Analysis of Thubare, a Port on the Arabian Coast

Letitia Elizabeth Landon 1802 (Chelsea) – 1838 (Cape Coast)



THOU lovely port of Araby,
Of Araby the blest,
I think of the time, when thy summer clime,
Was bright on my midnight rest;
And the gates uprose, which at evening close.
Lest they harbour forbidden guest.
Oh! I must let my thoughts go back,
O’er the charmed spots in memory’s track;
Back like a bark that at random sails,
Or the dreamings of those delicious tales.

Now, was not that a beautiful dream,
Of the prince who pined for love,
And who sought on his way, so mournfully,
For the arrow he shot above.
On he went through the gloomy wood,
Where the heavy boughs were sweeping,
Dark with a century’s solitude,
Whose watch they had been keeping.
The moss was gray on each aged tree,
And the sound of the branches was that of the sea,
When, girt by the rocks, and stirred by the wind,
It moans like a giant in fetters confined.

Next he came to a gloomy cave,
But, oh! ’twas a cave like night;
For the spars a trembling radiance gave,
Like the stars in the morning light;
And a gentle meteor glided around,
It seemed like a living thing,
So soft was the gleam of its moonlit eyes !
So bright was its shadowy wing.
It moved with a song that was sweet and low,
As the waters when over white pebbles they flow ;
Around and before Prince Ahmed it shone,
And it looked a kind welcome, while guiding him on,

It was a radiant garden,
To which the cavern led,
Heavy with early roses,
A thousand thickets spread ;
Roses that breathe of summer,
To colder climes unknown,
With the burning sigh and colour
Of the lovely southern zone :
And there were silver fountains,
That in the noontide hours,
Fell down o’er marble basins,
In cool and fragrant showers ;
For the dews of evening fed them,
With the life of many a bloom,
Till blended with their waters
Was every flower's perfume.

And there were graceful cypress-trees,
That drooped above a lake;
Oh, love, how much of loveliness
Was given for thy sake!
And buoyant on the liquid plain,
Which threw their image back again ;
A float of water-lilies reared
Their temples to the sun,
Shrines where some insect conqueror keeps
The red gold he has won;
Or it might chance some victor bee
Made them his ivory treasury.

Glittering with light, a palace bright
Now rises on the air,
The meteor's blaze sinks ’mid its rays,
Oh! prince, thy home is there.
He enters, and a thrilling song
Rises those shining halls among ;
The first one was with amber lined,
Like that upon the west,
When one pale line of tender light
Shows where the day hours rest
The next was of the sapphire stone,
The third with precious metals shone;
The fourth was like the midnight sky,
When every star shines out on high;
The roof was bright with pearl and gem,
Golconda's king might choose ’mid them
The glory of his diadem.

A lady leant upon the throne,
But pale with love, and pale with fear;
For love and fear are at her heart,
The bright and mighty mistress here ;
The words are dying on her mouth,
A red rose opening to the south;
The long lash hides her downcast eye,
Downcast, though glorious as the sky :
Whate’er her power, whate’er her will,
A woman is but woman still:
Her raven hair falls o’er her brow,
She's thankful for its shadow now ;
Her white hand clasped within his own,
The prince is kneeling at her throne.

Thou lovely port of Araby,
A vision and a dream,
Is on thine own enchanted shore,
Is on thy charmed stream:
Oh! glory to thy fair date-trees,
And to their thousand memories
Of moonlit walks, of midnight tales;
Of all our earlier world,
When all the colours of its youth
Like banners were unfurled;
And fancy, at whose feet take birth
A thousand blossoms o’er our earth,
Was young, and ardent, and sublime,
Ah! little like our actual time.

It is scarce necessary to say, that the story to which the above poem refers, is that of the Fairy Pari-Banou and Prince Ahmed.


Scheme Abcbdbeeff cghgxixijjkk lmlmxixihhnx opxpxnjnqrqrccrc stdtxxxoxoaj muxuxxkbmbnnvvccc nxxxwwvvhhxxnn Acxcssfyxyzzcc x
Poetic Form
Metre 110111 1101 1110111101 111111 001111101 11101001 11111111 1011011 110111101 101110101 111101001 1011111 01111111 10101101 11110101 10101010 110110 1111110 01111111 001101011101 1110101101 11101001001 11110101 1110111 10101001001 10100101 00101001001 1110101 111011111 11111001 1110111101 101011011011 0100111011 011011011011 11010010 110101 1011010 010101 1011110 110101 1010101 1010101 0101010 100110 1111010 0101010 10111011 10111001 1101110 1100101 01010101 110101 111111 110111 01010101 11110101 01110101 110101 11111001 011111 11111101 111100100 100110101 110101 0111111 111111 11000101 10110101 01111101 110101 11111101 1101101 011101001 01110101 0111011 110011111 01111101 111111 0101110 010100101 11110111 11011101 01010101 01110101 011100101 0111011 11100101 1010101 01011101 01011101 1101111 01110111 01110101 110111 010001 11110101 11111 11011111 01110100 111111 11101001 1101111 110001 01011111 010101101 11010001 1101101001 111100111010110011001111010110110
Closest metre Iambic tetrameter
Characters 3,713
Words 698
Sentences 21
Stanzas 9
Stanza Lengths 10, 12, 12, 16, 12, 17, 14, 14, 1
Lines Amount 108
Letters per line (avg) 27
Words per line (avg) 7
Letters per stanza (avg) 328
Words per stanza (avg) 79
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Submitted by Madeleine Quinn on July 26, 2016

Modified on March 05, 2023

3:30 min read
46

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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