Analysis of The Child Of The Islands - Conclusion

Caroline Elizabeth Sarah Norton 1808 (Caroline Elizabeth Sarah Sheridan London) – 1877 (London)



MY lay is ended! closed the circling year,
From Spring's first dawn to Winter's darkling night;
The moan of sorrow, and the sigh of fear,
The ringing chords of triumph and delight
Have died away,--oh, child of beauty bright,--
And all unconscious of my song art thou:
With large blue eyes of Majesty and might,
And red full lips, and fair capacious brow,
No Leader of the World,--but Life's Beginner, now!
II.

Oh, tender human blossom, thou art fair,
With such a beauty as the eye perceives
Watching a bud of promise rich and rare
In the home-shadow of surrounding leaves.
THOUGHT, the great Dream-bringer, who joys and grieves
Over the visions of her own creating,
Resting by Thee, a sigh of pleasure heaves;
The fever of her rapid flight abating
Amid the golden hopes around thy cradle waiting.
III.

Thou--thou, at least, art happy! For thy sake
Heaven speaks reversal of the doom of pain,
Set on our Nature when the Demon-Snake
Hissed the first lie, a woman's ear to gain,
And Eden was lamented for in vain!
THOU art not meant, like other men, to thirst
For benefits no effort can attain:
To struggle on, by Hope's deceiving nurst,
And linger still the last, where thou wouldst fain be first.
IV.

The royal canopy above thy head
Shall charm away the griefs that others know:--
Oh! mocking dream! Thy feet Life's path must tread:
The Just God made not Happiness to grow
Out of condition: fair the field-flowers blow,
Fair as the richer flowers of garden ground;
And far more equally are joy and woe
Divided,--than they dream, who, gazing round,
See but that narrow plot, their own life's selfish bound.
V.

True,--in thy Childhood's Spring thou shalt not taste
The bitter toil of factory or mine:
Nor the Strong Summer of thy manhood waste
In labour vain, and want that bids thee pine:
The mellow Autumn of thy calm decline--
The sheltered Winter of thy happy Age--
Shall see home-faces still around thee shine--
No Workhouse threatening, where the heart's sick rage
Mopes like a prisoned bird within a cheerless cage.
VI.

True, that, instead of all this weary grief,
This cutting off what joy our life affords,
This endless pining for denied relief,
All Luxury shall hail thee! music's chords
Shall woo thee,--and sweet utterance of words
In Minstrel singing: Painting shall beguile
Thine eye with mimic battles, dark with swords,--
Green sylvan landscapes,--beauty's imaged smile,--
And books thy leisure hours from worldly cares shall wile.
VII.

There ends the sum of thy Life's holiday!
WANT shall not enter near thee,--PLEASURE shall:
But Pomp hath wailed when Poverty looked gay,
And SORROW claims an equal tax from all:
Tears have been known from Royal eyes to fall
When harvest-trudging clowns went singing by:
Sobs have woke echoes in the gilded hall:
And, by that pledge of thine Equality,
Men hail thee BROTHER still, though thou art set so high.

DEATH, too, who heeds not poorer men's regret,
Neither is subject to the will of Kings;
All Thrones, all Empires of the Earth are set
Under the vaulted shadow of his wings:
He blights our Summers, chills our fairest springs,
Nips the fresh bloom of some uncertain flower,
Yea, where the fragile tendril closest clings,
There doth his gaunt hand pluck, with sudden power,
Leaving green burial-mounds, where stood Affection's bower.
IX.

Where is young Orleans? that fair Prince of France,
Who 'scaped a thousand threatening destinies
Only to perish by a vulgar chance?
Lost is the light of the most lovely eyes
That ever imaged back the summer skies!
Widowed the hapless Wife, who seeks to train
Childhood's frail thread of broken memories,
So that her Orphan may at least retain
The haunting shadow of a Father's face,--in vain!
X.

Oh! Summer flowers, which happy children cull,
How were ye stained that year by bitter weeping,
When he, the stately and the beautiful,
Wrapped in his dismal shroud lay coldly sleeping!
The warm breeze through the rustling woods went creeping,
The birds with gladdening notes sang overhead:
The peasant groups went laughing to their reaping,
But, in the gorgeous Palace, rose instead,
Sobs,--and lamenting Hymns,--and Masses for the Dead!
XI.

Where, too, is She, the loved and lately wived,
The fair-haired Daughter of an Emperor,
Born in the time of roses, and who lived
A rose's life; one Spring, one Summer more,


Scheme ABABBCBCCD EFEFFGFGGD HIHIIJIBJK LMLMMNMNNK OPOPPQPQQK KRKRXSRSSK TXTUUXUVK WXWXXYXYYF Z1 Z2 2 I1 IIX 3 G3 GGLGLLV BYXX
Poetic Form
Metre 11110101001 111111011 0111000111 0101110001 1101111101 011011111 1111110001 0111010101 110101110101 1 1101010111 1101010101 1001110101 001110101 101111101 10010101010 1011011101 01010101010 0101010111010 1 1111110111 10101010111 11101010101 1011010111 0101010101 1111110111 1100110101 1101110101 010101111111 1 0101000111 1101011101 1101111111 0111110011 11010101101 11010101101 0111001101 0101111101 111101111101 1 101111111 0101110011 101101111 011011111 0101011101 0101011101 1111010111 1110010111 11010101011 1 1101111101 11011110101 1101010101 1100111101 1110110011 0101010101 1111010111 1101111 0111010110111 1 110111110 1111011101 1111110011 0101110111 1111110111 1101011101 1111000101 0111110100 111101111111 1111110101 1010110111 11110010111 100101111 111010110101 10111101010 110101101 11111111010 101100111110 1 11110011111 11010100100 1011010101 1101101101 110110101 1001011111 111110100 1101011101 01011010101 1 11010110101 10111111010 1101000100 10110111010 01110101110 011111101 01011101110 1001010101 100101010101 1 1111010101 0111011100 1001110011 0101111101
Closest metre Iambic pentameter
Characters 4,304
Words 752
Sentences 35
Stanzas 11
Stanza Lengths 10, 10, 10, 10, 10, 10, 9, 10, 10, 10, 4
Lines Amount 103
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 306
Words per stanza (avg) 67
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Submitted on May 13, 2011

Modified on March 05, 2023

3:50 min read
80

Caroline Elizabeth Sarah Norton

Caroline Elizabeth Sarah Norton was an English feminist, social reformer, and author of the early and mid-nineteenth century. more…

All Caroline Elizabeth Sarah Norton poems | Caroline Elizabeth Sarah Norton Books

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