Analysis of On an Infant dying as soon as born

Charles Lamb 1775 (Inner Temple, London) – 1834 (Edmonton, London)



I SAW where in the shroud did lurk
A curious frame of Nature's work;
A floweret crush'd in the bud,
A nameless piece of Babyhood,
Was in her cradle-coffin lying;
Extinct, with scarce the sense of dying:
So soon to exchange the imprisoning womb
For darker closets of the tomb!
She did but ope an eye, and put
A clear beam forth, then straight up shut
For the long dark: ne'er more to see
Through glasses of mortality.
   Riddle of destiny, who can show
What thy short visit meant, or know
What thy errand here below?
Shall we say that Nature blind
Check'd her hand, and changed her mind,
Just when she had exactly wrought
A finish'd pattern without fault?
Could she flag, or could she tire,
Or lack'd she the Promethean fire
(With her nine moons' long workings sicken'd)
That should thy little limbs have quicken'd?
Limbs so firm, they seem'd to assure
Life of health, and days mature:
Woman's self in miniature!
Limbs so fair, they might supply
(Themselves now but cold imagery)
The sculptor to make Beauty by.
Or did the stern-eyed Fate descry
That babe or mother, one must die;
So in mercy left the stock
And cut the branch; to save the shock
Of young years widow'd, and the pain
When single state comes back again
To the lone man who, reft of wife,
Thenceforward drags a maimed life?
The economy of Heaven is dark,
And wisest clerks have miss'd the mark,
Why human buds, like this, should fall,
More brief than fly ephemeral
That has his day; while shrivell'd crones
Stiffen with age to stocks and stones;
And crabbed use the conscience sears
In sinners of an hundred years.
   Mother's prattle, mother's kiss,
Baby fond, thou ne'er wilt miss:
Rites, which custom does impose,
Silver bells, and baby clothes;
Coral redder than those lips
Which pale death did late eclipse;
Music framed for infants' glee,
Whistle never tuned for thee;
Though thou want'st not, thou shalt have them,
Loving hearts were they which gave them.
Let not one be missing; nurse,
See them laid upon the hearse
Of infant slain by doom perverse.
Why should kings and nobles have
Pictured trophies to their grave,
And we, churls, to thee deny
Thy pretty toys with thee to lie--
A more harmless vanity?


Scheme AABCDDEEFGHHIIIJJKLMMNNOOOPHPMPQQRSTTUUVWHXYYZZ1 2 3 3 HH4 4 5 5 5 6 7 PPH
Poetic Form
Metre 11100111 010011101 011001 0101110 100101010 011101110 11101001001 11010101 11111101 01111111 10111111 11010100 101100111 11110111 1110101 1111101 1010101 11110101 01010011 11111110 1110110 101111010 111101110 11111101 1110101 1010100 1111101 01111100 01011101 1101111 11110111 1010101 01011101 11110001 11011101 10111111 11011 0010011011 01011101 11011111 11110100 1111111 10111101 0110101 01011101 1010101 1011111 1110101 1010101 1010111 1111101 1011101 1010111 111111111 10101111 1111101 1110101 11011101 1110101 1010111 0111101 11011111 0110100
Closest metre Iambic tetrameter
Characters 2,183
Words 389
Sentences 13
Stanzas 1
Stanza Lengths 63
Lines Amount 63
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 1,694
Words per stanza (avg) 387
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Submitted on May 13, 2011

Modified on April 25, 2023

2:01 min read
150

Charles Lamb

Charles Lamb was an English essayist, poet, and antiquarian, best known for his Essays of Elia and for the children's book Tales from Shakespeare, co-authored with his sister, Mary Lamb (1764–1847). Friends with such literary luminaries as Samuel Taylor Coleridge, Robert Southey, William Wordsworth, and William Hazlitt, Lamb was at the centre of a major literary circle in England. He has been referred to by E. V. Lucas, his principal biographer, as "the most lovable figure in English literature". more…

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