Analysis of The House Of Dust: Part 04: 05: The Bitter Love-Song

Conrad Potter Aiken 1889 (Savannah, Georgia) – 1973 (Savannah, Georgia)



No, I shall not say why it is that I love you—
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,—your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . .with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say—my childhood broke through chords of music
—Or were they chords of sun?—wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me
With wings of death, and a face of cold clear beauty. .
I lay in the warm sweet grass on a blue May morning,
My chin in a dandelion, my hands in clover,
And drowsed there like a bee. . . .blue days behind me
Stretched like a chain of deep blue pools of magic,
Enchanted, silent, timeless. . . .days before me
Murmured of blue-sea mornings, noons of gold,
Green evenings streaked with lilac, bee-starred nights.
Confused soft clouds of music fled above me.

Sharp shafts of music dazzled my eyes and pierced me.
I ran and turned and spun and danced in the sunlight,
Shrank, sometimes, from the freezing silence of beauty,
Or crept once more to the warm white cave of sleep.

No, I shall not say 'this is why I praise you—
Because you say such wise things, or such foolish. . .'
You would not have me say what you know better?
Let me instead be silent, only saying—:
My childhood lives in me—or half-lives, rather—
And, if I close my eyes cool chords of music
Flow up to me . . . long chords of wind and sunlight. . . .
Shadows of intricate vines on sunlit walls,
Deep bells beating, with aeons of blue between them,
Grass blades leagues apart with worlds between them,
Walls rushing up to heaven with stars upon them. . .
I lay in my bed and through the tall night window
Saw the green lightning plunging among the clouds,
And heard the harsh rain storm at the panes and roof. . . .
How should I know—how should I now remember—
What half-dreamed great wings curved and sang above me?
What wings like swords?  What eyes with the dread night in them?

This I shall say.—I lay by the hot white sand-dunes. .
Small yellow flowers, sapless and squat and spiny,
Stared at the sky.  And silently there above us
Day after day, beyond our dreams and knowledge,
Presences swept, and over us streamed their shadows,
Swift and blue, or dark. . . .What did they mean?
What sinister threat of power?  What hint of beauty?
Prelude to what gigantic music, or subtle?
Only I know these things leaned over me,
Brooded upon me, paused, went flowing softly,
Glided and passed.  I loved, I desired, I hated,
I struggled, I yielded and loved, was warmed to blossom . . .
You, when your eyes have evening sunlight in them,
Set these dunes before me, these salt bright flowers,
These presences. . . .I drowse, they stream above me,
I struggle, I yield and love, I am warmed to dream.

You are the window (if I could tell I'd tell you)
Through which I see a clear far world of sunlight.
You are the silence (if you could hear you'd hear me)
In which I remember a thin still whisper of singing.
It is not you I laugh for, you I touch!
My hands, that touch you, suddenly touch white cobwebs,
Coldly silvered, heavily silvered with dewdrops;
And clover, heavy with rain; and cold green grass. . .


Scheme ABCDEFXGHIBBJCBGBXXB BIBX AXCJCGIXFFFXXXCBF XBEXHXBXBBXXFXBX AIBJXXDX
Poetic Form
Metre 111111111111 1111111100 10111111010 111111011010 11101001001110 1111011101 111111111010 1111111110 1011110111 1100111111 10110101011 111100111110 1100111101110 110010011010 01110111011 11011111110 01010101011 1011110111 110111111 01111101011 111101011011 11010101001 101101010110 11111011111 11111111111 01111111110 11111111110 11011101010 1110111110 01111111110 1111111101 111001111 11101111011 1110111011 110111011011 110110101110 10110100101 01011110101 11111111010 11111101011 111111101101 111111101111 11010101010 110101001011 110101101010 10010101111 101111111 1100111011110 11101010110 1011111101 10011111010 1001111010110 1101100111110 1111110101 11101111110 11001111011 110110111111 110101111111 1111011111 110101111111 01101001110110 1111111111 11111100111 101100111 01010110111
Closest metre Iambic hexameter
Characters 3,276
Words 596
Sentences 73
Stanzas 5
Stanza Lengths 20, 4, 17, 16, 8
Lines Amount 65
Letters per line (avg) 39
Words per line (avg) 10
Letters per stanza (avg) 502
Words per stanza (avg) 125
Font size:
 

Submitted on May 13, 2011

Modified on March 31, 2023

2:59 min read
61

Conrad Potter Aiken

Conrad Potter Aiken was a Pulitzer Prize-winning American author born in Savannah Georgia whose work includes poetry short stories novels and an autobiography more…

All Conrad Potter Aiken poems | Conrad Potter Aiken Books

0 fans

Discuss this Conrad Potter Aiken poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "The House Of Dust: Part 04: 05: The Bitter Love-Song" Poetry.com. STANDS4 LLC, 2024. Web. 28 Apr. 2024. <https://www.poetry.com/poem-analysis/7083/the-house-of-dust%3A-part-04%3A-05%3A-the-bitter-love-song>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    April 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    2
    days
    6
    hours
    22
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    "Lady, make a note of this: One of you is lying."
    A Bill Collins
    B May Sarton
    C Dorothy Parker
    D Ogden Nash