Analysis of To Count Carlo Pepoli



This wearisome and this distressing sleep
That we call life, O how dost thou support,
My Pepoli? With what hopes feedest thou
Thy heart? Say in what thoughts, and in what deeds,
Agreeable or sad, dost thou invest
The idleness thy ancestors bequeathed
To thee, a dull and heavy heritage?
All life, indeed, in every walk of life,
Is idleness, if we may give that name
To every work achieved, or effort made,
That has no worthy aim in view, or fails
That aim to reach. And if you idle call
The busy crew, that daily we behold,
From tranquil morn unto the dewy eve,
Behind the plough, or tending plants and flocks,
Because they live simply to keep alive,
And life is worthless for itself alone,
The honest truth you speak. His nights and days
The pilot spends in idleness; the toil
And sweat in workshops are but idleness;
The soldier's vigils, perils of the field,
The eager merchant's cares are idle all;
Because true happiness, for which alone
Our mortal nature longs and strives, no man,
Or for himself, or others, e'er acquires
Through toil or sweat, through peril, or through care.
Yet for this fierce desire, which mortals still
From the beginning of the world have felt,
But ever felt in vain, for happiness,
By way of soothing remedy devised,
Nature, in this unhappy life of ours,
Had manifold necessities prepared,
Not without thought or labor satisfied;
So that the days, though ever sad, less dull
Might seem unto the human family;
And this desire, bewildered and confused,
Might have less power to agitate the heart.
So, too, the various families of brutes,
Who have, no less than we, and vainly, too,
Desire for happiness; but they, intent
On that which is essential to their life,
Consume their days more pleasantly, by far,
Nor chide, with us, the dulness of the hours.
But _we_, who unto other hands commit
The furnishing of our immediate wants,
Have a necessity more grave to meet,
For which no other ever can provide,
With ennui laden, and with suffering;
The stern necessity of killing time;
That cruel, obstinate necessity,
From which, nor hoarded gold, nor wealth of flocks,
Nor fertile fields, nor sumptuous palaces,
Nor purple robes, the race of man can save.
And if one, scorning such a barren life,
And hating to behold the light of day,
Turns not a homicidal hand upon
Himself, anticipating sluggish Fate,
For the sharp sting of unappeased desire,
That vainly calls for happiness, he seeks,
In desperate chase, on every side, in vain,
A thousand inefficient remedies,
In lieu of that, which Nature gives to all.

One to his dress devotes himself, and hair,
His gait and gesture and the learned lore
Of horses, carriages, to crowded halls,
To thronged piazzas, and to gardens gay;
Another gives his nights and days to games,
And feasts, and dances with the reigning belles:
A smile perpetual is on his lips;
But in his breast, alas, stern and severe,
Like adamantine column motionless,
Eternal ennui sits, against whose might
Avail not vigorous youth, nor prattle fond
That falls from rosy lips, nor tender glance
That trembles in two dark and lustrous eyes;
The most bewildering of mortal things,
Most precious gift of heaven unto man.

Another, as if hoping to escape
Sad destiny, in changing lands and climes
His days consuming, wandering o'er sea
And hills, the whole earth traverses; each spot
That Nature, in her infinite domain,
To restless man hath made accessible,
He visits in his wanderings. Alas,
Black care is seated on the lofty prow;
Beneath each clime, each sky, he asks in vain
For happiness; sadness still lives and reigns.

Another in the cruel deeds of war
Prefers to pass his hours, and dips his hand,
For his diversion, in his brother's blood:
Another in his neighbor's misery
His comfort finds, and artfully contrives
To kill the time, in making others sad.
_This_ man still walks in wisdom's ways, or art
Pursues; _that_ tramples on the people's rights,
At home, abroad; the ancient rest disturbs
Of distant shores, on fraudful gain intent,
With cruel war, or sharp diplomacy;
And so his destined part of life consumes.

Thee a more gentle wish, a care more sweet
Leads and controls, still in the flower of youth,
In the fair April of thy days, to most
A time so pleasant, heaven's choicest gift;
But heavy, bitter, wearisome to _him_
Who has no country. Thee the love of song
Impels, and of portraying in thy speech
The beauty, that so seldom in the world
Appears and fades so soon, and _that_, mor


Scheme XXABXXXCDXXEXXFXGXXHXEGIJKXXHXJXLMNXOBXPCXJXXQLXXNFXXCRXXXXSXE KTXRXXXXHXXXXXI XXNXSMXASX TXXNBXOXXPNX QXXXDXXXT
Poetic Form
Metre 1100010101 1111111101 1111111 1110110011 0100111101 010011001 1101010100 11010100111 1100111111 11001011101 1111010111 1111011101 0101110101 1101100101 0101110101 0111101101 0111010101 0101111101 0101010001 010111100 0101010101 0101011101 0111001101 10101010111 110111010010 1111110111 11110101101 1001010111 1101011100 1111010001 10010101110 110010001 101111010 1101110111 1110010100 01010010001 1111011001 11010010011 1111110101 01011001101 1111010111 0111110011 1111011010 1111010101 010011001001 1001001111 1111010101 10101001100 0101001101 1101000100 1111011111 1101110100 1101011111 011110101 0101010111 110010101 010100101 101111010 1101110011 01011100101 0100010100 0111110111 1111010101 110100011 1101001101 11101101 0101110111 0101010101 0101001111 1011011001 1110100 01001010111 01110011101 1111011101 110110101 0101001101 1101110101 0101110101 1100010101 11010100101 01011111 1100010001 1101110100 1100110001 1111010101 0111111101 1100101101 0100010111 01111100111 1101001101 0100110100 110101001 1101010101 111101111 0111010101 1101010101 110111101 1101110100 0111011101 1011010111 10011001011 0011011111 0111010101 1101010011 1111010111 101010011 0101110001 010111011
Closest metre Iambic pentameter
Characters 4,334
Words 776
Sentences 17
Stanzas 5
Stanza Lengths 62, 15, 10, 12, 9
Lines Amount 108
Letters per line (avg) 32
Words per line (avg) 7
Letters per stanza (avg) 699
Words per stanza (avg) 155
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Submitted on May 13, 2011

Modified on March 05, 2023

3:55 min read
111

Count Giacomo Leopardi

Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi was an Italian philosopher, poet, essayist, and philologist. He is considered the greatest Italian poet of the nineteenth century and one of the most important figures in the literature of the world, as well as one of the principals of literary romanticism; his constant reflection on existence and on the human condition—of sensuous and materialist inspiration—has also earned him a reputation as a deep philosopher. He is widely seen as one of the most radical and challenging thinkers of the 19th century but routinely compared by Italian critics to his older contemporary Alessandro Manzoni despite expressing "diametrically opposite positions." Although he lived in a secluded town in the conservative Papal States, he came into contact with the main ideas of the Enlightenment, and through his own literary evolution, created a remarkable and renowned poetic work, related to the Romantic era. The strongly lyrical quality of his poetry made him a central figure on the European and international literary and cultural landscape. more…

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