Analysis of A Song For St Cecilia's Day, 1687.

John Dryden 1631 (Aldwincle) – 1631 (London)



FROM harmony, from heavenly harmony
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
Arise, ye more than dead.
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony
This universal frame began:
From harmony to harmony
Through all the compass of the notes it rail,
The diapason closing full in Man.

What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound.
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly and so well.
What passion cannot Music raise and quell?

The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries, hark! the foes come;
Charge, charge!'tis too late to retreat.

The soft complaining flute
In dying notes discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.

Sharp violins proclaim
Their jealous pangs, and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.

But oh! what art can teach,
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.

Orpheus could lead the savage race;
And trees uprooted left their place,
Sequacious of the lyre:
But bright Cecilia raised the wonder higher:
When to her organ vocal breath was given,
An angel heard, and straight appear'd,
Mistaking earth for heaven.

As from the power of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the bless'd above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And Music shall untune the sky.
  


Scheme ABcdefefcdABaxb GghghgggG ijijkllk mnnm opppo qqrsrs ttiipxp rxrsiifff
Poetic Form
Metre 11001100100 1010101 1100101 110101 011101 01011111 011111 11010101 01011101 0101001 11001100100 1010101 11001100 1101010111 0110101 1101010101 111011 110010101 010011101 11010101 1101111111 01010111 11110011 1101010101 0111 01111 111110 01001 01010101 101001 11011 11111101 010101 0101010 0111010 11110101001 100101 11010010 1010010 11101110 1010101 111111 110111 01011 1010101 11111001 110101 100110101 01010111 1101 11010101010 11010101110 11010101 0101110 110101101 010111 010111 110101 110101010 1100101010 01011111 01110101 0101101
Closest metre Iambic tetrameter
Characters 2,025
Words 358
Sentences 20
Stanzas 8
Stanza Lengths 15, 9, 8, 4, 5, 6, 7, 9
Lines Amount 63
Letters per line (avg) 26
Words per line (avg) 6
Letters per stanza (avg) 204
Words per stanza (avg) 43
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Submitted on August 03, 2020

Modified on March 05, 2023

1:49 min read
11

John Dryden

John Dryden was an English poet, literary critic, translator, and playwright who was made Poet Laureate in 1668. more…

All John Dryden poems | John Dryden Books

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