Analysis of On An Old Sepulchral Bas-Relief.



Where Is Seen A Young Maiden, Dead, In The Act Of Departing, Taking Leave Of Her Family.

Where goest thou? Who calls
Thee from my dear ones far away?
Most lovely maiden, say!
Alone, a wanderer, dost thou leave
Thy father's roof so soon?
Wilt thou unto its threshold e'er return?
Wilt thou make glad one day,
Those, who now round thee, weeping, mourn?

Fearless thine eye, and spirited thy act;
And yet thou, too, art sad.
If pleasant or unpleasant be the road,
If gay or gloomy be the new abode,
To which thou journeyest, indeed,
In that grave face, how difficult to read!
Ah, hard to me the problem still hath seemed;
Not hath the world, perhaps, yet understood,
If thou beloved, or hated by the gods,
If happy, or unhappy shouldst be deemed.

Death calls thee; in thy morn of life,
Its latest breath. Unto the nest
Thou leavest, thou wilt ne'er return; wilt ne'er
The faces of thy kindred more behold;
And under ground,
The place to which thou goest will be found;
And for all time will be thy sojourn there.
Happy, perhaps, thou art: but he must sigh
Who, thoughtful, contemplates thy destiny.

Ne'er to have seen the light, e'en at the time,
I think; but, born, e'en at the time,
When regal beauty all her charms displays,
Alike in form and face,
And at her feet the admiring world
Its distant homage pays;
When every hope is in its flower,
Long, long ere dreary winter flash
His baleful gleams against the joyous brow;
Like vapor gathered in the summer cloud,
That melting in the evening sky is seen
To disappear, as if one ne'er had been;
And to exchange the brilliant days to come,
For the dark silence of the tomb;
The intellect, indeed,
May call this, happiness; but still
It may the stoutest breasts with pity fill.

Thou mother, dreaded and deplored
From birth, by all the world that lives,
Nature, ungracious miracle,
That bringest forth and nourishest, to kill,
If death untimely be an evil thing,
Why on these innocent heads
Wilt thou that evil bring?
If good, why, why,
Beyond all other misery,
To him who goes, to him who must remain,
Hast thou such parting crowned with hopeless pain?

Wretched, where'er we look,
Whichever way we turn,
Thy suffering children are!
Thee it hath pleased, that youthful hope
Should ever be by life beguiled;
The current of our years with woes be filled,
And death against all ills the only shield:
And this inevitable seal,
And this immutable decree,
Hast thou assigned to human destiny,
Why, after such a painful race,
Should not the goal, at least,
Present to us a cheerful face?
Why that, which we in constant view,
Must, while we live, forever bear,
Sole comfort in our hour of need,
Thus dress in weeds of woe,
And gird with shadows so,
And make the friendly port to us appear
More frightful than the tempest drear?

If death, indeed, be a calamity,
Which thou intendest for us all,
Whom thou, against our knowledge and our will,
Hast forced to draw this mortal breath,
Then, surely, he who dies,
A lot more enviable hath
Then he who feels his loved one's death.
But, if the truth it be,
As I most firmly think,
That life is the calamity,
And death the boon, alas! who ever could,
What yet he should,
Desire the dying day of those so dear,
That he may linger here,
Of his best self deprived,
May see across his threshold borne,
The form beloved of her,
With whom so many years he lived,
And say to her farewell,
Without the hope of meeting here again;
And then alone on earth to dwell,
And, looking round, the hours and places all,
Of lost companionship recall?

Ah, Nature! how, how couldst thou have the heart,
From the friend's arms the friend to tear,
The brother from the brother part,
The father from the child,
The lover from his love,
And, killing one, the other keep alive?
What dire necessity
Compels such misery
That lover should the loved one e'er survive?
But Nature in her cruel dealings still,
Pays little heed unto our good or ill.


Scheme A XBBXXCBD XXEEFXGHXG XXIXJJIKA LLMNXMOXXXXXXXFPP XXXPQXQKARR XCXXSXXXAANXNXIFTTUI AVPWXXWAXAHHUXXDOXYXYVV ZIZSX1 AA1 PP
Poetic Form Tetractys  (25%)
Etheree  (22%)
Metre 11101101001101010110100 11111 11111101 110101 010100111 110111 1110111001 111111 11111101 1011010011 011111 1101010101 1111010101 111101 0111110011 1111010111 110101101 1101110101 1101010111 11101111 11011001 111110111 0101110101 0101 011111111 0111111101 1001111111 110101100 11110111101 111111101 1101010101 010101 010100101 110101 1100110110 11110101 1101010101 1101000101 1100010111 101111111 0101010111 10110101 01001 11110011 110111101 11010001 11110111 101100 1110111 1101011101 1111001 111101 1111 01110100 1111111101 1111011101 101011 010111 1100101 11111101 11011101 01011011111 0101110101 01010001 01010001 1101110100 11010101 110111 10110101 11110101 11110101 1100101011 110111 01111 0101011101 11010101 1101100100 111111 110110100101 11111101 110111 01110001 11111111 110111 111101 11100100 0101011101 1111 01001011111 111101 111101 1101111 010110 11110111 01101 0101110101 01011111 01010100101 110101 1101111101 10110111 01010101 010101 010111 0101010101 110100 011100 11010111001 1100010101 11011010111
Closest metre Iambic tetrameter
Characters 3,811
Words 717
Sentences 26
Stanzas 9
Stanza Lengths 1, 8, 10, 9, 17, 11, 20, 23, 11
Lines Amount 110
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 335
Words per stanza (avg) 79
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Submitted on August 03, 2020

Modified on March 05, 2023

3:38 min read
5

Giacomo Leopardi

Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi was an Italian poet, essayist, philosopher, and philologist. Although he lived in a secluded town in the ultra-conservative Papal States, he came in touch with the main thoughts of the Enlightenment, and, by his own literary evolution, created a remarkable and renowned poetic work, related to the Romantic era. more…

All Giacomo Leopardi poems | Giacomo Leopardi Books

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