Analysis of Through Agony

Claude McKay 1889 (Clarendon Parish) – 1948 (Chicago)



All night, through the eternity of night,
Pain was my potion though I could not feel.
Deep in my humbled heart you ground your heel,
Till I was reft of even my inner light,
Till reason from my mind had taken flight,
And all my world went whirling in a reel.
And all my swarthy strength turned cold like steel,
A passive mass beneath your puny might.
Last night I gave you triumph over me,
So I should be myself as once before,
I marveled at your shallow mystery,
And haunted hungrily your temple door.
I gave you sum and substance to be free,
Oh, you shall never triumph any more!

I do not fear to face the fact and say,
How darkly-dull my living hours have grown,
My wounded heart sinks heavier than stone,
Because I loved you longer than a day!
I do not shame to turn myself away
From beckoning flowers beautifully blown,
To mourn your vivid memory alone
In mountain fastnesses austerely gray.
The mists will shroud me on the utter height,
The salty, brimming waters of my breast
Will mingle with the fresh dews of the night
To bathe my spirit hankering to rest.
But after sleep I'll wake with greater might,
Once more to venture on the eternal quest.


Scheme ABBAABBACDCDCD EFFEEFFEAGAGAG
Poetic Form
Metre 1110010011 1111011111 1011011111 11111101101 1101111101 0111110001 0111011111 0101011101 1111110101 111111101 1101110100 0101001101 1111010111 1111010101 1111110101 11011101011 1101110011 0111110101 111111101 1100101001 1111010001 0101101 0111110101 0101010111 1101011101 1111010011 1101111101 11110100101
Closest metre Iambic pentameter
Characters 1,166
Words 219
Sentences 10
Stanzas 2
Stanza Lengths 14, 14
Lines Amount 28
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 455
Words per stanza (avg) 108
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Submitted on May 13, 2011

Modified on March 05, 2023

1:06 min read
106

Claude McKay

Festus Claudius "Claude" McKay was a Jamaican-American writer and poet, who was a seminal figure in the Harlem Renaissance. He wrote four novels: Home to Harlem, a best-seller that won the Harmon Gold Award for Literature, Banjo, Banana Bottom, and in 1941 a manuscript called Amiable With Big Teeth: A Novel of the Love Affair Between the Communists and the Poor Black Sheep of Harlem that has not yet been published. McKay also authored collections of poetry, a collection of short stories, Gingertown, two autobiographical books, A Long Way from Home and My Green Hills of Jamaica, and a non-fiction, socio-historical treatise entitled Harlem: Negro Metropolis. His 1922 poetry collection, Harlem Shadows, was among the first books published during the Harlem Renaissance. His Selected Poems was published posthumously, in 1953. McKay was attracted to communism in his early life, but he always asserted that he never became an official member of the Communist Party USA. However, some scholars dispute the claim that he was not a communist at that time, noting his close ties to active members, his attendance at communist-led events, and his months-long stay in the Soviet Union in 1922–23, which he wrote about very favorably. He gradually became disillusioned with communism, however, and by the mid-1930s, he had begun to write negatively about it. more…

All Claude McKay poems | Claude McKay Books

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