Analysis of The Dream by the Fountain



Thought-weary and sad, I reclined by a fountain
   At the head of a white-cedar-shaded ravine,
And the breeze that fell over the high glooming mountain
   Sang a lullaby low as I gazed o’er the scene.
Long I’d reclined not till slumber came o’er me,
   Grateful as balm to a suffering child:
When a glorious maiden seemed standing before me
   With a lyre in her hand—O so sounding and wild!

Bright was her brow, not the morning’s brow brighter,
   But her eyes were two midnights of passionate thought;
Light was her motion, the breeze’s not lighter,
   And her looks were like sunshine and shadow in-wrought.

Never before did my bosom inherit
   Emotion so thrilling, such exquisite awe!
Never such wonder exalted my spirit
   Before, as did now, through the vision I saw.

Robed for the chase like a nymph of Diana,
   Her ivory limbs were half given below—
Bare, that the pure breath of heaven might fan her,
   Bare was her bosom of roseate snow.

Then lifting the lyre, and with every feeling
   Sublimed as with love, she awakened the strings,
And the while, as it seemed, into being came stealing
   The motion and light of angelical wings.

Divine were the measure! Each voice of the wold-wood
   Seemed gathering power in their musical thrills—
The loud joy of streams in their strong mountain childhood,
   The shouting of echoes that break from the hills;

The moaning of trees all at midnight in motion,
   When the breezes seem lost in the dark, with a rare
And sweet soaring spirit of human devotion
   All blended and woven together were there.

Then she smiled with a look like the radiance of morning,
   When flushing the crystal of heaven’s serene,
Blent with that darkness of beauty, adorning
   The world, when the moon just arising is seen.

And repressing, it seemed, many fonder suggestions,
   Calmly she spake;—I arose to my knees,
Expectantly glad, while, to quiet my questions,
   The wild warbled words that she uttered were these:

“I am the muse of the evergreen forest,
   I am the spouse of thy spirit, lone bard!
Ev’n in the days when thy boyhood thou worest,
   Thy pastimes drew on thee my dearest regard.

“For I knew thee, ev’n then, in thy ecstacy musing
   Of glory and grace by old Hawkesbury’s side—
Scenes that spread recordless round thee, suffusing
   With the purple of love—I beheld thee, and sighed.

“Sighed—for the fire-robe of thought had enwound thee,
   Betok ning how much that the happy most dread,
And whence there should follow, howe’er it renowned thee,
   What sorrows of heart, and what labours of head!

“Signed—though thy dreams did the more but endear thee.
   It seemed of the breeze, or a sigh of thine own,
When I swept o’er this lyre, still unseen gliding near thee,
   To give thy emotions full measure and tone.

“Since have I tracked thee through less lovely places,
   And seen thee with sorrow long herd with the vain,
Lured into error by false-smiling faces,
   Chained by dull fashion though scorning her chain.

“Then would I prompt, in the still hour of dreaming,
   Some thought of thy beautiful country again,
Of her yet to be famed streams, through dark woods far-gleaming
   Of her bold shores that throb to the beat of the main.

“Till at last I beheld thee arise in devotion,
   To shake from thy heart the vile bondage it bore,
And my joy gloried out like a morning-lit ocean,
   When thy footfall I heard in the mountains once more!

“Listen, belov’d one! I promise thee glory
   Such as shall rise like the day-star apart,
To brighten the source of Australia’s broad story,
   But for this thou must give to the future thy heart!—

“Be then the bard of thy country! O rather
   Should such be thy choice than a monarchy wide!
Lo! ’Tis the land of the grave of thy father!
   ’Tis the cradle of liberty! Think and decide.”

Joy glowed in my heart as she ceased. Unreplying,
   I gazed, mute with love, on her soul-moulded charms.
Deeper they glowed, her lips trembled, and sighing,
   She rushed to my heart and dissolved in my arms!


Scheme ABABCDCD EFEF GXGX XHEH IJIJ KLKL AMAM IBIB NONO XPDP IQIQ CRCR CSCS TUTU IXIU AVAV CWCW EQEQ IXIX
Poetic Form
Metre 110011011010 101101101001 001111001110 10101111101 11011110111 1011101001 1010010110011 101001111001 11011010110 10101111001 11010010110 0010110101 10011110010 01011011001 10110010110 01111101011 11011011010 01001011001 11011110110 1101011001 110010110010 1111101001 0011110110110 01001111 010010111011 110010011001 01111011101 01011011101 01011111010 101011001101 011010110010 11001001001 11110110100110 11001011001 11110110010 01101101011 0010111010010 1011101111 111110110 01101111001 1101101010 1101111011 100111111 1111111001 11111101110 110011111 111111010 10101111101 11010111111 1111101011 01111011011 1101101111 11111011011 11101101111 1111111011011 11101011001 11111111010 01111011101 10110111010 111101101 111100110110 11111001001 1011111111110 101111101101 111111010010 11111011011 011111010110 11111001011 1011110110 1111101101 1100111110 111111101011 11011110110 11111101001 11011011110 10101100101 110111111 1111110111 10110110010 11111001011
Closest metre Iambic hexameter
Characters 4,018
Words 694
Sentences 31
Stanzas 19
Stanza Lengths 8, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 80
Letters per line (avg) 38
Words per line (avg) 9
Letters per stanza (avg) 160
Words per stanza (avg) 36
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Submitted on May 13, 2011

Modified on March 05, 2023

3:28 min read
87

Charles Harpur

Charles Harpur was an Australian poet. more…

All Charles Harpur poems | Charles Harpur Books

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