Analysis of Hindoo Temples and Palace at Madura



Little the present careth for the past,
    Too little,—’tis not well!
    For careless ones we dwell
Beneath the mighty shadow it has cast.

Its blessings are around our daily path,
    We share its mighty spoil,
    We live on its great toil,
And yet how little gratitude it hath.

Look on these temples, they were as a shrine
    From whence to the far north
    The human mind went forth,
The moral sunshine of a world divine—

That inward world which maketh of our clay
    Its temporary home;
    From whence those lightnings come,
That kindle from a far and better day.

The light that is of heaven shone there the first,
    The elements of art,
    Mankind’s diviner part;
There was young science in its cradle nurst.

Mighty the legacies by mind bequeathed,
    For glorious were its pains
    Amid those giant fanes,
And mighty were the triumphs it achieved.

A woman’s triumph* mid them is imprest
    One who upon the scroll
    Flung the creative soul,
Disdainful of life’s flowers and of its rest.

Vast was the labour, vast the enterprise,
    For she was of a race
    Born to the lowest place,
Earth-insects, lacking wings whereon to rise.

How must that youthful cheek have lost its bloom,
    How many a dream above
    Of early hope and love
Must that young heart have closed on like a tomb.

Such throw life’s flowers behind them, and aspire
    To ask the stars their lore,
    And from each ancient store
Seek food to stay the mind’s consuming fire.

Her triumph was complete and long, the chords
    She struck are yet alive;
    Not vainly did she strive
To leave her soul immortal on her words.

A great example has she left behind,
    A lesson we should take,
    Whose first task is to wake
The general wish to benefit our kind.

Our sword has swept o’er India; there remains
    A nobler conquest far,
    The mind’s ethereal war,
That but subdues to civilize its plains.

Let us pay back the past, the debt we owe,
    Let us around dispense
    Light, hope, intelligence,
Till blessings track our steps where’er we go.

O England, thine be the deliverer’s meed,
    Be thy great empire known
    By hearts made all thine own,
By thy free laws and thy immortal creed.

⁠* When I speak of a "a woman's triumph," I allude to the celebrated Avyia. She was a Pariah of the lowest class, but obtained such literary distinction, that her works are to this day the class-books of the scholars of the highest rank and caste in all the Hindoo schools of the peninsula of India.

Madura was at one period the centre of "might, majesty, and dominion" in India. One of its ancient monarchs in the second century sent an embassy on a splendid scale to Augustus Caesar at Rome. It was also the spot, from the meridian of which the Hindoo astronomers made their calculations. The mode of calculating by the ten numerals, after having been invented and long practised here, was first introduced into Europe by the Arabs. Here too, was the celebrated college whose influence was exercised so beneficially on the intellect of India; though at present much decayed, it is still in great repute for the magnificent ruins which surround it, and for the fine pagoda and choultry in its neighbourhood.

Among other anecdotes connected with the spirit of improvement now alive in India, Sir Alexander Johnstone, whose kindness in communicating information I cannot sufficiently acknowledge, told me one, of his relative, the late Mrs. Darner. The question of female education was much disputed, and popular opinion was certainly against it. Sir Alexander, however, brought this instance of a connexion of his own, who united birth and all social advantages with the highest degree of cultivation. At his request, Mrs. Darner made a bust of Nelson, and sent it as a present to the king of Tanjore. It was received with great attention, and the skill with which it was executed made a strong impression in favour of female education.


Scheme ABBA CDDC EFFE GXXG XHHA XIIX AJJX KLLK MNNM XOOX XPPX QRRQ IXOI SXXS ATTX X A X
Poetic Form
Metre 100101101 110111 110111 010101111 11010110101 111101 111111 011101011 1111010101 111011 010111 010110101 1101111101 11001 111101 1101010101 01111101101 010011 1111 1111001101 1001001101 1100011 011101 0100010101 01101111 110101 100101 01011100111 11011010 111101 110101 11101111 1111011111 1100101 110101 1111111101 11110011001 110111 011101 11110101010 0101010101 111101 110111 1101010101 0101011101 010111 111111 010011100101 101111100101 010101 0101001 11111011 1111010111 110101 110100 1101101111 11011001001 1111001 111111 1111010101 1111001010101101001110010101011011100010101111101110101010101010111001001100 11111000101110000100100111101001010011100101011010101111100110010011010100110100111001011001010101001111101011010101110100101100110101001010110011101011110101100100101011010101001011 01101001010101010101010010101110001000101100100010111111000110100101101011010010001011000111010101110101111101010110010010100110101101101010111001110101011111011101000111111001010100111010
Closest metre Iambic octameter
Characters 3,906
Words 674
Sentences 29
Stanzas 18
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 1, 1, 1
Lines Amount 63
Letters per line (avg) 48
Words per line (avg) 11
Letters per stanza (avg) 169
Words per stanza (avg) 37
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Submitted by Madeleine Quinn on February 24, 2020

Modified on March 05, 2023

3:22 min read
59

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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