Analysis of The River

Coventry Patmore 1823 (Woodford, London) – 1896 (Lymington)



It is a venerable place,
An old ancestral ground,
So broad, the rainbow wholly stands
Within its lordly bound;
And here the river waits and winds
By many a wooded mound.
Upon a rise, where single oaks
And clumps of beeches tall
Drop pleasantly their shade beneath,
Half-hid amidst them all,
Stands in its quiet dignity
An ancient manor-hall.
About its many gable-ends
The swallows wheel their flight;
The huge fantastic weather-vanes
Look happy in the light;
The warm front through the foliage gleams,
A comfortable sight.
The ivied turrets seem to love
The low, protected leas;
And, though this manor-hall hath seen
The snow of centuries,
How freshly still it stands amid
Its wealth of swelling trees!
The leafy summer-time is young;
The yearling lambs are strong;
The sunlight glances merrily;
The trees are full of song;
The valley-loving river flows
Contentedly along.
Look where the merry weather-vanes
Veer upon yonder tower:
There, amid starry jessamine
And clasping passion-flower,
The sweetest Maid of all the land
Is weeping in her bower.
Alas, the lowly Youth she loves
Loves her, but fears to sue:
He came this morning hurriedly;
Then forth her blushes flew!
But he talk'd of common things, and so
Her eyes are fill'd with dew.
Time passes on; the clouds are come;
The river, late so bright,
Rolls foul and black, and gloomily
Makes known across the night,
In far-heard plash and weary drench,
The passage of its might.
The noble Bridegroom counts the hours;
The guests are coming fast;
(The vanes are creaking drearily
Within the dying blast!)
The bashful Bride is at his side;
And night is here at last.
The guests are gay; the minstrels play;
'Tis liker noon than night;
From side to side, they toast the Bride,
Who blushes ruby light:
For one and all within that hall,
It is a cheerful sight.
But unto one, who stands alone,
Among the mists without,
Watching the windows, bright with shapes
Of king and saint devout,
Strangely across the muffled air
Pierces the laughter-shout.
No sound or sight this solemn night
But moves the soul to fear:
The faded saints stare through the gloom,
Askant, and wan, and blear;
And wither'd cheeks of watchful kings
Start from their purple gear.
The burthen of the wedding-song
Comes to him like a wail;
The stream, athwart the cedar-grove,
Is shining ghastly pale:
His cloudy brow clears suddenly!
Dark soul, what does thee ail?
He turns him from the lighted hall;
The pale stream curls and heaves
And moans beyond the gloomy wood,
Through which he breaks and cleaves;
And now his footfall dies away
Upon the wither'd leaves.
The restless moon, among the clouds,
Is loitering slowly by;
Now in a circle like the ring
About a weeping eye;
Now left quite bare and bright; and now
A pallor in the sky;
And now she's looking through the mist,
Cold, lustreless, and wan,
And wildly, past her dreary form,
The watery clouds rush on,
A moment white beneath her light,
And then, like spirits, gone.
Silent and fast they hurry past,
Their swiftness striketh dread,
For earth is hush'd, and no breath sweeps
The spider's rainy thread,
And everything, but those pale clouds,
Is dark, and still, and dead.
The lonely stars are here and there,
But weak and wasting all;
The winds are dead, the cedars spread
Their branches like a pall;
The guests, by laughing twos and threes,
Have left the bridal hall.
Beneath the mossy, ivied bridge,
The river slippeth past:
The current deep is still as sleep,
And yet so very fast!
There's something in its quietness
That makes the soul aghast.
No wind is in the willow-tree
That droops above the bank;
The water passes quietly
Beneath the sedges dank;
Yet the willow trembles in the stream,
And the dry reeds talk and clank.
The weak stars swoon; the jagged moon
Is lost in the cloudy air.
No thought of light! save where the wave
Sports with a fitful glare.
The dumb and dreadful world is full
Of darkness and night-mare.
The hall-clocks clang; the watch-dog barks.
What are his dreams about?
Marsh lights leap, and tho' fast asleep
The owlets shriek and shout;
The stars, thro' chasms in utter black,
Race like a drunken rout.
‘Wake, wake, oh wake!’ the Bridegroom now
Calls to his sleeping Bride:
‘Alas, I saw thee, pale and dead,
Roll down a frightful tide!’
He takes her hand: ‘How chill thou art!
What is it, sweet my Bride?’


Scheme Text too long
Poetic Form
Metre 11010001 110101 1101101 01111 01010101 1100101 01011101 01111 11001101 110111 10110100 110101 01110101 010111 01010101 110001 01110101 010001 0110111 010101 01110111 011100 11011101 111101 01010111 010111 0110100 011111 01010101 010001 11010101 1011010 10110100 011010 01011101 1100010 01010111 101111 11110100 110101 111110101 011111 11010111 010111 11010100 110101 01110101 010111 01011010 011101 011101 010101 01011111 011111 01110101 11111 11111101 110101 11010111 110101 11011101 010101 10010111 110101 10010101 10101 11111101 110111 01011101 10101 01011101 111101 0110101 111101 01010101 110101 11011100 111111 11110101 011101 01010101 111101 0111101 010101 01010101 1100101 10010101 010101 11110101 01001 01110101 1101 01010101 0100111 01010101 011101 10011101 11011 11110111 01101 0101111 110101 01011101 110101 01110101 110101 01110101 110101 010111 01011 01011111 011101 11001100 110101 1110011 110101 01010100 01011 1011001 0011101 0111011 1100101 11111101 110101 01010111 110011 01110111 111101 11101101 01101 01110101 110101 1111011 111101 01111101 110101 11011111 1111111
Closest metre Iambic tetrameter
Characters 4,190
Words 757
Sentences 35
Stanzas 1
Stanza Lengths 138
Lines Amount 138
Letters per line (avg) 24
Words per line (avg) 5
Letters per stanza (avg) 3,376
Words per stanza (avg) 753
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Submitted on May 13, 2011

Modified on March 05, 2023

3:49 min read
114

Coventry Patmore

Coventry Kersey Dighton Patmore was an English poet and critic best known for The Angel in the House, his narrative poem about an ideal happy marriage. more…

All Coventry Patmore poems | Coventry Patmore Books

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