Analysis of Eloisa to Abelard

Alexander Pope 1688 (London) – 1744 (Twickenham)



In these deep solitudes and awful cells,
Where heav'nly-pensive contemplation dwells,
And ever-musing melancholy reigns;
What means this tumult in a vestal's veins?
Why rove my thoughts beyond this last retreat?
Why feels my heart its long-forgotten heat?
Yet, yet I love!--From Abelard it came,
And Eloisa yet must kiss the name.

Dear fatal name! rest ever unreveal'd,
Nor pass these lips in holy silence seal'd.
Hide it, my heart, within that close disguise,
Where mix'd with God's, his lov'd idea lies:
O write it not, my hand--the name appears
Already written--wash it out, my tears!
In vain lost Eloisa weeps and prays,
Her heart still dictates, and her hand obeys.

Relentless walls! whose darksome round contains
Repentant sighs, and voluntary pains:
Ye rugged rocks! which holy knees have worn;
Ye grots and caverns shagg'd with horrid thorn!
Shrines! where their vigils pale-ey'd virgins keep,
And pitying saints, whose statues learn to weep!
Though cold like you, unmov'd, and silent grown,
I have not yet forgot myself to stone.
All is not Heav'n's while Abelard has part,
Still rebel nature holds out half my heart;
Nor pray'rs nor fasts its stubborn pulse restrain,
Nor tears, for ages, taught to flow in vain.

Soon as thy letters trembling I unclose,
That well-known name awakens all my woes.
Oh name for ever sad! for ever dear!
Still breath'd in sighs, still usher'd with a tear.
I tremble too, where'er my own I find,
Some dire misfortune follows close behind.
Line after line my gushing eyes o'erflow,
Led through a sad variety of woe:
Now warm in love, now with'ring in thy bloom,
Lost in a convent's solitary gloom!
There stern religion quench'd th' unwilling flame,
There died the best of passions, love and fame.

Yet write, oh write me all, that I may join
Griefs to thy griefs, and echo sighs to thine.
Nor foes nor fortune take this pow'r away;
And is my Abelard less kind than they?
Tears still are mine, and those I need not spare,
Love but demands what else were shed in pray'r;
No happier task these faded eyes pursue;
To read and weep is all they now can do.

Then share thy pain, allow that sad relief;
Ah, more than share it! give me all thy grief.
Heav'n first taught letters for some wretch's aid,
Some banish'd lover, or some captive maid;
They live, they speak, they breathe what love inspires,
Warm from the soul, and faithful to its fires,
The virgin's wish without her fears impart,
Excuse the blush, and pour out all the heart,
Speed the soft intercourse from soul to soul,
And waft a sigh from Indus to the Pole.

Thou know'st how guiltless first I met thy flame,
When Love approach'd me under Friendship's name;
My fancy form'd thee of angelic kind,
Some emanation of th' all-beauteous Mind.
Those smiling eyes, attemp'ring ev'ry day,
Shone sweetly lambent with celestial day.
Guiltless I gaz'd; heav'n listen'd while you sung;
And truths divine came mended from that tongue.
From lips like those what precept fail'd to move?
Too soon they taught me 'twas no sin to love.
Back through the paths of pleasing sense I ran,
Nor wish'd an Angel whom I lov'd a Man.
Dim and remote the joys of saints I see;
Nor envy them, that heav'n I lose for thee.

How oft, when press'd to marriage, have I said,
Curse on all laws but those which love has made!
Love, free as air, at sight of human ties,
Spreads his light wings, and in a moment flies,
Let wealth, let honour, wait the wedded dame,
August her deed, and sacred be her fame;
Before true passion all those views remove,
Fame, wealth, and honour! what are you to Love?
The jealous God, when we profane his fires,
Those restless passions in revenge inspires;
And bids them make mistaken mortals groan,
Who seek in love for aught but love alone.
Should at my feet the world's great master fall,
Himself, his throne, his world, I'd scorn 'em all:
Not Caesar's empress would I deign to prove;
No, make me mistress to the man I love;
If there be yet another name more free,
More fond than mistress, make me that to thee!
Oh happy state! when souls each other draw,
When love is liberty, and nature, law:
All then is full, possessing, and possess'd,
No craving void left aching in the breast:
Ev'n thought meets thought, ere from the lips it part,
And each warm wish springs mutual from the heart.
This sure is bliss (if bliss on earth there be)
And once the lot of Abelard and me.

Alas, how chang'd! what sudden horrors rise!
A naked lover bound and bleeding lies!
Where, whe


Scheme AABBCCDD CXEEXXFF BBGGHHIIJJKK AXXLMMNOPPDD XXQQLXRR SSTTUVJJNN DDMMQQWWXYZZ1 1 XTEEDDXYVUIINNXY1 1 XN2 2 JJ1 1 EEO
Poetic Form
Metre 01110101 11100101 010101001 111100011 1111011101 1111110101 1111110011 001011101 11011101 1111010101 1111011101 1111110101 1111110101 0101011111 011010101 0110100101 010111101 0101010001 1101110111 1101011101 1111011101 0100111111 1111010101 111101111 1111110011 1101011111 1111110101 1111011101 1111010011 1111010111 1111011101 1101110101 1101101111 1101010101 110111011 1101010011 1101111011 10011001 110101110101 1101110101 1111111111 1111010111 11110111101 0111001111 1111011111 11011101011 11001110101 1101111111 1111011101 1111111111 111101111 1101011101 1111111101 11010101110 0101010101 0101011101 101101111 0101110101 11111011111 110111011 110111101 1010111111 1101111 110110101 1011110111 0101110111 111111111 1111111111 1101110111 1111011101 1001011111 1101111111 1111110111 1111111111 1111111101 1111000101 111110101 1001010101 0111011101 110111111 01011101110 1101000101 0111010101 1101111101 1111011101 0111111111 1101011111 1111010111 1111010111 1111011111 1101111101 1111000101 1111010001 1101110001 11111110111 01111100101 1111111111 0101110001 0111110101 0101010101 11
Closest metre Iambic pentameter
Characters 4,352
Words 794
Sentences 48
Stanzas 9
Stanza Lengths 8, 8, 12, 12, 8, 10, 14, 26, 3
Lines Amount 101
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 382
Words per stanza (avg) 88
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Submitted on May 13, 2011

Modified on April 25, 2023

4:12 min read
219

Alexander Pope

Alexander Pope (1688-1744) is regarded as one of the greatest English poets, and the foremost poet of the early eighteenth century. He is best known for his satirical and discursive poetry, including The Rape of the Lock, The Dunciad, and An Essay on Criticism, as well as for his translation of Homer. more…

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