Analysis of Confession

Charles Baudelaire 1821 (Paris) – 1867 (Paris)



Une fois, une seule, aimable et douce femme,
À mon bras votre bras poli
S'appuya (sur le fond ténébreux de mon âme
Ce souvenir n'est point pâli);

II était tard; ainsi qu'une médaille neuve
La pleine lune s'étalait,
Et la solennité de la nuit, comme un fleuve,
Sur Paris dormant ruisselait.

Et le long des maisons, sous les portes cochères,
Des chats passaient furtivement
L'oreille au guet, ou bien, comme des ombres chères,
Nous accompagnaient lentement.

Tout à coup, au milieu de l'intimité libre
Eclose à la pâle clarté
De vous, riche et sonore instrument où ne vibre
Que la radieuse gaieté,

De vous, claire et joyeuse ainsi qu'une fanfare
Dans le matin étincelant
Une note plaintive, une note bizarre
S'échappa, tout en chancelant

Comme une enfant chétive, horrible, sombre, immonde,
Dont sa famille rougirait,
Et qu'elle aurait longtemps, pour la cacher au monde,
Dans un caveau mise au secret.

Pauvre ange, elle chantait, votre note criarde:
«Que rien ici-bas n'est certain,
Et que toujours, avec quelque soin qu'il se farde,
Se trahit l'égoïsme humain;

Que c'est un dur métier que d'être belle femme,
Et que c'est le travail banal
De la danseuse folle et froide qui se pâme
Dans son sourire machinal;

Que bâtir sur les coeurs est une chose sotte;
Que tout craque, amour et beauté,
Jusqu'à ce que l'Oubli les jette dans sa hotte
Pour les rendre à l'Eternité!»

J'ai souvent évoqué cette lune enchantée,
Ce silence et cette langueur,
Et cette confidence horrible chuchotée
Au confessionnal du coeur.

One time, once only, sweet, amiable woman,
On my arm your smooth arm
Rested (on the tenebrous background of my soul
That memory is not faded);

It was late; like a newly struck medal
The full moon spread its rays,
And the solemnity of the night streamed
Like a river over sleeping Paris.

And along the houses, under the porte-cocheres,
Cats passed by furtively,
With ears pricked up, or else, like beloved shades,
Slowly escorted us.

Suddenly, in the midst of that frank intimacy
Born in the pale moonlight,
From you, sonorous, rich instrument which vibrates
Only with radiant gaiety,

From you, clear and joyful as a fanfare
In the glistening morning light,
A plaintive note, a bizarre note
Escaped, faltering

Like a puny, filthy, sullen, horrible child,
Who would make his family blush,
And whom they have hidden for a long time
In a secret cellar.

Poor angel, it sang, your discordant note:
'That naught is certain here below,
That always, though it paint its face with utmost care
Man's selfishness reveals itself,

That it's a hard calling to be a lovely woman,
And that it is the banal task
Of the cold and silly danseuse who faints away
With a mechanical smile,

That to build on hearts is a foolish thing,
That all things break, love, and beauty,
Till Oblivion tosses them into his dosser
To give them back to Eternity!'

I've often evoked that enchanted moon,
The silence and the languidness,
And that horrible confidence whispered
In the heart's confessional.

— William Aggeler

Once, and once only, kind and gentle lady,
Your polished arm on mine you placed
(Deep down within my spirit, dark and shady,
I keep the memory uneffaced).

A medal, newly-coined, of flashing silver,
The full moon shone. The night was old.
Its solemn grandeur, like a mighty river,
Through sleeping Paris softly rolled.

Along the streets, by courtyard doors, cats darted
And passed in furtive, noiseless flight
With cars pricked; or, like shades of friends departed,
Followed us slowly through the night.

Cutting this easy intimacy through,
That hatched from out that pearly light —
O rich resounding instrument, from you,
Who'd always thrilled with loud delight,

From you, till then as joyful as a peal
Of trumpets on a sparkling morn,
A cry so plaintive that it seemed unreal,
Was staggeringly torn.

Like some misborn, deformed, and monstrous kid
Who puts his family to the blush,
Whose presence in a cellar must be hid
And his existence in a hush!

Poor angel! that harsh note was meant to sing
'That nothing in this world is certain,
And human egotism is the thing
Which all existence serves to curtain.

That it's an irksome task to be a beauty,
A boring job one has to face —
Like frigid dancers, smiling as


Scheme ABBB CDCD EDED FDFD FDFD DDDD DGDG AXBB DDDD BFBF GXXD HEDX EBXX BDXD FDDI DJXF DXFC GXXX IBFB XEDH F BDBD FDFD DDDD FDXD KLKL DJDJ IGIG BXX
Poetic Form
Metre 11111111 111110 1101111111 101101111 11111111 11111 111111111 110101 1011111111 1111 1111111111 111 11101111 11101 11111100111 1111 11111111 1011 11101101 11111 1111110011 1111 1111111111 1111110 1111111 111110110 1111111111 111111 11111111111 11100101 1111111111 1111 11111101111 111111 111111111 1111100 111111011 110111 1110010011 1111 111101100010 111111 10101001111 11001110 1111010110 011111 0001001011 1010101010 00101010011 111100 1111111011 100101 1000011111000 10011 111001100110 1011001 111010101 00100101 01010011 01100 101010101001 11111001 0111101011 001010 1101110101 11110101 1111111111 11000101 1101101101010 01110011 10101011101 1001001 1111110101 11111010 101001010111 111110100 1100110101 010001 0110010010 0010100 101 10110101010 11011111 11011101010 1101001 01010111010 01110111 11001101010 11010101 0101111110 0101011 11111111010 10110101 1011010001 11111101 1101010011 1111101 1111110101 11010101 0111011101 111 111010101 111100101 1100010111 01010001 1101111111 110011110 010100101 110101110 11110111010 01011111 11010101
Closest metre Iambic pentameter
Characters 4,179
Words 724
Sentences 20
Stanzas 29
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 1, 4, 4, 4, 4, 4, 4, 4, 3
Lines Amount 112
Letters per line (avg) 29
Words per line (avg) 6
Letters per stanza (avg) 113
Words per stanza (avg) 25
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Submitted on May 13, 2011

Modified on March 05, 2023

3:44 min read
95

Charles Baudelaire

Charles Pierre Baudelaire was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. more…

All Charles Baudelaire poems | Charles Baudelaire Books

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