Analysis of Poetic Sketches. Sketch Fourth



I do love
These old remembrances—they are to me
The heart’s best intercourse; I love to feel
The griefs, the happiness, the wayward fates
Of those that have been, for these memories
Hallow the spot whereon they linger, and
Waken our kindliest sympathies.

The shore was reefed with rocks, whose rugged sides
Were venturous footing for the fowler's step:
They were shaped out in wild and curious forms,
Above all jagged and broken, but below
The waves had worn the shaggy points away;
For there they rave incessantly. When last
I past along the beach, it was at eve,
A summer's eve, stormy, but beautiful;
I could but look upon the western sky,
The rest was hidden from my view; but there
The day had spent its glory. One rich light
Broke thro' the shadow of the tempest's wing,
While the black clouds, with gold and purple edged,
Caught every moment warmer hues, until
'Twas all one sparkling arch, and, like a king
In triumph o'er his foes, the Sun-god sought
The blue depths of the sea;—the waters yet
Were ruffled with the storm, and the white foam
Yet floated on the billows, while the wind
Murmured at times like to an angry child,
Who sobs even in his slumber. Mid the rocks
That rose stern barriers to the rebel waves,
There was one spot less rugged than the rest:
Some firs had taken root there, and waved o'er
The entrance of a cave, where Grecian bards
Had said some Sea-maid dwelt, and decked the place
With ocean treasures, for the walls were bright
With crystal spar: In sooth, it seemed just formed
For some fair daughter of the main; at noon
Here she might bind her hair with shells, and wake
Her golden harp. But now a legend's told
Of human love and sorrow—it is called
The Cavern of the Pirate's Love:—her fate
Is soon and sadly told: she followed one,
A lawless wanderer of the deep, for whom
She left her father's halls. A little while
She might know happiness—it is the heart
That gives the colour to our destiny.
But lovely things are fleeting—blushes, sighs,
The hours of youth, smiles, hopes, and minstrel dreams,
Spring days and blossoms, music's tones, are all
Most fugitive; and swifter still than these
Will love dissolve into forgetfulness.
She was deserted. For awhile this cave
Was her sad refuge; for awhile the rocks
Echoed her wild complainings. I can deem
How she would gaze upon the sea, and think
Each passing cloud her lover's bark, 'till, hope
Sickened of its own vanity, and life
Sickened with hope, she passed and left a tale,
A melancholy tale, just fit to tell
On such an eve as this, when sky and sea
Are sleeping in the mute and mournful calm
Of passion sunk to rest. ⁠


Scheme XAXBCXC XXXXXXXXXXDEXXEXXXXXFXGXBXDXXXXXXXXXXAXXXCBXFXXXXXXAXG
Poetic Form
Metre 111 1101001111 011101111 0101000101 1111111100 100111100 10101100 0111111101 011010101 10110101001 0111010101 0111010101 1111010011 1101011111 0101101100 1111010101 0111011111 0111110111 11011011 1011110101 11001010101 1111010101 01010110111 0111010101 0101010011 1101010101 1011111101 11100110101 11110010101 1111110101 11110110110 0101011101 1111110101 1101010101 1101011111 1111010111 1111011101 010111011 1101010111 0101010101 1101011101 01010010111 1101010101 1111001101 1101110100 1101110101 01011110101 1101010111 1100010111 1101011 1101010111 1011010101 10011111 1111010101 1101010111 1011110001 1011110101 010011111 1111111101 1100010101 110111
Closest metre Iambic pentameter
Characters 2,626
Words 475
Sentences 12
Stanzas 2
Stanza Lengths 7, 54
Lines Amount 61
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 1,024
Words per stanza (avg) 237
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Submitted by Madeleine Quinn on March 03, 2020

Modified on March 05, 2023

2:25 min read
14

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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