Analysis of The Dream



It was the morning; through the shutters closed,
Along the balcony, the earliest rays
Of sunlight my dark room were entering;
When, at the time that sleep upon our eyes
Its softest and most grateful shadows casts,
There stood beside me, looking in my face,
The image dear of her, who taught me first
To love, then left me to lament her loss.
To me she seemed not dead, but sad, with such
A countenance as the unhappy wear.
Her right hand near my head she sighing placed;
'Dost thou still live,' she said to me, 'and dost
Thou still remember what we _were_ and are?'
And I replied: 'Whence comest thou, and how,
Beloved and beautiful? Oh how, how I
Have grieved, still grieve for thee! Nor did I think
Thou e'er couldst know it more; and oh, that thought
My sorrow rendered more disconsolate!
But art thou now again to leave me?
I fear so. Say, what hath befallen thee?
Art thou the same? What preys upon thee thus?'
'Oblivion weighs upon thy thoughts, and sleep
Envelops them,' she answered; 'I am dead,
And many months have passed, since last we met.'
What grief oppressed me, as these words I heard!
And she continued: 'In the flower of youth
Cut off, when life is sweetest, and before
The heart that lesson sad and sure hath learnt,
The utter vanity of human hope!
The sick man may e'en covet, as a boon,
That which withdraws him from all suffering;
But to the young, Death comes, disconsolate;
And hard the fate of hope, that in the grave
Is quenched! And yet, how vain that knowledge is,
That Nature from the inexperienced hides!
And a blind sorrow is to be preferred
To wisdom premature!'--'Hush, hush!' I cried,
'Unhappy one, and dear! My heart is crushed
With these thy words! And art thou dead, indeed,
O my beloved? and am I still alive?
And was it, then, in heaven decreed, that this,
Thy tender body the last damps of death
Should feel, and my poor, wretched frame remain
Unharmed? Oh, often, often as I think
That thou no longer livest, and that I
Shall never see thee on the earth again,
Incredible it seems! Alas, alas!
What _is_ this thing, that they call death? Oh, would
That I, this day, the mystery could solve,
And my defenceless head withdraw from Fate's
Relentless hate! I still am young, and still
Feel all the blight and misery of age,
Which I so dread; and distant far it seems;
But, ah, how little different from age,
The flower of my years!'--'We both were born,'
She said, 'to weep; unhappy were our lives,
And heaven took pleasure in our sufferings.'
'Oh if my eyes with tears,' I added, 'then,
My face with pallor veiled thou seest, for loss
Of thee, and anguish weighing on my heart;
Tell me, was any spark of pity or of love
For the poor lover kindled in thy heart,
While thou didst live? I, then, between my hope
And my despair, passed weary nights and days;
And now, my mind is with vain doubts oppressed.
Oh if but once compassion smote thee for
My darkened life, conceal it not from me,
I pray thee; let the memory console me,
Since of their future our young days were robbed!'
And she: 'Be comforted, unhappy one!
I was not churlish of my pity whilst
I lived, and am not now, myself so wretched!
Oh, do not chide this most unhappy child!'
'By all our sufferings, and by the love
Which preys upon me,' I exclaimed, 'and by
Our youth, and by the hope that faded from
Our lives, O let me, dearest, touch thy hand!'
And sweetly, sadly, she extended it.
And while I covered it with kisses, while
With sorrow and with rapture quivering,
I to my panting bosom fondly pressed it,
With fervent passion glowed my face and breast,
My trembling voice refused its utterance,
And all things swam before my sight; when she,
Her eyes fixed tenderly on mine, replied:
'And dost thou, then, forget, dear friend, that I
Am of my beauty utterly deprived?
And vainly thou, unhappy one, dost yield
To passion's transports. Now, a last farewell!
Our wretched minds, our feeble bodies, too,
Eternally are parted. Thou to me
No longer livest, nevermore shall live.
Fate hath annulled the faith that thou hast sworn.'
Then, in my anguish as I seemed to cry
Aloud, convulsed, my eyes o'erflowing with
The tears of utter, helpless misery,
I started from my sleep. The image still
Was seen, and in the sun's uncertain light
Above my couch she seemed to linger still.


Scheme Text too long
Poetic Form
Metre 1101010101 01010001001 111110100 11011101101 110011011 1101110011 0101101111 1111110101 1111111111 0100100101 0111111101 1111111101 1101011101 010111101 0101001111 1111111111 11011110111 1101011 111101111 1111110101 1101110111 01001011101 0101110111 0101111111 1101111111 01010001011 1111110001 0111010111 0101001101 01111110101 1101111100 1101111 0101111001 1101111101 11010001001 0011011101 11011111 0101011111 1111011101 1101011101 01110100111 1101001111 1101110101 0111010111 111101011 1101110101 0100110101 1111111111 1111010011 01110111 0101111101 1101010011 1111010111 1111010011 0101111101 11110100101 010110010100 1111111101 111111111 1101010111 111101110111 1011010011 1111110111 0101110101 0111111101 1111010111 1101011111 11110100101 11110101101 0111000101 1111011101 1101111110 1111110101 11101000101 1101110101 10101011101 10111110111 0101010101 0111011101 1100110100 11110101011 1101011101 11001011100 0111011111 0111001101 0111011111 1111010001 0101010111 11011011 101011010101 0100110111 11011011 1110011111 1011011111 0111111 0111010100 1101110101 1100010101 0111111101
Closest metre Iambic pentameter
Characters 4,185
Words 800
Sentences 46
Stanzas 1
Stanza Lengths 99
Lines Amount 99
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 3,276
Words per stanza (avg) 782
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Submitted on May 13, 2011

Modified on March 05, 2023

3:58 min read
111

Count Giacomo Leopardi

Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi was an Italian philosopher, poet, essayist, and philologist. He is considered the greatest Italian poet of the nineteenth century and one of the most important figures in the literature of the world, as well as one of the principals of literary romanticism; his constant reflection on existence and on the human condition—of sensuous and materialist inspiration—has also earned him a reputation as a deep philosopher. He is widely seen as one of the most radical and challenging thinkers of the 19th century but routinely compared by Italian critics to his older contemporary Alessandro Manzoni despite expressing "diametrically opposite positions." Although he lived in a secluded town in the conservative Papal States, he came into contact with the main ideas of the Enlightenment, and through his own literary evolution, created a remarkable and renowned poetic work, related to the Romantic era. The strongly lyrical quality of his poetry made him a central figure on the European and international literary and cultural landscape. more…

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