Analysis of The Basset-Table : An Eclogue

Alexander Pope 1688 (London) – 1744 (Twickenham)



Cardelia.
The Basset-Table spread, the Tallier come;
Why stays Smilinda in the Dressing-Room?
Rise, pensive Nymph, the Tallier waits for you:

Smilinda.
Ah, Madam, since my Sharper is untrue,
I joyless make my once ador'd
Alpeu
.
I saw him stand behind Ombrelia's Chair,
And whisper with that soft, deluding air,
And those feign'd sighs which cheat the list'ning Fair.

Cardelia.
Is this the cause of your Romantic strains?
A mightier grief my heavy heart sustains.
As You by Love, so I by Fortune cross'd;
One, one bad
Deal
, Three
Septleva's
have lost.

Smilinda.
Is that the grief, which you compare with mine?
With ease, the smiles of Fortune I resign:
Would all my gold in one bad Deal were gone,
Were lovely Sharper mine, and mine alone.

Cardelia.
A Lover is lost, is but a common care;
And prudent Nymphs against that change prepare:
The Knave of Clubs thrice lost: Oh! who could guess
This fatal stroke, this unforeseen Distress?

Smilinda.
See Betty Lovet! very
a propos
,
She all the cares of
Love
and
Play
does know:
Dear Betty shall th' important point decide;
Betty, who oft the pain of each has try'd;
Impartial, she shall say who suffers most,
By
Cards' Ill Usage
, or by
Lover's lost
.

Lovet.
Tell, tell your griefs; attentive will I stay,
Tho' Time is precious, and I want some Tea.

Cardelia.
Behold this Equipage, by Mathers wrought,
With Fifty Guineas (a great Pen'worth) bought.
See, on the Tooth-pick, Mars and Cupid strive;
And both the struggling figures seem alive.
Upon the bottom shines the Queen's bright Face;
A Myrtle Foliage round the Thimble-Case.
Jove, Jove himself, does on the Scissors shine;
The Metal, and the Workmanship, divine!

Smilinda.
This Snuff-Box, - once the pledge of Sharper's love,
When rival beauties for the Present strove;
At Corticelli's he the Raffle won;
Then first his Passion was in public shown:
Hazardia blush'd, and turn'd her Head aside,
A Rival's envy (all in vain) to hide.
This Snuff-Box,- on the Hinge see Brilliants shine:
This Snuff-Box will I stake; the Prize is mine.

Cardelia.
Alas! far lesser losses than I bear,
Have made a Soldier sigh, a Lover swear.
And Oh! what makes the disappointment hard,
'Twas my own Lord that drew the fatal Card.
In complaisance, I took the Queen he gave;
Tho' my own secret wish was for the Knave.
The Knave won Sonica, which I had chose;
And, the next Pull, my Septleva I lose.

Smilinda.
But ah! what aggravates the killing smart,
The cruel thought, that stabs me to the heart;
This curs'd Ombrelia, this undoing Fair,
By whose vile arts this heavy grief I bear;
She, at whose name I shed these spiteful tears,
She owes to me the very charms she wears.
An awkward Thing, when first she came to Town;
Her Shape unfashion'd, and her Face unknown:
She was my friend; I taught her first to spread
Upon her sallow cheeks enliv'ning red:
I introduc'd her to the Park and Plays;
And, by my int'rest, Cozens made her Stays.
Ungrateful wretch, with mimic airs grown pert,
She dares to steal my Fav'rite Lover's heart.

Cardelia.
Wretch that I was, how often have I swore,
When Winnall tally'd, I would punt no more?
I know the Bite, yet to my Ruin run;
And see the Folly, which I cannot shun.

Smilinda.
How many Maids have Sharper's vows deceiv'd?
How many curs'd the moment they believ'd?
Yet his known Falsehoods could no Warning prove:
Ah! what is warning to a Maid in Love?

Cardelia.
But of what marble must that breast be form'd,
To gaze on Basset, and remain unwarm'd?
When Kings, Queens, Knaves, are set in decent rank;
Expos'd in glorious heaps the tempting Bank,
Guineas, Half-Guineas, all the shining train;
The Winner's pleasure, and the Loser's pain:
In bright Confusion open Rouleaux lie,
They strike the Soul, and glitter in the Eye.
Fir'd by the sight, all Reason I disdain;
My Passions rise, and will not bear the rein.
Look upon Basset, you who Reason boast;
And see if Reason must not there be lost.

Smilinda.
What more than marble must that heart compose,
Can hearken coldly to my Sharper's Vows?
Then, when he trembles! when his Blushes rise!
When awful Love seems melting in his Eyes!
With eager beats his Mechlin Cravat moves:

'He Loves,'
- I whisper to myself,
'He Loves!'

Such unfeign'd Passion in his Looks appears,<


Scheme Axxb Cbcx ddd Aeeccafec Cggxh Addii Cfe jjcaxccckxkc ccc Accllmmgg Cjxnhccgg Addccoopx Cccddqqxhccrrcc Assnn Cccxj Accttuuakuucc Cpxvvx WxW x
Poetic Form
Metre 1 010101011 11100101 110101111 1 1101110101 1111101 1 1 11110111 0101110101 0111110111 1 1101110101 01001110101 1111111101 111 1 1 1 11 1 1101110111 1101110101 1111011101 0101010101 1 01011110101 0101011101 0111111111 110110101 1 110110 01 1 11011 1 0 1 11 11011101011 1011011111 0101111101 1 1110 11 101 1 1 1111010111 1111001111 1 01111101 1101001111 1101110101 01010010101 0101010111 0101010101 1101110101 010001001 1 111101111 1101010101 1110101 1111010101 11010101 0101010111 111101111 1111110111 1 0111010111 1101010101 011100101 1111110101 01110111 1111011101 01111111 00111111 1 111100101 0101111101 11110101 1111110111 1111111101 1111010111 1101111111 01100101 1111110111 0101111 101010101 01111101 0101110111 111111101 1 1111110111 11111111 1101111101 0101011101 1 110111101 1101010101 111111101 1111010101 1 1111011111 111100011 1111110101 01010010101 1011010101 010100011 010101011 1101010001 10101110101 1101011101 1011011101 0111011111 1 1111011101 11101111 111111101 1101110011 11011111 11 11011 11 111001101
Closest metre Iambic tetrameter
Characters 4,142
Words 746
Sentences 62
Stanzas 17
Stanza Lengths 4, 8, 9, 5, 5, 17, 3, 9, 9, 9, 15, 5, 5, 13, 6, 3, 1
Lines Amount 126
Letters per line (avg) 26
Words per line (avg) 6
Letters per stanza (avg) 191
Words per stanza (avg) 44
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Submitted on May 13, 2011

Modified on March 05, 2023

3:53 min read
42

Alexander Pope

Alexander Pope (1688-1744) is regarded as one of the greatest English poets, and the foremost poet of the early eighteenth century. He is best known for his satirical and discursive poetry, including The Rape of the Lock, The Dunciad, and An Essay on Criticism, as well as for his translation of Homer. more…

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