Analysis of Madeline in Church

Charlotte Mary Mew 1869 (Bloomsbury, London) – 1928 (London)



Here, in the darkness, where this plaster saint
       Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
     As the far lights of everlastingness,
I'd rather kneel than over there, in open day
     Where Christ is hanging, rather pray
         To something more like my own clay,
                     Not too divine;
         For, once, perhaps my little saint
         Before he got his niche and crown,
     Had one short stroll about the town;
     It brings him closer, just that taint—
            And anyone can wash the paint
     Off our poor faces, his and mine!

Is that why I see Monty now? equal to any saint, poor boy, as good as gold,
But still, with just the proper trace
Of earthliness on his shining wedding face;
And then gone suddenly blank and old
The hateful day of the divorce:
Stuart got his, hands down, of course
Crowing like twenty cocks and grinning like a horse:
But Monty took it hard. All said and done I liked him best,—
He was the first, he stands out clearer than the rest.
                             It seems too funny all we other rips
       Should have immortal souls; Monty and Redge quite damnably
       Keep theirs afloat while we go down like scuttled ships.—
                            It's funny too, how easily we sink,
                            One might put up a monument, I think
               To half the world and cut across it "Lost at Sea!"
I should drown Jim, poor little sparrow, if I netted him to-night—
                         No, it's no use this penny light—
                Or my poor saint with his tin-pot crown—
                The trees of Calvary are where they were,
                       When we are sure that we can spare
                   The tallest, let us go and strike it down
                And leave the other two still standing there.
                                         I, too, would ask Him to remember me
         If there were any Paradise beyond this earth that I could see.                          
                             Oh! quiet Christ who never knew
                     The poisonous fangs that bite us through
                              And make us do the things we do,
                     See how we suffer and fight and die,
                              How helpless and how low we lie,
                     God holds You, and You hang so high,
                     Though no one looking long at You,
                              Can think You do not suffer too,
But, up there, from your still, star-lighted tree
        What can You know, what can You really see
                Of this dark ditch, the soul of me!

We are what we are: when I was half a child I could not sit
Watching black shadows on green lawns and red carnations burning in the sun,
                                                   Without paying so heavily for it
                That joy and pain, like any mother and her unborn child were almost one.
                                                         I could hardly bear
                                 The dreams upon the eyes of white geraniums in the dusk,
                                                 The thick, close voice of musk,
                                        The jessamine music on the thin night air,
                                  Or, sometimes, my own hands about me anywhere —
   The sight of my own face (for it was lovely then) even the scent of my own hair,
            Oh! there was nothing, nothing that did not sweep to the high seat
                     Of laughing gods, and then blow down and beat
   My soul into the highway dust, as hoofs do the dropped roses of the street.
                                            I think my body was my soul,
                                           And when we are made thus
                                                   Who shall control
                           Our hands, our eyes, the wandering passion of our feet,
                                           Who shall teach us
   To thrust the world out of our heart: to say, till perhaps in death,
                                                  When the race is run,
           And it is forced from us with our last breath
                                                  "Thy will be done"?
If it is Your will that we should be content with the tame, bloodless things.
                As pale as angels smirking by, with folded wings—
                        Oh! I know Virtue, and the peace it brings!
                                


Scheme ABABCCCDAEEAAD FGGFHHHIIJKJLLMNNEXOEOMMPPPQKQPPMMM RSRSOTTOOOUUUKVKUVWSWSXXX
Poetic Form
Metre 1001011101 11011111001 0111011111 101111 110111010101 11110101 11011111 1101 11011101 01111101 11110101 11110111 0101101 110110101 11111101101101111111 11110101 111110101 011100101 01011001 10111111 101101010101 11011111011111 110111110101 1111011101 110101100111 110111111101 1101110011 1111010011 110101011111 1111110101110111 11111101 111111111 0111001110 11111111 0101110111 0101011101 1111110101 110101001111111 11011101 010011111 01110111 111100101 11001111 11101111 11110111 11111101 1111111101 1111111101 11110111 111111111011111 10111110101010001 0110110011 11011101000111011 11101 010101110100001 011111 01001010111 10111101110 01111111110110011111 111101011111011 1101011101 11010111110110101 11110111 011111 1101 1011010100101101 1111 1101111011110101 10111 01111111011 1111 11111111110101101 111101011101 1111000111
Closest metre Iambic pentameter
Characters 4,540
Words 636
Sentences 18
Stanzas 3
Stanza Lengths 14, 35, 25
Lines Amount 74
Letters per line (avg) 34
Words per line (avg) 9
Letters per stanza (avg) 833
Words per stanza (avg) 211
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Submitted on May 13, 2011

Modified on May 03, 2023

3:11 min read
97

Charlotte Mary Mew

Charlotte Mary Mew was an English poet whose work spans the eras of Victorian poetry and Modernism.  more…

All Charlotte Mary Mew poems | Charlotte Mary Mew Books

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