Analysis of Bacchanalia Or The New Age

Matthew Arnold 1822 (Laleham) – 1888 (Liverpool)



The evening comes, the fields are still.
The tinkle of the thirsty rill,
Unheard all day, ascends again;
Deserted is the half-mown plain,
Silent the swaths! the ringing wain,
The mower's cry, the dog's alarms,
All housed within the sleeping farms!
The business of the day is done,
The last-left haymaker is gone.
And from the thyme upon the height,
And from the elder-blossom white
And pale dog-roses in the hedge,
And from the mint-plant in the sedge,
In puffs of balm the night-air blows
The perfume which the day forgoes.
And on the pure horizon far,
See, pulsing with the first-born star,
The liquid sky above the hill!
The evening comes, the fields are still.

Loitering and leaping,
With saunter, with bounds,
Flickering and circling
In files and in rounds,
Gaily their pine-staff green
Tossing in air,
Loose o'er their shoulders white
Showering their hair,
See! the wild Maenads
Break from the wood,
Youth and Iacchus
Maddening their blood.

See! through the quiet land
Rioting they pass,
Fling the fresh heaps about,
Trample the grass.
Tear from the rifled hedge
Garlands, their prize;
Fill with their sports the field,
Fill with their cries.

Shepherd, what ails thee, then?
Shepherd, why mute?
Forth with thy joyous song!
Forth with thy flute!
Tempts not the revel blithe?
Lure not their cries?
Glow not their shoulders smooth?
Melt not their eyes?
Is not, on cheeks like those,
Lovely the flush?
Ah, so the quiet was!
So was the hush!

The epoch ends, the world is still.
The age has talk'd and work'd its fill,
The famous orators have shone,
The famous poets sung and gone,
The famous men of war have fought,
The famous speculators thought,
The famous players, sculptors, wrought,
The famous painters fill'd their wall,
The famous critics judged it all.
The combatants are parted now,
Uphung the spear, unbent the bow,
The puissant crown'd, the weak laid low.
And in the after-silence sweet,
Now strifes are hush'd, our ears doth meet,
Ascending pure, the bell-like fame
Of this or that down-trodden name,
Delicate spirits, push'd away
In the hot press of the noon-day.
And o'er the plain, where the dead age
Did its now silent warfare wage,
O'er that wide plain, now wrapt in gloom,
Where many a splendour finds its tomb,
Many spent fames and fallen mights,
The one or two immortal lights
Rise slowly up into the sky
To shine there everlastingly,
Like stars over the bounding hill.
The epoch ends, the world is still.

Thundering and bursting
In torrents, in waves,
Carolling and shouting
Over tombs, amid graves,
See! on the cumber'd plain
Clearing a stage,
Scattering the past about,
Comes the new age.
Bards make new poems,
Thinkers new schools,
Statesmen new systems,
Critics new rules.
All things begin again;
Life is their prize;
Earth with their deeds they fill,
Fill with their cries.

Poet, what ails thee, then?
Say, why so mute?
Forth with thy praising voice!
Forth with thy flute!
Loiterer! why sittest thou
Sunk in thy dream?
Tempts not the bright new age?
Shines not its stream?
Look, ah, what genius,
Art, science, wit!
Soldiers like Caesar,
Statesmen like Pitt!
Sculptors like Phidias,
Raphaels in shoals,
Poets like Shakespeare,
Beautiful souls!
See, on their glowing cheeks
Heavenly the flush!
Ah, so the silence was!
So was the hush!

The world but feels the present's spell,
The poet feels the past as well;
Whatever men have done, might do,
Whatever thought, might think it too.


Scheme AabccddxeffgghhiiaA jkjkxlfldxdx xmnmgoxO bpxPxoxohqrQ AaxesssttuuxvvwwxxyyzzdxxaaA j1 j1 cyny2 3 2 3 boAo bpxpu4 y4 x5 X5 d6 x6 xqrq 7 7 8 8
Poetic Form
Metre 01010111 01010101 01110101 01010111 10010101 0110101 11010101 01010111 0111011 01010101 01010101 01110001 01011001 01110111 00110101 01010101 11010111 01010101 01010111 100010 11011 1000100 01001 101111 1001 1101101 10011 1011 1101 101 10011 110101 10011 101101 1001 110101 111 111101 1111 101111 1011 111101 1111 110101 1111 111101 1111 111111 1001 110101 1101 01010111 01110111 01010011 01010101 01011111 0101001 01010101 01010111 01010111 00101101 101101 0110111 00010101 111110111 01010111 11111101 10010101 00111011 010011011 1111011 101111101 11001111 10110101 01110101 11010101 1111 11100101 01010111 100010 01001 1010 101011 11011 1001 1000101 1011 11110 1011 10110 1011 110101 1111 111111 1111 101111 1111 111101 1111 1111 1011 110111 1111 11110 1101 10110 1011 1011 101 1011 1001 111101 10001 110101 1101 0111011 01010111 1011111 1011111
Closest metre Iambic trimeter
Characters 3,320
Words 594
Sentences 48
Stanzas 8
Stanza Lengths 19, 12, 8, 12, 28, 16, 20, 4
Lines Amount 119
Letters per line (avg) 22
Words per line (avg) 5
Letters per stanza (avg) 332
Words per stanza (avg) 73
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Submitted on August 03, 2020

Modified on March 05, 2023

3:02 min read
5

Matthew Arnold

Matthew Arnold was a British poet and cultural critic who worked as an inspector of schools. more…

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