Analysis of The Angel In The House. Book I. Canto I.

Coventry Patmore 1823 (Woodford, London) – 1896 (Lymington)



I The Impossibility
Lo, Love's obey'd by all. 'Tis right
That all should know what they obey,
Lest erring conscience damp delight,
And folly laugh our joys away.
Thou Primal Love, who grantest wings
And voices to the woodland birds,
Grant me the power of saying things
Too simple and too sweet for words!

II Love's Reality
I walk, I trust, with open eyes;
I've travell'd half my worldly course;
And in the way behind me lies
Much vanity and some remorse;
I've lived to feel how pride may part
Spirits, tho' match'd like hand and glove;
I've blush'd for love's abode, the heart;
But have not disbelieved in love;
Nor unto love, sole mortal thing
Of worth immortal, done the wrong
To count it, with the rest that sing,
Unworthy of a serious song;
And love is my reward; for now,
When most of dead'ning time complain,
The myrtle blooms upon my brow,
Its odour quickens all my brain.

III The Poet's Confidence
The richest realm of all the earth
Is counted still a heathen land:
Lo, I, like Joshua, now go forth
To give it into Israel's hand.
I will not hearken blame or praise;
For so should I dishonour do
To that sweet Power by which these Lays
Alone are lovely, good, and true;
Nor credence to the world's cries give,
Which ever preach and still prevent
Pure passion's high prerogative
To make, not follow, precedent.
From love's abysmal ether rare
If I to men have here made known
New truths, they, like new stars, were there
Before, though not yet written down.
Moving but as the feelings move,
I run, or loiter with delight,
Or pause to mark where gentle Love
Persuades the soul from height to height,
Yet, know ye, though my words are gay
As David's dance, which Michal scorn'd,
If kindly you receive the Lay,
You shall be sweetly help'd and warn'd.

The Cathedral Close.

I
Once more I came to Sarum Close,
With joy half memory, half desire,
And breathed the sunny wind that rose
And blew the shadows o'er the Spire,
And toss'd the lilac's scented plumes,
And sway'd the chestnut's thousand cones,
And fill'd my nostrils with perfumes,
And shaped the clouds in waifs and zones,
And wafted down the serious strain
Of Sarum bells, when, true to time,
I reach'd the Dean's, with heart and brain
That trembled to the trembling chime.

II
'Twas half my home, six years ago.
The six years had not alter'd it:
Red-brick and ashlar, long and low,
With dormers and with oriels lit.
Geranium, lychnis, rose array'd
The windows, all wide open thrown;
And some one in the Study play'd
The Wedding-March of Mendelssohn.
And there it was I last took leave:
'Twas Christmas: I remember'd now
The cruel girls, who feign'd to grieve,
Took down the evergreens; and how
The holly into blazes woke
The fire, lighting the large, low room
A dim, rich lustre of old oak
And crimson velvet's glowing gloom.

III
No change had touch'd Dean Churchill: kind,
By widowhood more than winters bent,
And settled in a cheerful mind,
As still forecasting heaven's content.
Well might his thoughts be fix'd on high,
Now she was there! Within her face
Humility and dignity
Were met in a most sweet embrace.
She seem'd expressly sent below
To teach our erring minds to see
The rhythmic change of time's swift flow
As part of still eternity.
Her life, all honour, observed, with awe
Which cross experience could not mar,
The fiction of the Christian law
That all men honourable are;
And so her smile at once conferr'd
High flattery and benign reproof;
And I, a rude boy, strangely stirr'd,
Grew courtly in my own behoof.
The years, so far from doing her wrong,
Anointed her with gracious balm,
And made her brows more and more young
With wreaths of amaranth and palm.

IV
Was this her eldest, Honor; prude,
Who would not let me pull the swing;
Who, kiss'd at Christmas, call'd me rude,
And, sobbing low, refused to sing?
How changed! In shape no slender Grace,
But Venus; milder than the dove;
Her mother's air; her Norman face;
Her large sweet eyes, clear lakes of love.
Mary I knew. In former time
Ailing and pale, she thought that bliss
Was only for a better clime,
And, heavenly overmuch, scorn'd this.
I, rash with theories of the right,
Which stretch'd the tether of my Creed,
But did not break it, held delight
Half discipline. We disagreed.
She told the Dean I wanted grace.
Now she was kindest of the three,
And soft wi


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Poetic Form
Metre 1000100 11011111 11111101 11010101 010110101 1101111 0101011 110101101 11001111 1110 11111101 11011101 00010111 11000101 11111111 10111101 11110101 111101 11011101 11010101 11110111 010101001 01110111 11111101 01010111 1110111 1010100 01011101 11010101 111100111 11101101 1111111 111111 111101111 01110101 11010111 11010101 1110100 11110100 11010101 11111111 11111101 01111101 10110101 11110101 11111101 01011111 11111111 11011101 11010101 11110101 00101 1 11111101 1111001010 01010111 01011001 0101101 0101101 01110101 01010101 010101001 11011111 11011101 110101001 1 11111101 01111101 1101101 110111 01001101 01011101 01100101 01011100 01111111 11010101 01011111 1101001 01001101 010100111 01110111 0101101 1 11111101 1111101 01000101 11101010 11111111 11110101 01000100 01001101 11010101 111010111 01011111 11110100 01110111 110100111 01010101 11111 01011101 11000011 01011101 1100111 011111001 01001101 01011011 1111001 1 11010101 11111101 11110111 01010111 11011101 11010101 01010101 01111111 10110101 10011111 11010101 0100111 11110101 11010111 11111101 11001001 11011101 11110101 011
Closest metre Iambic tetrameter
Characters 4,178
Words 773
Sentences 30
Stanzas 8
Stanza Lengths 9, 17, 25, 1, 13, 17, 25, 20
Lines Amount 127
Letters per line (avg) 26
Words per line (avg) 6
Letters per stanza (avg) 415
Words per stanza (avg) 97
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Submitted on May 13, 2011

Modified on May 02, 2023

4:05 min read
96

Coventry Patmore

Coventry Kersey Dighton Patmore was an English poet and critic best known for The Angel in the House, his narrative poem about an ideal happy marriage. more…

All Coventry Patmore poems | Coventry Patmore Books

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