ill-clad grace and toil-worn look
Proclaim the strength that keeps her weak,
And other nights than yours bespeak;
And from the wise unchildish elf,
To schoolmate lesser than himself
Pointing you out, what thing you are:—
Yes, from the daily jeer and jar,
From shame and shame's outbraving too,
Is rest not sometimes sweet to you?—
But most from the hatefulness of man,
Who spares not to end what he began,
Whose acts are ill and his speech ill,
Who, having used you at his will,
Thrusts you aside, as when I dine
I serve the dishes and the wine.
Well, handsome Jenny mine, sit up:
I've filled our glasses, let us sup,
And do not let me think of you,
Lest shame of yours suffice for two.
What, still so tired? Well, well then, keep
Your head there, so you do not sleep;
But that the weariness may pass
And leave you merry, take this glass.
Ah! lazy lily hand, more bless'd
If ne'er in rings it had been dress'd
Nor ever by a glove conceal'd!
Behold the lilies of the field,
They toil not neither do they spin;
(So doth the ancient text begin,—
Not of such rest as one of these
Can share.) Another rest and ease
Along each summer-sated path
From its new lord the garden hath,
Than that whose spring in blessings ran
Which praised the bounteous husbandman,
Ere yet, in days of hankering breath,
The lilies sickened unto death.
What, Jenny, are your lilies dead?
Aye, and the snow-white leaves are spread
Like winter on the garden-bed.
But you had roses left in May,—
They were not gone too. Jenny, nay,
But must your roses die, and those
Their purfled buds that should unclose?
Even so; the leaves are curled apart,
Still red as from the broken heart,
And here's the naked stem of thorns.
Nay, nay, mere words. Here nothing warns
As yet of winter. Sickness here
Or want alone


Scheme Text too long
Poetic Form
Metre 10101010 1101011010 11011111 11011111 111010001 11011111 11010101 11010101 110111 11111111 110101000 110111111 11010011 11011110 01110111 1111110 1001101 11010111 11110111 11011111 0111100 11111101 01111111 111111 110101011 010111101 11110111 01111111 101111111 01111111 01110111 11111101 01111111 11011111 1111011 111101111 11010111 11110111 11011101 01011011 01111101 10111101 01111111 01111101 1101100111 11011111 11111101 11101 01110101 1100011 11110111 11110001 11111101 01110111 11011101 11111111 11011101 11011101 1111111 11011 11010101 1111101 11110111 11011101 111111 01110111 10100101 11010101 11011101 10110001 111111 11011111 01011101 11110111 01011101 01011101 010111 1110101 10111111 11010101 110111 11101111 1110111 111111101 11110111 11011111 11011111 11010001 11010111 111010111 01111111 11110111 111101111 11111111 11010011 01110111 11010111 11011111 11010101 01010101 11110111 11010101 11111111 11010101 01110101 11110101 11110101 11011 110111001 01010101 11011101 10011111 11010101 11110101 10111101 11110101 111111 101011101 11110101 01010111 11111101 11110101 1101
Closest metre Iambic tetrameter
Characters 4,302
Words 828
Sentences 34
Stanzas 1
Stanza Lengths 123
Lines Amount 123
Letters per line (avg) 28
Words per line (avg) 7
Letters per stanza (avg) 3,397
Words per stanza (avg) 810
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Submitted on May 13, 2011

Modified on May 03, 2023

4:14 min read
263

Dante Gabriel Rossetti

Dante Gabriel Rossetti was an English poet, illustrator, painter and translator. more…

All Dante Gabriel Rossetti poems | Dante Gabriel Rossetti Books

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