Analysis of The Angel In The House. Book II. Canto VII.

Coventry Patmore 1823 (Woodford, London) – 1896 (Lymington)



I Joy and Use
Can ought compared with wedlock be
For use? But He who made the heart
To use proportions joy. What He
Has join'd let no man put apart.
Sweet Order has its draught of bliss
Graced with the pearl of God's consent,
Ten times delightful in that 'tis
Considerate and innocent.
In vain Disorder grasps the cup;
The pleasure's not enjoy'd but spilt,
And, if he stoops to lick it up,
It only tastes of earth and guilt.
His sorry raptures rest destroys;
To live, like comets, they must roam;
On settled poles turn solid joys,
And sunlike pleasures shine at home.

II ‘She was Mine’
‘Thy tears o'erprize thy loss! Thy wife,
‘In what was she particular?
‘Others of comely face and life,
‘Others as chaste and warm there are,
‘And when they speak they seem to sing;
‘Beyond her sex she was not wise;
‘And there is no more common thing
‘Than kindness in a woman's eyes.
‘Then wherefore weep so long and fast,
‘Why so exceedingly repine!
‘Say, how has thy Beloved surpass'd
‘So much all others?’ ‘She was mine.’

I
'Twas when the spousal time of May
Hangs all the hedge with bridal wreaths,
And air's so sweet the bosom gay
Gives thanks for every breath it breathes;
When like to like is gladly moved,
And each thing joins in Spring's refrain,
‘Let those love now who never loved;
‘Let those who have loved love again;’
That I, in whom the sweet time wrought,
Lay stretch'd within a lonely glade,
Abandon'd to delicious thought,
Beneath the softly twinkling shade.
The leaves, all stirring, mimick'd well
A neighbouring rush of rivers cold,
And, as the sun or shadow fell,
So these were green and those were gold;
In dim recesses hyacinths droop'd,
And breadths of primrose lit the air,
Which, wandering through the woodland, stoop'd
And gather'd perfumes here and there;
Upon the spray the squirrel swung,
And careless songsters, six or seven,
Sang lofty songs the leaves among,
Fit for their only listener, Heaven.
I sigh'd, ‘Immeasurable bliss
‘Gains nothing by becoming more!
‘Millions have meaning; after this
‘Cyphers forget the integer.’

II
And so I mused, till musing brought
A dream that shook my house of clay,
And, in my humbled heart, I thought,
To me there yet may come a day
With this the single vestige seen
Of comfort, earthly or divine,
My sorrow some time must have been
Her portion, had it not been mine.
Then I, who knew, from watching life,
That blows foreseen are slow to fall,
Rehearsed the losing of a wife,
And faced its terrors each and all.
The self-chastising fancy show'd
The coffin with its ghastly breath;
The innocent sweet face that owed
None of its innocence to death;
The lips that used to laugh; the knell
That bade the world beware of mirth;
The heartless and intolerable
Indignity of ‘earth to earth;’
At morn remembering by degrees
That she I dream'd about was dead;
Love's still recurrent jubilees,
The days that she was born, won, wed;
The duties of my life the same,
Their meaning for the feelings gone;
Friendship impertinent, and fame
Disgusting; and, more harrowing none,
Small household troubles fall'n to me,
As, ‘What time would I dine to-day?’
And, oh, how could I bear to see
The noisy children at their play.
Besides, where all things limp and halt,
Could I go straight, should I alone
Have kept my love without default
Pitch'd at the true and heavenly tone?
The festal-day might come to mind
That miss'd the gift which more endears;
The hour which might have been more kind,
And now less fertile in vain tears;
The good of common intercourse,
For daintier pleasures, then despised,
Now with what passionate remorse,
What poignancy of hunger prized!
The little wrong, now greatly rued,
Which no repentance now could right;
And love, in disbelieving mood,
Deserting his celestial height.
Withal to know, God's love sent grief
To make me less the world's, and more
Meek-hearted: ah, the sick relief!
Why bow'd I not my heart before?

III
‘What,’ I exclaimed, with chill alarm,
‘If this fantastic horror shows
‘The feature of an actual harm!’
And, coming straight to Sarum Close,
As one who dreams his wife is dead,
And cannot in his slumber weep,
And moans upon his wretched bed,
And wakes, and finds her there asleep,
And laughs and sighs, so I, not less
Relieved, beheld, with blissful start,
The light and happy loveliness
Which la


Scheme Text too long
Poetic Form
Metre 1101 1101111 11111101 11010111 11111101 11011111 11011101 11010011 01000100 01010101 0110111 01111111 11011101 1101101 11110111 11011101 0110111 1111 1111111 01110100 10110101 10110111 01111111 01011111 01111101 11000101 1111101 1101001 11110101 11110111 1 11010111 11011101 01110101 111100111 11111101 01110101 11111101 11111101 11010111 11010101 01010101 010101001 01110101 0111101 0101111 11010101 011001001 0111101 11001011 01001101 01010101 01011110 11010101 1111010010 1101001 11010101 10110101 10010100 1 01111101 01111111 00110111 11111101 11010101 11010101 11011111 01011111 11111101 1111111 01010101 01110101 01010101 01011101 01001111 11110011 01111101 11010111 010001000 01001111 110100101 11110111 110101 01111111 01011101 11010101 10010001 010011001 11101111 11111111 01111111 01010111 01111101 11111101 11110101 110101001 0111111 1101111 010111111 01110011 0111010 1110101 11110001 11001101 01011101 11010111 01000101 10010101 1111111 11110101 11010101 11111101 1 11011101 11010101 010111001 01011101 11111111 01001101 01011101 01010101 01011111 0111101 010101 11
Closest metre Iambic tetrameter
Characters 4,252
Words 766
Sentences 29
Stanzas 5
Stanza Lengths 17, 13, 29, 53, 13
Lines Amount 125
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 665
Words per stanza (avg) 151
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Submitted on May 13, 2011

Modified on March 12, 2023

3:57 min read
43

Coventry Patmore

Coventry Kersey Dighton Patmore was an English poet and critic best known for The Angel in the House, his narrative poem about an ideal happy marriage. more…

All Coventry Patmore poems | Coventry Patmore Books

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