Analysis of 15 august XXXV

Pablo Picasso 1881 (Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso[1] Málaga) – 1973 (Mougins)



i am now here in the nest where the lamb and the bear—the lion and the zebra—the
wolf and the panther—the fox, the winter and the summer weasel—the mole and the
chinchilla—the rabbit and the sable weave in silence above an abandoned staircase
after the party has washed the week and wrung out the handkerchief raining a
perfume that wanders in search of its shape in a sad afternoon that has so many
reasons to stretch into the oil blue of a silk duvet the corner of his eye rips drowning in
shreds the landscape he sighed in the place where the beehive yearns to form its ice


Scheme AABACDE
Poetic Form
Metre 111100110100101000100 10010010100010100100 010010001010100110101 1001011010110100100 01110011110010111110 10110101110110101111100 1011100110111111
Characters 580
Words 108
Sentences 1
Stanzas 1
Stanza Lengths 7
Lines Amount 7
Letters per line (avg) 66
Words per line (avg) 15
Letters per stanza (avg) 463
Words per stanza (avg) 108
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Submitted by DruFree on November 09, 2016

Modified on April 09, 2023

32 sec read
299

Pablo Picasso

It was in early 1935, then, that Picasso (then fifty-four years old) began to write what we will present here as his poetry – a writing that continued, sometimes as a daily offering, until the summer of 1959. In the now standard Picasso myth, the onset of the poetry is said to have coincided with a devastating marital crisis (a financially risky divorce, to be more exact), because of which his output as a painter halted for the first time in his life. Writing – as a form of poetry using, largely, the medium of prose – became his alternative outlet. The flow of words begins abruptly (“privately” his biographer Patrick O’Brian tells us) on 18 april XXXV while in retreat at Boisgeloup. (He would lose the country place the next year in a legal settlement.) The pace is rapid, violent, pushing and twisting from one image to another, not bothering with punctuation, often defying syntax, expressive of a way of writing/languaging that he had never tried before more…

All Pablo Picasso poems | Pablo Picasso Books

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