Analysis of The Wind(Four fragments concerning Blok)

Boris Pasternak 1890 (Moscow) – 1960 (Peredelkino)



Who’ll be honoured and praised,
who’ll be dead, and abused,
that’s only known these days
to power’s sycophantic crew.

To honour Pushkin or not:
perhaps no one would know,
were it not for their dissertations
that shed light on our darkness so.

But Blok, happily, isn’t like that,
his case is a different one.
He didn’t come down from Sinai
or adopt us as his sons.

Eternal, owned by no programme,
beyond systems and schools,
he’s not been manufactured
or thrust down our throats by fools.

As the wind: like the wind. Like the wind
that shrieked on the estate in those days,
when Fil’ka, the postilion still galloped
at the head of a team of six bays.

And grandfather was still alive
crystal-pure Jacobin, radical soul,
his gusty grandson close behind
by a fingerbreadth, and as bold.

That wind, that penetrated
under his ribs, into his spirit,
entered his verse, and was praised,
in good times and in evil.

That wind’s everywhere. The house,
trees, country, and rain,
in his third book of poetry,
in The Twelve, in death – the same.

Wide, wide, wide,
river and field stretch away.
It’s haymaking time
it’s communal work today.

And the mowers at the bend
have no time to stand and gaze.
The mowing made Blok wild,
the young squire grasped a scythe,

missed a hedgehog at a swipe,
then two adders were sliced.

But his lessons weren’t complete.
‘You idler, you slacker’, they cried.
Ah, childhood! Ah, school, so dry!
Oh, the songs of the makers of hay!

At twilight, clouds from the east,
north and south are overcast.
Wind, unseasonable and fierce,
suddenly blows in, and hacks
at mower’s scythes, at the reeds,
hacks at the prickly copse,
where the river bends, runs deep.

Ah, childhood! Ah, school, so dry!
Oh, the songs of the makers of hay!
Wide, wide, wide,
river and field stretch away.

The horizon’s sinister, sudden,
and dawn is streaked with blood,
like unhealed lacerations
on a reaper’s legs, dark blood.

No counting the gaps in the sky,
tempests and storms, the omen,
and the air of the marsh is high
with water that’s rust and iron.

Over woods, gullies, and roads
over villages and farms,
the lightning in the clouds
prophesies earth’s harm.

When the rim of the city sky
is purple like that, and rusty
the State’s shaken, by and by,
a hurricane strikes our country.

Blok read the writing above.
To him the heavens were set,
on foul weather, presages of
whirlwind, cyclone, tempest.

Blok foresaw that storm and stress.
It etched, with its fiery features,
fear and longing for that excess,
on his life, and his verses.


Scheme axbx xcbc xdef xgxg hbxb xxhx ixax xxjx KLxl xbxx xx xkEL xxxxxbx ELKL difi edex xxxx ejej mxmx nxnx
Poetic Form
Metre 11101 111001 110111 1100101 111011 011111 011111 111110101 11100111 11101001 111111 1011111 0101111 011001 111010 11110111 101101101 111001011 1101110 101101111 0101101 1011001001 1101101 101011 111100 101101110 1011011 0110010 111001 11001 01111100 0010101 111 1001101 111 1010101 0010101 1111101 010111 011101 101101 11101 1110101 110011011 111111 101101011 111101 101110 1101 1001001 1101101 110101 1010111 111111 101101011 111 1001101 001010010 011111 11010 101111 11001001 101010 00110111 11011010 1011001 1010001 010001 10011 10110101 11011010 0110101 01011010 1101001 1101001 11101001 10110 111101 111110010 1010111 1110110
Closest metre Iambic tetrameter
Characters 2,498
Words 451
Sentences 35
Stanzas 20
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 2, 4, 7, 4, 4, 4, 4, 4, 4, 4
Lines Amount 81
Letters per line (avg) 24
Words per line (avg) 6
Letters per stanza (avg) 97
Words per stanza (avg) 22
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Submitted on May 13, 2011

Modified on March 05, 2023

2:15 min read
103

Boris Pasternak

Boris Leonidovich Pasternak was a Russian poet, novelist, and literary translator. more…

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