Analysis of Song of the Moon

Claude McKay 1889 (Clarendon Parish) – 1948 (Chicago)



The moonlight breaks upon the city's domes,
And falls along cemented steel and stone,
Upon the grayness of a million homes,
Lugubrious in unchanging monotone.
Upon the clothes behind the tenement,
That hang like ghosts suspended from the lines,
Linking each flat to each indifferent,
Incongruous and strange the moonlight shines.

There is no magic from your presence here,
Ho, moon, sad moon, tuck up your trailing robe,
Whose silver seems antique and so severe
Against the glow of one electric globe.

Go spill your beauty on the laughing faces
Of happy flowers that bloom a thousand hues,
Waiting on tiptoe in the wilding spaces,
To drink your wine mixed with sweet drafts of dews.


Scheme ABABCDCD XEXE FGFG
Poetic Form
Metre 011010101 0101010101 010110101 0100001010 0101010100 1111010101 101111010 010001011 1111011101 1111111101 1101010101 0101110101 11110101010 11010110101 1011001010 1111111111
Closest metre Iambic pentameter
Characters 676
Words 117
Sentences 5
Stanzas 3
Stanza Lengths 8, 4, 4
Lines Amount 16
Letters per line (avg) 34
Words per line (avg) 7
Letters per stanza (avg) 183
Words per stanza (avg) 38
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Submitted on May 13, 2011

Modified on May 03, 2023

35 sec read
230

Claude McKay

Festus Claudius "Claude" McKay was a Jamaican-American writer and poet, who was a seminal figure in the Harlem Renaissance. He wrote four novels: Home to Harlem, a best-seller that won the Harmon Gold Award for Literature, Banjo, Banana Bottom, and in 1941 a manuscript called Amiable With Big Teeth: A Novel of the Love Affair Between the Communists and the Poor Black Sheep of Harlem that has not yet been published. McKay also authored collections of poetry, a collection of short stories, Gingertown, two autobiographical books, A Long Way from Home and My Green Hills of Jamaica, and a non-fiction, socio-historical treatise entitled Harlem: Negro Metropolis. His 1922 poetry collection, Harlem Shadows, was among the first books published during the Harlem Renaissance. His Selected Poems was published posthumously, in 1953. McKay was attracted to communism in his early life, but he always asserted that he never became an official member of the Communist Party USA. However, some scholars dispute the claim that he was not a communist at that time, noting his close ties to active members, his attendance at communist-led events, and his months-long stay in the Soviet Union in 1922–23, which he wrote about very favorably. He gradually became disillusioned with communism, however, and by the mid-1930s, he had begun to write negatively about it. more…

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