Analysis of Love Sonnets

Charles Harpur 1813 (Windsor) – 1868 (Australia)



I.
HOW beautiful doth the morning rise
       O’er the hills, as from her bower a bride
       Comes brightened—blushing with the shame-faced pride
Of love that now consummated supplies
All her full heart can wish, and to the eyes
       Dear are the flowers then, in their green haunts spied,
       Glist ning with dew: pleasant at noon the side
Of shadowy mountains ridging to the skies:
At eve ’tis sweet to hear the breeze advance
   Through the responding forest dense and tall;
And sweeter in the moonlight is the dance
       And natural music of the waterfall:
       And yet we feel not the full charm of all,
Till love be near us with his magic glance.

II.
WHY tower my spirits, and what means this wild
       Commotion at my heart—this dreamy chase
       Of possible joys that glow like stars in space?
Now feel I even to all things reconciled,
As all were one in spirit. Rudely up-piled
       Brown hills grow beautiful; a novel grace
       Exalts the moorland’s once unmeaning face;
The river that, like a pure mind beguiled,
       Grows purer for its errors, and the trees
That fringe its margin with a dusky shade,
       Seem robed in fairy wonder; and are these
Exalted thus because with me surveyed
       By one sweet sould whom well they seem to please
Here at my side—an almost stranger maid?

III.
NOW sunny, as the noontide heavens, are
       The eyes of my sweet friend, and now serene
       And chastely shadowy in their maiden mien;
Or dream-power, sparkling like a brilliant star
Fills all their blue depths, taking me afar
       To where, in the rich past, through song is seen
       Some sovereign beauty, knighthood’s mystic queen,
Pluming with love the iron brows of war!
Bright eyes before, with subtle lightning glance
   Have kindled all my being into one
Wild tumult; but a charm thus to enhance
   My heart’s love-loyalty till now had none!
And can this witchery be the work of chance?
   I know not—I but know my rest is gone.

IV.
A VAST and shadowy hope breaks up my rest
       Unspoken; nor dares even my pen to write
       How my pent spirit pineth day and night
For one fair love with whom I might be blest!
And ever with vague jealousies possessed
       The more I languish, feeling these may so
       Oppress affection that for very woe
She longs at last to die deep buried in my breast!
O for a beaker of the wine of love,
   Or a deep draught of the Lethèan wave!
The power a mutual passion to emove,
   Or that repose which sealeth up the grave!
Yet these my bonds are blameless; one more wise
Had dreamt away his freedom, dreaming of her eyes.

V.
HER image haunts me! Lo! I muse at even,
       And straight it gathers from the gloom, to make
       My soul its mirror; which (as some still lake
Holds pictured in its depths the face of heaven)
Through the hushed night retains it: when ’tis given
       To take a warmer presence and incline
       A glowing cheek burning with love to mine,
Saying—“The heart for which thou long hast stiven
With looks so fancy-pale, I grant thee now;
   And if for ruth, yet more for love’s sweet sake,
My lips shall seal this promise on thy brow. ”
       Thus blest in sleep—oh! Who would care to wake,
       When the cold real from his belief must shake
Such vows, like blossoms from a shattered bough?

VI.
SHE loves me! From her own bliss-breathing lips
       The live confession came, like rich perfume
       From crimson petals bursting into bloom!
And still my heart at the remembrance skips
Like a young lion, and my tongue too trips
       As drunk with joy! While very object seen
       In life’s diurnal round wears in its mien
A clear assurance that no doubts eclipse.
And if the common things of nature now
       Are like old faces flushed with new delight,
Much more the consciousness of that rich vow
       Deepens the beauteous, and refines the bright,
       While throned I seem on love’s div


Scheme ABCCBBCCBDEDEED AFGGFFGGFHIHIHI AJKKJJKKXDLDLDX MNOONNPPNMMMMBB MXQQLLRRKSQSQQS ATUUTTKKTSOMOM
Poetic Form
Metre 1 110010101 1011101001 1101010111 111110001 1011110101 11010101111 1111101101 1100101101 1111110101 1001010101 010001101 0100101010 0111101111 1111111101 1 11011001111 0101111101 11001111101 1111011110 11010101011 1111000101 0101111 0101101101 1101110001 111101011 1101010011 0101011101 1111111111 111111101 1 110101101 0111110101 0110001101 11101010101 1111110101 1100111111 110101101 111010111 1101110101 1101110011 1101011101 1111001111 011110111 1111111111 1 01010011111 01011101111 111101101 1111111111 0101110001 0111010111 0101011101 111111110011 1101010111 101110111 01001001011 110111101 1111110111 110111010101 1 01011111110 0111010111 1111011111 11001101110 10110111110 1101010001 0101101111 1001111111 1111011111 0111111111 1111110111 1101111111 1011110111 1111010101 1 1111011101 0101011101 1101010011 0111100101 1011001111 1111110101 0101011011 0101011101 0101011101 1111011101 1101001111 100100101 1111111
Closest metre Iambic pentameter
Characters 4,357
Words 682
Sentences 29
Stanzas 6
Stanza Lengths 15, 15, 15, 15, 15, 14
Lines Amount 89
Letters per line (avg) 32
Words per line (avg) 8
Letters per stanza (avg) 479
Words per stanza (avg) 112
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Submitted on May 13, 2011

Modified on March 05, 2023

3:24 min read
126

Charles Harpur

Charles Harpur was an Australian poet. more…

All Charles Harpur poems | Charles Harpur Books

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